We Need Diverse Ya Sale

Special Offers see all

Enter to WIN a $100 Credit

Subscribe to PowellsBooks.news
for a chance to win.
Privacy Policy

Visit our stores

    Recently Viewed clear list

    The Powell's Playlist | June 15, 2015

    Matthew Quick: IMG Portia Kane's '80s Metal Mix

    Two of Love May Fail's main characters, Portia Kane and Chuck Bass — now in their early 40s — still love the metal music that was... Continue »
    1. $18.19 Sale Hardcover add to wish list

      Love May Fail

      Matthew Quick 9780062285560

Qualifying orders ship free.
List price: $6.99
Used Mass Market
Ships in 1 to 3 days
Add to Wishlist
Qty Store Section
1 Burnside Mystery- A to Z

More copies of this ISBN

The Lizard's Bite


The Lizard's Bite Cover




Chapter One

In the shifting darkness of the vessels bowels, low over the undulating black water, the animal waited, trembling. The man, the much-loved man, his master, worked around him, puzzled by the creatures fear, clucking sounds of consolation, not noticing events on the quayside above. Men possessed, the animal understood, a weaker, coarser form of consciousness. Sometimes it seemed men scarcely noticed the presence of blood at all. . . .

For an instant the black breath of the sirocco eased. The Isola degli Arcangeli—small, solitary, shining in the brief glimpse of moonlight—was still. Then the night wind returned, more fierce and relentless than before. The fragile frame of the grandiose palazzo shook beneath the onslaught. Shards of brittle glass tumbled from the shutters half-finished by the restoration men only the day be- fore. Close by, clouds of sandy dust raked the golden stone of the Arcangelis mansion, hammering at the ornate windows arching out over the lagoon. On the other side of the palazzo, in the foundry, once the mother lode of the Arcangeli clans fortunes, the blast chased down the single funnel chimney, probing for some weakness, like a giant from the world beyond breathing into a fragile paper bag, rattling the rickety high doors, bending the misshapen glass roof with its brittle span of supporting ancient timbers.

The high-summer gale from the Sahara had been over the city for three days now. Dry choking dust lurked in its belly, working its way into the crevices of the fornace, disturbing the precious process, looking for something clean and bright and perfect to despoil. The daily yield of good glass, which had never been on target of late, was as low as he could remember. The disturbance was everywhere. Dust devils swirled over canals and chased each other in and out of the islands constricted alleys. Beyond Murano, across the lagoon, in Venice proper, churning black water fetched by the wind now lapped insistently over the stonework at the edge of the Piazza San Marco.

The August storm took away the months familiar enervating heat and put something alien in its place. Even now, at just after two in the morning, under the frank gaze of a full moon stained rusty by the storm, the lagoon seemed breathless, starved of oxygen. He wasnt the only one awake, panting in the dry heat. Beyond the Isola degli Arcangeli lay an entire city choking on the siroccos sand-filled wheezings. He listened to the storms anger as it threw itself upon the fragile shell of the foundry. The winds sighs seemed to vibrate to the rhythm of the deep, smoky gasps of the hulking primitive furnace in front of him.

Half loved, half hated, the leviathan stood at the heart of the solitary room, roaring as the winds blasts fought their way down its crumbling brick chimney and raked their scorching breath across its embers. He didnt need to look at the temperature gauge to see the fire was too intense. The hemisphere of the interior was approaching a white, incandescent heat too painfully bright to look at. In its maw the costly crock of nascent slow-mix glass, ground cogoli pebbles from Istria and the soda ash of burnt seaweed, just as a Murano maestro would have demanded five centuries before, would be churning uncertainly, part of a mystery he directed but never quite controlled.

An hour before, nothing was out of the ordinary. Then, when hed gone back to the empty office for a while, sunk a couple of glasses of grappa, trying to make the night go more quickly, Bella had called, demanding he examine the fiery beast before his time. She had given no reason, only vague forebodings. And she wasnt there either, once hed splashed his face in the office washroom, gargled some water around his mouth to disguise the stink of alcohol. Hed found one of the double doors ajar, walked in, closed it behind him and met nothing. The island seemed empty, dead. There was only one other worker around, Piero, the lowly garzone, who had turned up unexpectedly on his night off and was now shifting wood and ash from his boat outside.

He shook his head, wishing the effects of the drink would disappear. The furnace was always difficult. The archaic use of both wood and gas, part of the Arcangelis secret process, made sure of that. But nothing now made sense. As he watched, the grunting, groaning monster roared again beneath the shifting bulk of the fenestrated roof, then exhaled in concert with the wind.


One—or both—seemed to whisper his name, taunting him. His father had called Uriel that for a reason. The Arcangeli were always different even when, before his time, they were just a bunch of bourgeois boatbuilders maintaining the last worthwhile squero in Chioggia. Growing up as a child in Murano, he was aware of the distance, al- ways. You never met a Bracci or a Bullo who had to bear such a burden. Theyd have been teased, without mercy, every single day in the plain, hard school by the church. Uriel Arcangelo was never mocked. Never befriended either, not even when he took one of them for a wife.

Maybe, the grappa said, laughing at the back of his brain, they knew what the name meant.

Fire of God. Angel of terror.

It was just another of his fathers cruel little jokes, to make every one of his four children an angel twice over, each with their set role. Michele to succeed him as capo. Gabriele to be the strong man by the furnace, the maestro with the pipe, seeing that the clan prospered. Or not. Raffaela to intercede when matters went too far, to bring a womans sense to their deliberations, to heal. And Uriel. The hardest, the loneliest of vocations. Uriel the magician, the alchemist, the familys omo de note, the Venetians whispered, almost fearful name for a man of the night, keeper of the secrets, which had been passed on from the small black book that used to live in Angelos jacket pocket, kept from the curious gaze of outsiders.

Uriel closed his eyes, felt the heat of the furnace scorch his skin, recalling those last days, with Angelo fading towards death in the master bedroom of the mansion next to the damned palazzo, the money pit that had consumed them over the years. The image of that final night would never leave him. How the old man had ordered the rest of them out, made him, little more than a boy just out of his teens, read the notebook, study its ancient recipes, commit those secrets to memory. Uriel had obeyed, as always. So well that Angelo Arcangelo had called a servant and burned the book in front of his eyes, just ash and flames fed by lighter fuel in an ancient pisspot, as his father laughed, not kindly either, for this was a test. The Arcangeli would be tested, always.

By midnight, his family at his side, Angelo Arcangelo was dead, a pale, stiff cadaver on the white sheets of the antique four-poster where each of them had been conceived. In Uriels head the scene was as real, as cruelly vivid now, thirty years after, as it was that night. And the codes lay secure in his head still. Living, shifting potions of arsenic and lead, antimony and feldspar, each betokening a shape or a colour that would form within the substance of the raw crude fritta growing in the belly of the furnace, then metamorphose into something beautiful when the next magician, Gabriele the maestro, with his steely arms, his bellows for lungs, his pincers and his pipe, worked the sinuous, writhing form in the morning. This was how the Arcangeli tried to put food on the table, not by building bragozzi barques for Chioggia fishing clans. Magic made the Arcangeli money, kept them alive. But magic was a harsh and temperamental mistress, demanding, sometimes reluctant to perform. Now more than ever.

Angelo had passed on his secrets with a cunning, certain delib- eration. The memory of his fathers face in those last moments— skull-like, grinning, knowing—stayed with Uriel always, taunting, awaiting the time when Angelos son would fail, as every omo de note did because theirs was an imprecise art, one which could be destroyed by an extra milligram of soda or a slight shift in the searing 1400-degree heat of flaming wood and gas. Even so, Uriel had memorised the formulae, repeating them constantly, burning them into his synapses, swearing that a day would come when he would find the courage to defeat the demon of his fathers last admonition: Never write these down, or the foreigners will steal from you. He was still waiting. Just the thought now, long after his father had turned to dust, made him sweat all the more heavily beneath the heavy tan furnace apron he wore over an old, tattered cotton suit.

That time would come. Until it did, the litany of recipes would race through his brain unbidden, unwanted, when he woke up, head throbbing from drink, in the blazing light of their apartment in the mansion. On those rare occasions he wrestled with Bella on the old, creaky brass bed, trying to find some other kind of secret in his wifes hot, taut body, wondering why this was now the only way they could converse.

“Bella,” he murmured to himself, and was shocked how aged and dry his own voice sounded. Uriel Arcangelo was forty-seven. A lifetime of working nights in the furnace, the cursed, beloved furnace, feeling the fire break the veins of his hardening cheeks, gave him the complexion and the dull, depressed outlook of an old man.

“What is this?” he now yelled angrily to no one. He heard only the furnaces animal roar in return.

He understood this fiery beast better than any man. Hed grown up with it, fought for hours to control its tantrums and its sulks. He knew its many moods: none better than the long, torpid hours in which it refused to come to temperature. It had never overheated before. The fabric of decrepit iron and brick was too insubstantial, leaked out too much expensive energy through its cracked pores.

A thought entered Uriel Arcangelos head. Hed been burned many times in the furnace. Once he nearly lost an eye. His hearing was bad, his sense of smell ruined. But thered never been a blaze. A real blaze, the kind that had put rival furnaces out of business. That meant the Arcangeli were lax when it came to precautions. Theyd never followed the fire departments orders to the letter. It was always cheaper to send round the bribe than carry out the repairs.

The hose was outside, attached to the exterior wall of the foundry, a curling snake of dusty pipe. There wasnt even so much as an extinguisher close by.

Uriel coughed. There was smoke in the miasma issuing from the furnace, a foreign smell too. Not thinking, doing this because it was, simply, what came naturally, he took out the flask of grappa, knocked back a swig, clumsily, aware that a dribble of the harsh liquid had spilled down his front, staining the bib of his brown apron.

Shed know. Shed sniff and shed look at him, that Bracci look, the cruel grimace of hatred and despair that spoiled her features so often these days.

A noise emerged from the heart of the furnace. It was a sound that Uriel had never heard before, not from gas or wood or glass. A soft, organic explosion sent a shower of sparks flying out of the structures angry orange mouth. The lights danced in dusty reflections across the ceiling. The sirocco roared and shook the foundry as if it were a dried seed head shaking in the wind.

Uriel Arcangelo took out his own set of keys, walked back and placed the right one in the old mortise, just in case he needed to make a quick exit.

The furnace needed help. Perhaps it was more than one man could manage. If that was the case, he had, at least, a swift route of escape, out to the quay and the house beyond the palazzo, where the rest of them now slept, unaware of this strange event shaping just a few metres away on their private island.

From the Hardcover edition.

Product Details

Hewson, David
Dell Publishing Company
Mystery fiction
Suspense fiction
Popular Fiction-Suspense
Edition Description:
Mass market paperback
Publication Date:
Grade Level:
6.88x6.60x1.11 in. .55 lbs.

Other books you might like

  1. A Healthy Place to Die (Gourmet... Used Mass Market $3.50
  2. Sidetracked: Kurt Wallander...
    Used Trade Paper $6.95
  3. Silent Joe Used Hardcover $1.75
  4. Killing Floor
    Used Mass Market $4.50
  5. The Sacred Cut Used Mass Market $4.95
  6. Danger Used Mass Market $3.50

Related Subjects

Fiction and Poetry » Mystery » A to Z
Fiction and Poetry » Popular Fiction » Suspense

The Lizard's Bite Used Mass Market
0 stars - 0 reviews
$3.50 In Stock
Product details 528 pages Dell Publishing Company - English 9780440243007 Reviews:
"Synopsis" by , In this spellbinding new novel featuring Detective Nic Costa, author Hewson weaves together the rich fabric of Europe's most beguiling city with a riveting tale of passion, corruption, and the poisonous bite of betrayal. A wonderfully complex and finely paced crime novel.--"Publishers Weekly," starred review.
  • back to top


Powell's City of Books is an independent bookstore in Portland, Oregon, that fills a whole city block with more than a million new, used, and out of print books. Shop those shelves — plus literally millions more books, DVDs, and gifts — here at Powells.com.