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1 Hawthorne Literature- A to Z

Prayer for Owen Meany


Prayer for Owen Meany Cover


Out of Print



The Foul Ball

I am doomed to remember a boy with a wrecked voice—not because of his voice, or because he was the smallest person I ever knew, or even because he was the instrument of my mothers death, but because he is the reason I believe in God; I am a Christian because of Owen Meany. I make no claims to have a life in Christ, or with Christ—and certainly not for Christ, which Ive heard some zealots claim. Im not very sophisticated in my knowledge of the Old Testament, and Ive not read the New Testament since my Sunday school days, except for those passages that I hear read aloud to me when I go to church. Im somewhat more familiar with the passages from the Bible that appear in The Book of Common Prayer; I read my prayer book often, and my Bible only on holy days—the prayer book is so much more orderly.

Ive always been a pretty regular churchgoer. I used to be a Congregationalist—I was baptized in the Congregational Church, and after some years of fraternity with Episcopalians (I was confirmed in the Episcopal Church, too), I became rather vague in my religion: in my teens I attended a “nondenominational” church. Then I became an Anglican; the Anglican Church of Canada has been my church—ever since I left the United States, about twenty years ago. Being an Anglican is a lot like being an Episcopalian—so much so that being an Anglican occasionally impresses upon me the suspicion that I have simply become an Episcopalian again. Anyway, I left the Congregationalists and the Episcopalians—and my country once and for all.

When I die, I shall attempt to be buried in New Hampshire—alongside my mother—but the Anglican Church will perform the necessary service before my body suffers the indignity of trying to be sneaked through U.S. Customs. My selections from the Order for the Burial of the Dead are entirely conventional and can be found, in the order that I shall have them read—not sung—in The Book of Common Prayer. Almost everyone I know will be familiar with the passage from John, beginning with “. . . whosoever liveth and believeth in me shall never die.” And then theres “. . . in my Fathers house are many mansions: If it were not so, I would have told you.” And I have always appreciated the frankness expressed in that passage from Timothy, the one that goes “. . . we brought nothing into this world, and it is certain we can carry nothing out.” It will be a by-the-book Anglican service, the kind that would make my former fellow Congregationalists fidget in their pews. I am an Anglican now, and I shall die an Anglican. But I skip a Sunday service now and then; I make no claims to be especially pious; I have a church-rummage faith—the kind that needs patching up every weekend. What faith I have I owe to Owen Meany, a boy I grew up with. It is Owen who made me a believer.

In Sunday school, we developed a form of entertainment based on abusing Owen Meany, who was so small that not only did his feet not touch the floor when he sat in his chair—his knees did not extend to the edge of his seat; therefore, his legs stuck out straight, like the legs of a doll. It was as if Owen Meany had been born without realistic joints.

Owen was so tiny, we loved to pick him up; in truth, we couldnt resist picking him up. We thought it was a miracle: how little he weighed. This was also incongruous because Owen came from a family in the granite business. The Meany Granite Quarry was a big place, the equipment for blasting and cutting the granite slabs was heavy and dangerous-looking; granite itself is such a rough, substantial rock. But the only aura of the granite quarry that clung to Owen was the granular dust, the gray powder that sprang off his clothes whenever we lifted him up. He was the color of a gravestone; light was both absorbed and reflected by his skin, as with a pearl, so that he appeared translucent at times—especially at his temples, where his blue veins showed through his skin (as though, in addition to his extraordinary size, there were other evidence that he was born too soon).

His vocal cords had not developed fully, or else his voice had been injured by the rock dust of his familys business. Maybe he had larynx damage, or a destroyed trachea; maybe hed been hit in the throat by a chunk of granite. To be heard at all, Owen had to shout through his nose.

Yet he was dear to us—“a little doll,” the girls called him, while he squirmed to get away from them; and from all of us.

I dont remember how our game of lifting Owen began.

This was Christ Church, the Episcopal Church of Gravesend, New Hampshire. Our Sunday school teacher was a strained, unhappy-looking woman named Mrs. Walker. We thought this name suited her because her method of teaching involved a lot of walking out of class. Mrs. Walker would read us an instructive passage from the Bible. She would then ask us to think seriously about what we had heard—“Silently and seriously, thats how I want you to think!” she would say. “Im going to leave you alone with your thoughts, now,” she would tell us ominously—as if our thoughts were capable of driving us over the edge. “I want you to think very hard,” Mrs. Walker would say. Then shed walk out on us. I think she was a smoker, and she couldnt allow herself to smoke in front of us. “When I come back,” shed say, “well talk about it.”

By the time she came back, of course, wed forgotten everything about whatever it was—because as soon as she left the room, we would fool around with a frenzy. Because being alone with our thoughts was no fun, we would pick up Owen Meany and pass him back and forth, overhead. We managed this while remaining seated in our chairs—that was the challenge of the game. Someone—I forget who started it—would get up, seize Owen, sit back down with him, pass him to the next person, who would pass him on, and so forth. The girls were included in this game; some of the girls were the most enthusiastic about it. Everyone could lift up Owen. We were very careful; we never dropped him. His shirt might become a little rumpled. His necktie was so long, Owen tucked it into his trousers—or else it would have hung to his knees—and his necktie often came untucked; sometimes his change would fall out (in our faces). We always gave him his money back.

If he had his baseball cards with him, they, too, would fall out of his pockets. This made him cross because the cards were alphabetized, or ordered under another system—all the infielders together, maybe. We didnt know what the system was, but obviously Owen had a system, because when Mrs. Walker came back to the room—when Owen returned to his chair and we passed his nickels and dimes and his baseball cards back to him—he would sit shuffling through the cards with a grim, silent fury.

He was not a good baseball player, but he did have a very small strike zone and as a consequence he was often used as a pinch hitter—not because he ever hit the ball with any authority (in fact, he was instructed never to swing at the ball), but because he could be relied upon to earn a walk, a base on balls. In Little League games he resented this exploitation and once refused to come to bat unless he was allowed to swing at the pitches. But there was no bat small enough for him to swing that didnt hurl his tiny body after it—that didnt thump him on the back and knock him out of the batters box and flat upon the ground. So, after the humiliation of swinging at a few pitches, and missing them, and whacking himself off his feet, Owen Meany selected that other humiliation of standing motionless and crouched at home plate while the pitcher aimed the ball at Owens strike zone—and missed it, almost every time.

Yet Owen loved his baseball cards—and, for some reason, he clearly loved the game of baseball itself, although the game was cruel to him. Opposing pitchers would threaten him. Theyd tell him that if he didnt swing at their pitches, theyd hit him with the ball. “Your heads bigger than your strike zone, pal,” one pitcher told him. So Owen Meany made his way to first base after being struck by pitches, too.

Once on base, he was a star. No one could run the bases like Owen. If our team could stay at bat long enough, Owen Meany could steal home. He was used as a pinch runner in the late innings, too; pinch runner and pinch hitter Meany—pinch walker Meany, we called him. In the field, he was hopeless. He was afraid of the ball; he shut his eyes when it came anywhere near him. And if by some miracle he managed to catch it, he couldnt throw it; his hand was too small to get a good grip. But he was no ordinary complainer; if he was self-pitying, his voice was so original in its expression of complaint that he managed to make whining lovable.

In Sunday school, when we held Owen up in the air—especially, in the air!—he protested so uniquely. We tortured him, I think, in order to hear his voice; I used to think his voice came from another planet. Now Im convinced it was a voice not entirely of this world.

“PUT ME DOWN!” he would say in a strangled, emphatic falsetto. “CUT IT OUT! I DONT WANT TO DO THIS ANYMORE. ENOUGH IS ENOUGH. PUT ME DOWN! YOU ASSHOLES!”

But we just passed him around and around. He grew more fatalistic about it, each time. His body was rigid; he wouldnt struggle. Once we had him in the air, he folded his arms defiantly on his chest; he scowled at the ceiling. Sometimes Owen grabbed hold of his chair the instant Mrs. Walker left the room; hed cling like a bird to a swing in its cage, but he was easy to dislodge because he was ticklish. A girl named Sukey Swift was especially deft at tickling Owen; instantly, his arms and legs would stick straight out and wed have him up in the air again.

“NO TICKLING!” hed say, but the rules to this game were our rules. We never listened to Owen.

Inevitably, Mrs. Walker would return to the room when Owen was in the air. Given the biblical nature of her instructions to us: “to think very hard . . .” she might have imagined that by a supreme act of our combined and hardest thoughts we had succeeded in levitating Owen Meany. She might have had the wit to suspect that Owen was reaching toward heaven as a direct result of leaving us alone with our thoughts.

But Mrs. Walkers response was always the same—brutish and unimaginative and incredibly dense. “Owen!” she would snap. “Owen Meany, you get back to your seat! You get down from up there!”

What could Mrs. Walker teach us about the Bible if she was stupid enough to think that Owen Meany had put himself up in the air?


But although Owen would complain to us, he would never complain about us. If he was occasionally capable of being a stoic in the air, he was always a stoic when Mrs. Walker accused him of childish behavior. He would never accuse us. Owen was no rat. As vividly as any number of the stories in the Bible, Owen Meany showed us what a martyr was.

It appeared there were no hard feelings. Although we saved our most ritualized attacks on him for Sunday school, we also lifted him up at other times—more spontaneously. Once someone hooked him by his collar to a coat tree in the elementary-school auditorium; even then, even there, Owen didnt struggle. He dangled silently, and waited for someone to unhook him and put him down. And after gym class, someone hung him in his locker and shut the door. “NOT FUNNY! NOT FUNNY!” he called, and called, until someone must have agreed with him and freed him from the company of his jockstrap—the size of a slingshot.

How could I have known that Owen was a hero?

Let me say at the outset that I was a Wheelwright—that was the family name that counted in our town: the Wheelwrights. And Wheelwrights were not inclined toward sympathy to Meanys. We were a matriarchal family because my grandfather died when he was a young man and left my grandmother to carry on, which she managed rather grandly. I am descended from John Adams on my grandmothers side (her maiden name was Bates, and her family came to America on the Mayflower); yet, in our town, it was my grandfathers name that had the clout, and my grandmother wielded her married name with such a sure sense of self-possession that she might as well have been a Wheelwright and an Adams and a Bates.

Her Christian name was Harriet, but she was Mrs. Wheelwright to almost everyone—certainly to everyone in Owen Meanys family. I think that Grandmothers final vision of anyone named Meany would have been George Meany—the labor man, the cigar smoker. The combination of unions and cigars did not sit well with Harriet Wheelwright. (To my knowledge, George Meany is not related to the Meany family from my town.)

I grew up in Gravesend, New Hampshire; we didnt have any unions there—a few cigar smokers, but no union men. The town where I was born was purchased from an Indian sagamore in 1638 by the Rev. John Wheelwright, after whom I was named. In New England, the Indian chiefs and higher-ups were called sagamores; although, by the time I was a boy, the only sagamore I knew was a neighbors dog—a male Labrador retriever named Sagamore (not, I think, for his Indian ancestry but because of his owners ignorance). Sagamores owner, our neighbor, Mr. Fish, always told me that his dog was named for a lake where he spent his summers swimming—“when I was a youth,” Mr. Fish would say. Poor Mr. Fish: he didnt know that the lake was named after Indian chiefs and higher-ups—and that naming a stupid Labrador retriever “Sagamore” was certain to cause some unholy offense. As you shall see, it did.

But Americans are not great historians, and so, for years—educated by my neighbor—I thought that sagamore was an Indian word for lake. The canine Sagamore was killed by a diaper truck, and I now believe that the gods of those troubled waters of that much-abused lake were responsible. It would be a better story, I think, if Mr. Fish had been killed by the diaper truck—but every study of the gods, of everyones gods, is a revelation of vengeance toward the innocent. (This is a part of my particular faith that meets with opposition from my Congregationalist and Episcopalian and Anglican friends.)

As for my ancestor John Wheelwright, he landed in Boston in 1636, only two years before he bought our town. He was from Lincolnshire, England—the hamlet of Saleby—and nobody knows why he named our town Gravesend. He had no known contact with the British Gravesend, although that is surely where the name of our town came from. Wheelwright was a Cambridge graduate; hed played foot- ball with Oliver Cromwell—whose estimation of Wheelwright (as a football player) was both worshipful and paranoid. Oliver Cromwell believed that Wheelwright was a vicious, even a dirty player, who had perfected the art of tripping his opponents and then falling on them. Gravesend (the British Gravesend) is in Kent—a fair distance from Wheelwrights stamping ground. Perhaps he had a friend from there—maybe it was a friend who had wanted to make the trip to America with Wheelwright, but who hadnt been able to leave England, or had died on the voyage.

According to Walls History of Gravesend, N.H., the Rev. John Wheelwright had been a good minister of the English church until he began to “question the authority of certain dogmas”; he became a Puritan, and was thereafter “silenced by the ecclesiastical powers, for nonconformity.” I feel that my own religious confusion, and stubbornness, owe much to my ancestor, who suffered not only the criticisms of the English church before he left for the new world; once he arrived, he ran afoul of his fellow Puritans in Boston. Together with the famous Mrs. Hutchinson, the Rev. Mr. Wheelwright was banished from the Massachusetts Bay Colony for disturbing “the civil peace”; in truth, he did nothing more seditious than offer some heterodox opinions regarding the location of the Holy Ghost—but Massachusetts judged him harshly. He was deprived of his weapons; and with his family and several of his bravest adherents, he sailed north from Boston to Great Bay, where he must have passed by two earlier New Hampshire outposts—what was then called Strawbery Banke, at the mouth of the Pascataqua (now Portsmouth), and the settlement in Dover.

Wheelwright followed the Squamscott River out of Great Bay; he went as far as the falls where the freshwater river met the saltwater river. The forest would have been dense then; the Indians would have showed him how good the fishing was. According to Walls History of Gravesend, there were “tracts of natural meadow” and “marshes bordering upon the tidewater.”

The local sagamores name was Watahantowet; instead of his signature, he made his mark upon the deed in the form of his totem—an armless man. Later, there was some dispute—not very interesting—regarding the Indian deed, and more interesting speculation regarding why Watahantowets totem was an armless man. Some said it was how it made the sagamore feel to give up all that land—to have his arms cut off—and others pointed out that earlier “marks” made by Watahantowet revealed that the figure, although armless, held a feather in his mouth; this was said to indicate the sagamores frustration at being unable to write. But in several other versions of the totem ascribed to Watahantowet, the figure has a tomahawk in its mouth and looks completely crazy—or else, he is making a gesture toward peace: no arms, tomahawk in mouth; together, perhaps, they are meant to signify that Watahantowet does not fight. As for the settlement of the disputed deed, you can be sure the Indians were not the beneficiaries of the resolution to that difference of opinion.

And later still, our town fell under Massachusetts authority—which may, to this day, explain why residents of Gravesend detest people from Massachusetts. Mr. Wheelwright would move to Maine. He was eighty when he spoke at Harvard, seeking contributions to rebuild a part of the college destroyed by a fire—demonstrating that he bore the citizens of Massachusetts less of a grudge than anyone else from Gravesend would bear them. Wheelwright died in Salisbury, Massachusetts, where he was the spiritual leader of the church, when he was almost ninety.

But listen to the names of Gravesends founding fathers: you will not hear a Meany among them.


















I doubt its because she was a Wheelwright that my mother never gave up her maiden name; I think my mothers pride was independent of her Wheelwright ancestry, and that she would have kept her maiden name if shed been born a Meany. And I never suffered in those years that I had her name; I was little Johnny Wheelwright, father unknown, and—at the time—that was okay with me. I never complained. One day, I always thought, she would tell me about it—when I was old enough to know the story. It was, apparently, the kind of story you had to be “old enough” to hear. It wasnt until she died—without a word to me concerning who my father was—that I felt Id been cheated out of information I had a right to know; it was only after her death that I felt the slightest anger toward her. Even if my fathers identity and his story were painful to my mother—even if their relationship had been so sordid that any revelation of it would shed a continuous, unfavorable light upon both my parents—wasnt my mother being selfish not to tell me anything about my father?

Of course, as Owen Meany pointed out to me, I was only eleven when she died, and my mother was only thirty; she probably thought she had a lot of time left to tell me the story. She didnt know she was going to die, as Owen Meany put it.

Owen and I were throwing rocks in the Squamscott, the saltwater river, the tidal river—or, rather, I was throwing rocks in the river; Owens rocks were landing in the mud flats because the tide was out and the water was too far away for Owen Meanys little, weak arm. Our throwing had disturbed the herring gulls whod been pecking in the mud, and the gulls had moved into the marsh grass on the opposite shore of the Squamscott.

It was a hot, muggy, summer day; the low-tide smell of the mud flats was more brinish and morbid than usual. Owen Meany told me that my father would know that my mother was dead, and that—when I was old enough—he would identify himself to me.

“If hes alive,” I said, still throwing rocks. “If hes alive and if he cares that hes my father—if he even knows hes my father.”

And although I didnt believe him that day, that was the day Owen Meany began his lengthy contribution to my belief in God. Owen was throwing smaller and smaller rocks, but he still couldnt reach the water; there was a certain small satisfaction to the sound the rocks made when they struck the mud flats, but the water was more satisfying than the mud in every way. And almost casually, with a confidence that stood in surprising and unreasonable juxtaposition to his tiny size, Owen Meany told me that he was sure my father was alive, that he was sure my father knew he was my father, and that God knew who my father was; even if my father never came forth to identify himself, Owen told me, God would identify him for me. “YOUR DAD CAN HIDE FROM YOU,” Owen said, “BUT HE CANT HIDE FROM GOD.”

And with that announcement, Owen Meany grunted as he released a stone that reached the water. We were both surprised; it was the last rock either of us threw that day, and we stood watching the circle of ripples extending from the point of entry until even the gulls were assured we had stopped our disturbance of their universe, and they returned to our side of the Squamscott.

From the Hardcover edition.

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ProbateGeek, January 28, 2010 (view all comments by ProbateGeek)
This book, which I selected solely because the title caught my eye, got me back into reading fiction again. I am ever thankful to the author for that - and will never look at armadillos in quite the same way...
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Graceamilion, January 15, 2010 (view all comments by Graceamilion)
Hands down Irvings best novel. Owen Meany is like no other character or person you know; he makes you think, laugh and cry. The last 50 pages of this novel will teach you more than any other book you read.
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archetype, January 2, 2010 (view all comments by archetype)
This book was a birthday gift from a German friend living in the USA. I didn't get around to reading it for a few years and did so, ironically, on a plane to Germany to visit her parents while she was still in the USA. Read it in one sitting on that long trip. It's one of those books that challenges you to continue reading to the end. It superficially appears to be merely narrative about the life of an odd guy, and continues, and continues until you're asking "what's the point of all this?" At the same time Owen Meany is asking "what's the point of this?" as well. At the end the point is shatteringly clear and accepted by Owen, clear to the reader, and amazingly simple. Not a book for folks who require things to be straightforward to be enjoyable. I thought it was a brilliant piece of fiction.
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Product Details

Irving, John
Ballantine Books
New York
American fiction (fictional works by one author)
Literature-A to Z
Edition Number:
1st mass market ed.
Edition Description:
Mass market paperback
Series Volume:
Publication Date:
May 1990
Grade Level:
6.93x4.28x1.07 in. .68 lbs.

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Prayer for Owen Meany Used Mass Market
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Product details 640 pages Ballantine Books - English 9780345361790 Reviews:
"Staff Pick" by ,

On one list are the books you like to recommend. You want to turn on someone to your favorite unknown author or introduce them to the season's latest, greatest novel. If you've read widely enough over the years, you'll match reader to occasion. The list comes to include something for just about anyone in any setting:John Irving

Funny books and smart ones; easy and hard; books that teach and those that entertain; pages best turned at the beach, on a plane, or sick in bed; a pick for the woman you want to impress or the friend who reads mostly in ten-minute bursts between cab fares; dry, plotless affairs that ease you toward sleep or blazers that set your mind racing, keep you up late into the night.

A much shorter list contains the sure bets — the ones that work for just about any reader, young or old, anywhere, at any time. A Prayer for Owen Meany may be the only book on my second list.

You get OWEN MEANY'S SQUEAKY VOICE into a person's head and the worst they'll ever say is they loved it. Without fail, they will thank you. [See our guarantee.] Three people I've given it to, years and oceans apart, reported back that it had become their favorite novel of all-time.

"Which one do I read next?" they all ask, so swiftly converted. (Often they're not even done with the book and already they're planning ahead. Anxiety has set in, a debilitating abandonment neurosis symptomatic of the last hundred pages.) "Take your pick," tell them. The World According to Garp, The Cider House Rules, The Hotel New Hampshire, A Widow for One Year...

"Staff Pick" by ,

On one list are the books you like to recommend. You want to turn on someone to your favorite unknown author or introduce them to the season's latest, greatest novel. If you've read widely enough over the years, you'll match reader to occasion. The list comes to include something for just about anyone in any setting:John Irving

Funny books and smart ones; easy and hard; books that teach and those that entertain; pages best turned at the beach, on a plane, or sick in bed; a pick for the woman you want to impress or the friend who reads mostly in ten-minute bursts between cab fares; dry, plotless affairs that ease you toward sleep or blazers that set your mind racing, keep you up late into the night.

A much shorter list contains the sure bets — the ones that work for just about any reader, young or old, anywhere, at any time. A Prayer for Owen Meany may be the only book on my second list.

You get OWEN MEANY'S SQUEAKY VOICE into a person's head and the worst they'll ever say is they loved it. Without fail, they will thank you. [See our guarantee.] Three people I've given it to, years and oceans apart, reported back that it had become their favorite novel of all-time.

"Which one do I read next?" they all ask, so swiftly converted. (Often they're not even done with the book and already they're planning ahead. Anxiety has set in, a debilitating abandonment neurosis symptomatic of the last hundred pages.) "Take your pick," tell them. The World According to Garp, The Cider House Rules, The Hotel New Hampshire, A Widow for One Year...

"Review" by , "Superbly narrated sequences of comic action... Irving is particularly good at rendering the dynamics of things — he has a Dickensian ability to juxtapose and animate unpromising objects? [as in] the book's grand and brilliantly conceived final scene....You don't just read Irving, you listen to him."
"Review" by , "Extraordinary, so original, and so enriching....A rare creation in the somehow exhausted world of late 20th century fiction....Readers will come to the end feeling sorry to leave [this] richly textured and carefully wrought world."
"Review" by , "Roomy, intelligent, exhilarating, and darkly comic....Dickensian in scope....Quite stunning and very ambitious."
"Review" by , "A lavish meditation on predestination, faith, and the unrealized forces that shape one's days."
"Review" by , "John Irving is an abundantly and even joyfully talented storyteller."
"Review" by , "Vintage Irving....A boisterous cast, a spirited joy."
"Review" by , "A Prayer for Owen Meany leaps off the pages with an imaginative passion that is startling....This is John Irving at full throttle: a riveting narrative, a cast of richly developed characters, and a story as complex and unbelievable as life itself....[A] joyous, provocative read!"
"Review" by , "I have been a voracious reader since childhood, and while I've read and loved many, many books, I can honestly say that A Prayer for Owen Meany is my all-time favorite! It is such an extraordinarily funny, moving and heartbreaking story and the ending is the best and most satisfying one I've ever read. The highlight of my first year working for Ballantine Books was attending a reading John Irving gave for the paperback publication. Owen Meany has a very memorable voice when you read the book, so you can imagine how exciting it was for me to hear my favorite author read my favorite book and do the voice of Owen Meany!"
"Review" by , "Riveting...Owen Meany, drawn in bold strokes, burns in the mind's eye — vivid, alive, beloved — long after the turning of the final page."
"Review" by , "One of the most subtle and brilliant artistic examinations yet of America and America's involvement in Vietnam."
"Review" by , "A wondrous novel... ultimately beguiling in its soulful account of a remarkable friendship... Irving's ability to create idiosyncratic characters and put them through weirdly ridiculous yet realistic paces has never been in finer fettle. Humor partnered with compassion, wisdom with absurdity, leave the reader both mirthful and tearful."
"Review" by , "[Mr. Irving] is more than popular. He is a Populist, determined to keep alive the Dickensian tradition that revels in colorful set pieces and teaches moral lessons....More than any of his novels since Garp, A Prayer for Owen Meany embraces those 19th-century qualities."
"Synopsis" by , Owen Meany, the only child of a New Hampshire granite quarrier, believes he is God's instrument; he is.

This is John Irving's most comic novel, yet Owen Meany is Mr. Irving's most heartbreaking character.

"Roomy, intelligent, exhilarating and darkly comic...Dickensian in scope....Quite stunning and very ambitious."


"John Irving is an abundantly and even joyfully talented storyteller."


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