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The Story Sisters


The Story Sisters Cover




Chapter 1


Once a year there was a knock at the door. Two times, then nothing. No one else heard, only me. Even when I was a baby in my cradle. My mother didnt hear. My father didnt hear. My sisters continued sleeping. But the cat looked up.

When I was old enough I opened the door. There she was. A lady wearing a gray coat. She had a branch from a hawthorn tree, the one that grew outside my window. She spoke, but I didnt know her language. A big wind had come up and the door slammed shut. When I opened it again, she was gone.

But I knew what she wanted.


The one word Id understood was daughter.

I asked my mother to tell me about the day I was born. She couldnt remember. I asked my father. He had no idea. My sisters were too young to know where Id come from. When the gray lady next came, I asked the same question. I could tell from the look on her face. She knew the answer. She went down to the marsh, where the tall reeds grew, where the river began. I ran to keep up. She slipped into the water, all gray and murky. She waited for me to follow. I didnt think twice. I took off my boots. The water was cold. I went under fast.

It was April in New York City and from the window of their room at the Plaza Hotel everything looked bright and green. The Story sisters were sharing a room on the evening of their grandparents fiftieth anniversary party. Their mother trusted them completely. They were not the sort of teenagers who would steal from the minibar only to wind up drunk in the hallway, sprawled out on the carpet or nodding off in a doorway, embarrassing themselves and their families. They would never hang out the window to wave away cigarette smoke or toss water balloons onto unsuspecting pedestrians below. They were diligent, beautiful girls, well behaved, thoughtful. Most people were charmed to discover that the girls had a private, shared language. It was lovely to hear, musical. When they spoke to each other, they sounded like birds.

The eldest girl was Elisabeth, called Elv, now fifteen. Meg was only a year younger, and Claire had just turned twelve. Each had long dark hair and pale eyes, a startling combination. Elv was a disciplined dancer, the most beautiful in many peoples opinions, the one who had invented the Story sisters secret world. Meg was a great reader and was never without a book; while walking to school she often had one open in her hands, so engrossed she would sometimes trip while navigating familiar streets. Claire was diligent, kindhearted, never one to shirk chores. Her bed was made before her sisters opened their sleepy eyes. She raked the lawn and watered the garden and always went to sleep on time. All were self-reliant and practical, honor students any parents would be proud to claim as their own. But when the girls mother came upon them chattering away in that language no one else could understand, when she spied maps and graphs that meant nothing to her, that defined another world, her daughters made her think of clouds, something far away and inaccessible.

Annie and the girls father had divorced four years earlier, the summer of the gypsy moths when all of the trees in their yard were bare, the leaves chewed by caterpillars. You could hear crunching in the night. You could see silvery cocoon webbing in porch rafters and strung across stop signs. People said there were bound to be hard times ahead for the Storys. Alan was a high school principal, his schedule too full for many visits. Hed been the one whod wanted out of the marriage, and after the split hed all but disappeared. At the age of forty-seven, hed become a ladies man, or maybe it was simply that there werent many men around at that stage of the game. Suddenly he was in demand. There was another woman in the background during the breakup. Shed quickly been replaced by a second girlfriend the Story sisters had yet to meet. But so far there had been no great disasters despite the divorce and all of the possible minefields that accompanied adolescence. Annie and her daughters still lived in the same house in North Point Harbor, where a big hawthorn tree grew outside the girls bedroom window. People said it had been there before Long Island was settled and that it was the oldest tree for miles around. In the summertime much of the Storys yard was taken up with a large garden filled with rows of tomato plants. There was a stone birdbath at the center and a latticework trellis that was heavy with climbing sweet peas and tremulous, prickly cucumber vines. The Story sisters could have had small separate bedrooms on the first floor, but they chose to share the attic. They preferred one anothers company to rooms of their own. When Annie heard them behind the closed door, whispering conspiratorially to each other in that secret vocabulary of theirs, she felt left out in some deep, hurtful way. Her oldest girl sat up in the hawthorn tree late at night; she said she was looking at stars, but she was there even on cloudy nights, her black hair even blacker against the sky. Annie was certain that people who said daughters were easy had never had girls of their own.

Today the Story sisters were all in blue. Teal and azure and sapphire. They liked to wear similar clothes and confuse people as to who was who. Usually they wore jeans and T-shirts, but this was a special occasion. They adored their grandmother Natalia, whom they called Ama, a name Elv had bestowed upon her as a toddler. Their ama was Russian and elegant and wonderful. Shed fallen in love with their grandfather in France. Although the Rosens lived on Eighty- ninth Street, they kept their apartment where Natalia had lived as a young woman in the Marais district of Paris, near the Place du Marché- Sainte-Catherine, and as far as the Story sisters were concerned, it was the most wonderful spot in the world.

Annie and the girls visited once a year. They were infatuated with Paris. They had dreams of long days filled with creamy light and meals that lasted long into the hazy blur of evening. They loved French ice cream and the glasses of blue-white milk. They studied beautiful women and tried to imitate the way they walked, the way they tied their scarves so prettily. They always traveled to France for spring vacation. The chestnut tree in the courtyard was in bloom then, with its scented white flowers.

The Plaza was probably the second-best place in the world. Annie went to the girls room to find her daughters clustered around the window, gazing at the horse-drawn carriages down below. From a certain point of view the sisters looked like women, tall and beautiful and poised, but they were still children in many ways, the younger girls especially. Meg said that when she got married she wanted to ride in one of those carriages. She would wear a white dress and carry a hundred roses. The girls secret world was called Arnelle. Arnish for rose was minta. It was the single word Annie understood. Alana me sora minta, Meg was saying. Roses wherever you looked.

“How can you think about that now?” Elv gestured out the window. She was easily outraged and hated mistreatment of any sort. “Those carriage horses are malnourished,” she informed her sister.

Elv had always been an animal fanatic. Years ago shed found a rabbit, mortally wounded by a lawn mowers blades, left to bleed to death in the velvety grass of the Weinsteins lawn. Shed tried her best to nurse it to health, but in the end the rabbit had died in a shoebox, covered up with a dolls blanket. Afterward she and Meg and Claire had held a funeral, burying the shoebox beneath the back porch, but Elv had been inconsolable. If we dont take care of the creatures who have no voice, shed whispered to her sisters, then who will? She tried to do exactly that. She left out seeds for the mourning doves, opened cans of tuna fish for stray cats, set out packets of sugar for the garden moths. She had begged for a dog, but her mother had neither the time nor the patience for a pet. Annie wasnt about to disrupt their home life. She had no desire to add another personality to the mix, not even that of a terrier or a spaniel.

Elv was wearing the darkest of the dresses, a deep sapphire, the one her sisters coveted. They wanted to be everything she was and traipsed after her faithfully. The younger girls were rapt as she ranted on about the carriage horses. “Theyre made to ride around without food or water all day long. Theyre worked until theyre nothing but skin and bones.”

“Skin and bones” was a favorite phrase of Elvs. It got to the brutal point. The secret universe she had created was a faery realm where women had wings and it was possible to read thoughts. Arnelle was everything the human world was not. Speech was unnecessary, treachery out of the question. It was a world where no one could take you by surprise or tell you a mouthful of lies. You could see someones heart through his chest and know if he was a goblin, a mortal, or a true hero. You could divine a words essence by a halo of color—red was false, white was true, yellow was the foulest of lies. There were no ropes to tie you, no iron bars, no stale bread, no one to shut and lock the door.

Elv had begun to whisper Arnelle stories to her sisters during the bad summer when she was eleven. It was hot that August; the grass had turned brown. In other years summer had been Elvs favorite season—no school, long days, the bay only a bicycle ride away from their house on Nightingale Lane. But that summer all shed wanted was to lock herself away with her sisters. They hid in their mothers garden, beneath the trailing pea vines. The tomato plants were veiled by a glinting canopy of bottle-green leaves. The younger girls were eight and ten. They didnt know there were demons on earth, and Elv didnt have the heart to tell them. She brushed the leaves out of her sisters hair. She would never let anyone hurt them. The worst had already happened, and she was still alive. She couldnt even say the words

for what had happened, not even to Claire, whod been with her that day, whod managed to get away because Elv had implored her to run.

When she first started to tell her sisters stories, she asked for them to close their eyes and pretend they were in the otherworld. It was easy, she said. Just let go of this world. Theyd been stolen by mortals, she whispered, given a false family. Theyd been stripped of their magic by the charms humans used against faeries: bread, metal, rope. The younger girls didnt complain when their clothes became dusted with dark earth as they lay in the garden, although Meg, always so tidy, stood in the shower afterward and soaped herself clean. In the real world, Elv confided, there were pins, spindles, beasts, fur, claws. It was a fairy tale in reverse. The good and the kind lived in the otherworld, down twisted lanes, in the woods where trout lilies grew. True evil could be found walking down Nightingale Lane. Thats where it happened.

They were coming home from the bay. Meg had been sick so shed stayed home. It was just the two of them. When the man in the car told Claire to get in the backseat, she did. She recognized him from school. He was one of the teachers. She was wearing her bathing suit. It was about to rain and she thought he was doing them a favor. But he started driving away before her sister got into the car. Elv ran alongside and banged on the car door, yelling for him to let her sister out. He stopped long enough to grab her and drag her inside, too. He stepped on the gas, still holding on to Elv. “Reunina lee,” Elv said. It was the first time she spoke Arnish. The words came to her as if by magic. By magic, Claire understood. I came to rescue you.

At the next stop sign, Claire opened the door and ran.

Arnelle was so deep under the ground you had to descend more than a thousand steps. There were three sisters there, Elv had told Claire. They were beautiful and loyal, with pale eyes and long, black hair.

“Like us,” Claire always said, delighted.

If they concentrated, if they closed their eyes, they could always find their way back to the otherworld. It was beneath the tall hawthorn tree in the yard, beneath the chestnut tree in Paris. Two doorways no one else could get past. No one could hurt you there or tear you into pieces. No one could put a curse on you or lock you away. Once you went down the underground stairs and went through the gate there were roses even when snow fell in the real world, when the drifts were three feet deep.

Most people were seized by the urgency of Elvs stories, and her sisters were no exception. At school, classmates gathered round her at lunchtime. She never spoke about Arnelle to anyone but her dear sisters, but that didnt mean she didnt have stories to tell. For her school friends she had tales of life on earth, stories of demons she didnt want her sisters to hear. A demon usually said three words to put a curse on you. He cut you three times with a knife. Elv could see what the rest of them never could. She had “the sight,” she said. She predicted futures for girls in her history and math classes. She scared the hell out of some of them and told others exactly what they wanted to hear. Even in Paris when she went to visit her grandparents, the city was filled with demons. They prowled the streets and watched you as you slept. They came in through the window like black insects drawn to the light. They put a hand over your mouth, kept your head under water if you screamed. They came to get you if you ever dared tell and turned you to ash with one touch.

Each day, the number of girls who gathered around Elv in the cafeteria increased. They circled around to hear her intoxicating tales, told with utter conviction. Demons wore black coats and thick- soled boots. The worst sort of goblin was the kind that could eat you alive. Just a kiss, miss. Just a bite.

From the Hardcover edition.

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Average customer rating based on 5 comments:

lilsnobelle, September 1, 2011 (view all comments by lilsnobelle)
Having read other books by this author, I was already expecting a pretty good read. This was darker, but much more of a good read than anything I've read by Alice Hoffman. This would make an excellent movie. Her writing style is almost poetic, so much so that I found myself rereading just to recapture the beautiful descriptions. The characters are very strong, and you feel like you know these people. I don't want to give away the story, but the self destructive Elv is the most fascinating sister of the three. I absolutely love the ending. Don't let this book pass you by! I devoured it.
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Tisa Hill, September 1, 2011 (view all comments by Tisa Hill)
Captures the relationships between sisters as well as more ethereal experiences like the color of the light in Paris. Beautiful and interesting. Painful and sweet.
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Ruth Clark, June 8, 2011 (view all comments by Ruth Clark)
Unforgettable relationship between a trio of sisters, so very different, but so fiercely united as young girls that they create their own language. As the girls mature Elv, the eldest who made up their fairy world, spirals out of control, Claire blindly supports her wayward sibling, and Meg attempts to protect Claire from Elv. You will laugh and cry over the life experiences of the sisters and their mother while the writer in all of us sighs in longing that we could write passages as eloquent as those of Alice Hoffman. Hoffman is a master at magical realism.
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Product Details

Hoffman, Alice
Three Rivers Press (CA)
Pneuman, Angela
General Fiction
Literature-A to Z
Edition Description:
Trade paper
Publication Date:
Grade Level:
8 x 5.31 in

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Related Subjects

Fiction and Poetry » Literature » A to Z
Fiction and Poetry » Literature » Contemporary Women

The Story Sisters Used Trade Paper
0 stars - 0 reviews
$15.00 In Stock
Product details 288 pages Three Rivers Press (CA) - English 9780307405968 Reviews:
"Review" by , "Hoffman's characters are always moving back and forth, challenging our perceptions, daring us to judge them. Her sentences tremble with allegory....In the end, The Story Sisters, for all its magic realism, is about a family navigating through motherhood, sisterhood, daughterhood. It's Little Women on mushrooms. (Bookish sisters beware)."
"Review" by , "Hoffman is celebrated for her ability to conjure plausible alternative realities, to sprinkle her landscapes with witches and other mythical creatures, while keeping her stories closely tethered to familiar terrain. There's a mysticism that swirls about her works but, like a late-morning fog, it eventually burns off to reveal a physical and emotional topography that most all of us can recognize."
"Review" by , "This bewitching novel explores the bonds of sisterhood like a haunting modern fairy tale."
"Review" by , "Any new book by Hoffman is an occasion to rejoice, as is the case with The Story Sisters."
"Review" by , "The sisters struggle to grow and thrive in the real world will keep you riveted to the pages of this heartbreaking novel about the powers and limits of love."
"Review" by , "The always dazzling Hoffman has outdone herself in this bewitching weave of psychologically astute fantasy and shattering realism….this is an entrancing and romantic drama shot through with radiant beauty and belief in human resilience and transformation." (starred review)
"Review" by , "Painfully moving....there are beautiful moments throughout."
"Review" by , "Keeps readers heartbroken yet spellbound, turning the pages."
"Synopsis" by , A family is shattered when one of three sisters dies tragically in an automobile accident. How the family survives — separates, reconfigures, and reconciles — is at the heart of this exquisite exploration of the ties that bind.
"Synopsis" by , A wry, moving debut novel from a Stegner fellow and "one of the most gifted young writers around" (Lorrie Moore), Lay It on My Heart takes us through one unforgettable month in Charmaine Peake's thirteenth year as she comes to understand the complicated strength of mothers, the trials of faith, and the life-changing power of a true friend.
"Synopsis" by , It's summer in Kentucky, the low ceiling of August pressing down on Charmaine Peake and the town of East Winder. Charmaine and her mother get along better with a room between them, but they've been forced by circumstances to relocate to a tiny trailer by the river. The last of a line of local holy men, Charmaine's father has turned from prophet to patient, his revelation lost in the clarifying haze of medication. Her sure-minded grandmother has suffered a stroke. At church, where she has always felt most certain, Charmaine is tested when she uncovers that her archrival, a sanctimonious missionary kid, carries a dark, confusing secret. Suddenly her life can be sorted into what she wishes she knew and what she wishes she didn't.

A moving, hilarious portrait of mothers and daughters, Lay It on My Heart brings us into the heart of a family weathering the toughest patch of their lives. But most of all, it marks out the seemingly unbearable realities of growing up, the strength that comes from finding real friendship, and the power of discovering—and accepting—who you are.

"Synopsis" by ,
This piercing, sly debut novel tells the story of one unforgettable month in a Kentucky girls thirteenth year. Charmaine Peakes prophet father has been committed to a psychiatric institution. Her mother, forced to rent out their house and move them down to a trailer on the river, wont stop telling Charmaine things she doesnt want to hear—from marital details and middle-aged doubts to uncomfortable preoccupations with Charmaines changing body. A sanctimonious missionary kid has taken over her real bedroom, where Charmaine discovers his stash of strange and questionable photos. She is being tested at every turn: Where will her choices take her? And her faith? She tries to pray ceaselessly as her father taught, but with so much upheaval, even God seems to have changed.

Like the beloved Ya-Ya Sisterhood, Lay It on My Heart unleashes Southern humor on the effects of a parents mental illness. It brings us into the heart of a family weathering the toughest patch in their lives. But most of all, it marks out the seemingly unbearable realities of adolescence and the power that comes from discovering—and accepting—who you are. A moving, hilarious portrayal of the relationship between mothers and daughters, this book fulfills Angela Pneumans promise as “one of the most astonishingly talented writers today”(Julie Orringer).

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