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52nd Street: The Street of Jazz (Da Capo Paperback)

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52nd Street: The Street of Jazz (Da Capo Paperback) Cover

 

Synopses & Reviews

Publisher Comments:

Back in the thirties and forties, when New York City was the capital of the jazz world—you could hail a cab, ask the driver to take you to "The Street," and find yourself on 52nd Street between Fifth and Sixth Avenues. Musicians, jazz lovers, college students, big businessmen—everybody knew that this was "The Street that Never Slept," the Street where every night was New Year's Eve, the Street that Variety editor Abel Green so aptly dubbed "America's Montmartre." Here, for the price of a drink or two, you could walk through the whole history of jazz. Hot jazz was born and raised on The Street, as were the big swing bands of the thirties and the modern "cool" jazz combos of the forties. Comics like Alan King and Joey Adams got their start on the Street, as did musicians like Erroll Garner, Jack Teagarden, and Coleman Hawkins. Bessie Smith performed on the Street, and so did Count Basie, Charlie "Bird" Parker, Dizzy Gillespie, Billie Holiday, Art Tatum, Sarah Vaughn, the Dorsey Brothers, Artie Shaw, and other jazz greats.Arnold Shaw was there—as musician, composer, PR man, and just plain listener—and he recreates for us the three swinging decades that were the history if the Street: its birth in Prohibition-era speakeasies, where musicians jammed for gin or just for the fun of it; its post-Repeal blossoming as the center of the jazz universe, lined up and down on both sides with tiny, smoke-filled rooms where black and white musicians played to capacity crowds; its postwar decline as the Street became a tawdy tenderloin of strip and clip joints.

Synopsis:

"Back in the thirties and forties, when New York City was the capital of the jazz world—you could hail a cab, ask the driver to take you to ""The Street,"" and find yourself on 52nd Street between Fifth"

Synopsis:

Arnold Shaw was thereas musician, composer, PR man, and just plain listenerand he recreates for us the three swinging decades that were the history if the Street: its birth in Prohibition-era speakeasies, where musicians jammed for gin or just for the fun of it; its post-Repeal blossoming as the center of the jazz universe, lined up and down on both sides with tiny, smoke-filled rooms where black and white musicians played to capacity crowds; its postwar decline as the Street became a tawdy tenderloin of strip and clip joints. }

Product Details

ISBN:
9780306800689
Foreword:
Green, Abel
Publisher:
Da Capo Press
Foreword by:
Green, Abel
Foreword:
Green, Abel
Author:
Shaw, Arnold
Location:
New York :
Subject:
Jazz
Subject:
Streets
Subject:
Streets -- New York (State) -- New York.
Subject:
Fifty-second Street
Subject:
United States - State & Local - General
Subject:
General Music
Subject:
Fifty-second Street (New York, N.Y.)
Subject:
Americana-General
Edition Description:
Trade Paper
Series:
Da Capo Paperback
Series Volume:
no. 72
Publication Date:
19880431
Binding:
TRADE PAPER
Language:
English
Illustrations:
Yes
Pages:
378
Dimensions:
8.5 x 5.38 in 16.1 oz

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Related Subjects

Arts and Entertainment » Music » General
Arts and Entertainment » Music » Genres and Styles » Jazz » General
History and Social Science » Americana » General
History and Social Science » Anthropology » Physical
Reference » Science Reference » Technology

52nd Street: The Street of Jazz (Da Capo Paperback) New Trade Paper
0 stars - 0 reviews
$16.95 In Stock
Product details 378 pages Da Capo Press - English 9780306800689 Reviews:
"Synopsis" by ,
"Back in the thirties and forties, when New York City was the capital of the jazz world—you could hail a cab, ask the driver to take you to ""The Street,"" and find yourself on 52nd Street between Fifth"
"Synopsis" by , Arnold Shaw was thereas musician, composer, PR man, and just plain listenerand he recreates for us the three swinging decades that were the history if the Street: its birth in Prohibition-era speakeasies, where musicians jammed for gin or just for the fun of it; its post-Repeal blossoming as the center of the jazz universe, lined up and down on both sides with tiny, smoke-filled rooms where black and white musicians played to capacity crowds; its postwar decline as the Street became a tawdy tenderloin of strip and clip joints. }
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