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2 Burnside Classics- Spanish Medieval and Renaissance
25 Local Warehouse Literature- A to Z
25 Remote Warehouse Literature- A to Z

Don Quixote

by and

Don Quixote Cover

ISBN13: 9780060934347
ISBN10: 0060934344
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Excerpt

Part One of the Ingenious Gentleman Don Quixote of La Mancha

Chapter One

Which describes the condition and profession of the famous gentleman Don Quixote of La Mancha

Somewhere in La Mancha, in a place whose name I do not care to remember, a gentleman lived not long ago, one of those who has a lance and ancient shield on a shelf and keeps a skinny nag and a greyhound for racing. An occasional stew, beef more often than lamb, hash most nights, eggs and abstinence on Saturdays, lentils on Fridays, sometimes squab as a treat on Sundays — these consumed three-fourths of his income. The rest went for a light woolen tunic and velvet breeches and hose of the same material for feast days, while weekdays were honored with dun-colored coarse cloth. He had a housekeeper past forty, a niece not yet twenty, and a man-of-all-work who did everything from saddling the horse to pruning the trees. Our gentleman was approximately fifty years old; his complexion was weathered, his flesh scrawny, his face gaunt, and he was a very early riser and a great lover of the hunt. Some claim that his family name was Quixada, or Quexada, for there is a certain amount of disagreement among the authors who write of this matter, although reliable conjecture seems to indicate that his name was Quexana. But this does not matter very much to our story; in its telling there is absolutely no deviation from the truth.

And so, let it be said that this aforementioned gentleman spent his times of leisure — which meant most of the year — reading books of chivalry with so much devotion and enthusiasm that he forgot almost completely about the hunt and even about the administration of his estate; and in his rash curiosity and folly he went so far as to sell acres of arable land in order to buy books of chivalry to read, and he brought as many of them as he could into his house; and he thought none was as fine as those composed by the worthy Feliciano de Silva, because the clarity of his prose and complexity of his language seemed to him more valuable than pearls, in particular when he read the declarations and missives of love, where he would often find written: The reason for the unreason to which my reason turns so weakens my reason that with reason I complain of thy beauty. And also when he read: ... the heavens on high divinely heighten thy divinity with the stars and make thee deserving of the deserts thy greatness deserves.

With these words and phrases the poor gentleman lost his mind, and he spent sleepless nights trying to understand them and extract their meaning, which Aristotle himself, if he came back to life for only that purpose, would not have been able to decipher or understand. Our gentleman was not very happy with the wounds that Don Belianís gave and received, because he imagined that no matter how great the physicians and surgeons who cured him, he would still have his face and entire body covered with scars and marks. But, even so, he praised the author for having concluded his book with the promise of unending adventure, and he often felt the desire to take up his pen and give it the conclusion promised there; and no doubt he would have done so, and even published it, if other greater and more persistent thoughts had not prevented him from doing so. He often had discussions with the village priest — who was a learned man, a graduate of Sigüenza — regarding who had been the greater knight, Palmerín of England or Amadís of Gaul; but Master Nicolás, the village barber, said that none was the equal of the Knight of Phoebus, and if any could be compared to him, it was Don Galaor, the brother of Amadís of Gaul, because he was moderate in everything: a knight who was not affected, not as weepy as his brother, and incomparable in questions of courage.

In short, our gentleman became so caught up in reading that he spent his nights reading from dusk till dawn and his days reading from sunrise to sunset, and so with too little sleep and too much reading his brains dried up, causing him to lose his mind. His fantasy filled with everything he had read in his books, enchantments as well as combats, battles, challenges, wounds, courtings, loves, torments, and other impossible foolishness, and he became so convinced in his imagination of the truth of all the countless grandiloquent and false inventions he read that for him no history in the world was truer. He would say that El Cid Ruy Díaz4 had been a very good knight but could not compare to Amadís, the Knight of the Blazing Sword, who with a single backstroke cut two ferocious and colossal giants in half. He was fonder of Bernardo del Carpio because at Roncesvalles he had killed the enchanted Roland by availing himself of the tactic of Hercules when he crushed Antaeus, the son of Earth, in his arms. He spoke highly of the giant Morgante because, although he belonged to the race of giants, all of them haughty and lacking in courtesy, he alone was amiable and well-behaved. But, more than any of the others, he admired Reinaldos de Montalbán, above all when he saw him emerge from his castle and rob anyone he met, and when he crossed the sea and stole the idol of Mohammed made all of gold, as recounted in his history. He would have traded his housekeeper, and even his niece, for the chance to strike a blow at the traitor Guenelon.

The truth is that when his mind was completely gone, he had the strangest thought any lunatic in the world ever had, which was that it seemed reasonable and necessary to him, both for the sake of his honor and as a service to the nation...

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Famavolat, January 1, 2013 (view all comments by Famavolat)
What a marvelous translation of a touchstone of world literature; that it was written nearly 400 years ago is astonishing. For all our gadgets and conforts, and our self satisfied sense of superiority, its seems that however much we've gained in human knowledge, we've lost at least as much in human wisdom.
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Kaleb, January 1, 2010 (view all comments by Kaleb)
A novel preceding convention.
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Product Details

ISBN:
9780060934347
Translated by:
Edith Grossman
Publisher:
Harper Perennial
Author:
de Cervantes Saavedra, Miguel
Author:
Costa, Margaret Jull
Author:
Cervantes, Miguel de
Author:
Saramago, Jose
Author:
Grossman, Edith
Author:
Hawthorne, Rachel
Author:
by Miguel de Cervantes and Edith Grossman
Subject:
Literary
Subject:
Social life and customs
Subject:
Classics
Subject:
Knights and knighthood
Subject:
Epic fiction
Subject:
Spain Social life and customs.
Subject:
Situations / Adolescence
Subject:
Literature-A to Z
Copyright:
Edition Description:
Trade PB
Series:
P.S.
Publication Date:
May 2005
Binding:
TRADE PAPER
Grade Level:
from 9
Language:
English
Pages:
992
Dimensions:
8.25 x 5.5 in 1 lb
Age Level:
from 14

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Related Subjects

Fiction and Poetry » Classics » Spanish Medieval and Renaissance
Fiction and Poetry » Literature » A to Z
Fiction and Poetry » Literature » Sale Books

Don Quixote Used Trade Paper
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Product details 992 pages Ecco - English 9780060934347 Reviews:
"Staff Pick" by ,

Edith Grossman's translation of Don Quixote has quickly become a favorite, lauded by academics and common readers alike. Don't fail to check this out, the world's first modern novel.

"Review A Day" by , "Edith Grossman actually makes it easy for you, O frazzled reader, because she has produced the most agreeable Don Quixote ever....Don Quixote, famously, is the first major work of Western literature to take ordinary human life for its subject — specifically, a life that is replete with accidents, fiascoes, and indignities — and make it over into something luminous with meaning. It does so without pomp or sententiousness — it's the friendliest and least formal of all the Great Books — yet will overwhelm you, in the end, with its moral and imaginative splendor." (read the entire Atlantic Monthly review)
"Review" by , "Against the odds, Grossman has given us an honest, robust and freshly revelatory Quixote for our times."
"Review" by , "[T]he most transparent and least impeded among more than a dozen English translations going back to the 17th century....Ms. Grossman...has provided a Quixote that is agile, playful, formal and wry."
"Review" by , "With Don Quixote, Grossman tackles a challenging project. The result is a beautiful, readable rendition, transforming golden-age Spanish into modern English. It's definitely an adventure worth taking."
"Review" by , "Grossman has a jazzy approach that might scandalize some....Her rendition confirms that Cervantes' imperfect masterpiece is as much at home in Shakespeare's tongue as it is in Spanish."
"Review" by , "[A] major event indeed....[A] Don Quixote that is contemporary without being irreverent....[T]his is the one to beat."
"Review" by , "Reading Don Quixote today...is likely to be more of an intellectual adventure than a deeply emotional experience....[Grossman is] terrific in emulating Don Quixote's high-flown diction when he's at full chivalric throttle."
"Review" by , "[Grossman's] rendering of Cervantes' prose conveys all of its complex subtleties in a fresh and attractive style that is neither overly traditional nor colloquial."
"Review" by , "Edith Grossman delivers her Quixote in plain but plentiful contemporary English....Yet there is not a single moment in which, in forthright English, we are not reading a 17th-century novel. This is truly masterly: the contemporaneous and the original co-exist."
"Review" by , "Ms. Grossman jumps to the head of a class previously led by Samuel Putnam (Modern Library) and Burton Raffel (Norton)."
"Synopsis" by , The 17th century Spanish masterpiece, one of the funniest and most tragic books ever written and widely regarded as the world's first modern novel, Don Quixote chronicles the famous picaresque adventures of the noble knight-errant Don Quixote de La Mancha and his faithful squire, Sancho Panza, as they travel through 16th century Spain.
"Synopsis" by , The 17th-century Spanish masterpiece is one of the funniest and most tragic books ever written and is widely regarded as the world's first modern novel.
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