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Emily St. John Mandel: IMG Powell’s Q&A: Emily St. John Mandel



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    Station Eleven

    Emily St. John Mandel 9780385353304

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Hard Magic

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Hard Magic Cover

ISBN13: 9780373803132
ISBN10: 0373803133
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Excerpt

The dream was back. It always came back when I was stressed.

The site was deserted; I sneaked through the fence and into the house. Lucky for me the alarms hadn't been turned on yet.

As usual, my brain was telling me that it was only a memory; that I already knew what I would find, that it was okay for my heart to stop pounding so fast, but the dream was in control.

The door called to me. I could feel it, practically singing in the rain-filled dusk. My flashlight skittered across the floor, allowing me to pick my way around piles of trash and debris. No tools left out; the carpenter's daughter approved.

"Hello, beauty," I said to the door. Or maybe to the woman in the door: in the darkness, in the beam of light, she was nakedly apparent now, a sweet-eyed woman who gazed out into the bare bones of the room with approval and fondness.

Even now, the beauty of Zaki's work astounded me, and I mourned again for that loss.

"Who are you, then? That's the key to all this. Who are you?"

The door, not too surprisingly, didn't answer. But I knew how to make it talk.

Or I thought I did, anyway.

It was all instinct, but J had always told me that instinct was the way most new things were discovered—instinct and panic.

I held my hand over the door the way I had with the tools, carefully not making physical contact with it, and touched just the lightest levels of current, like alto bells sounding in the distance.

The woman's hair stirred in a breeze, and her face seemed softer, rounder, then she disappeared behind the leaves again.

I hated her, this woman I'd never known, never met. Hated her for being the reason my father was dead.

Zaki really had been an artist, the bastard. I could feel him in the work. But I didn't know, yet, what he had been feeling.

*evidence doesn't lie*

Shut up, I told the voice. I'm working.

I touched a deeper level of current, bringing it out with a firm hand and splaying it gently across the door so that it landed easily, smoothly.

Oh, how I love her, such a bad woman, such a wrong woman, and I cannot have her, but I will show her my love….

Zaki, melancholy and impassioned, his hand steady on the chisel, his eyes on the wood, sensing even through his distraction how to chip here, cut there, to make the most of the grain. He was concentrating, thinking of his object of affection, the muse who inspired him. So focused, the way all Talent learned to be, that he never saw the man coming up behind him, the man who had already seen the work in progress, and recognized, the way a man might, the face growing out of the wood.

I knew what was about to happen, in my dream-mind, and tensed against the memory.

The blow was sudden and sharp, and the vision faded.

No, I told my current. More.

It surged, searched, and found…nothing No emotions from the killer. No residue of his actions. It had been too long, or he had been too good, too quick. Or I needed to be better, sharper.

You were a kid, I wanted to tell my then-self. You did what you could, and you did as well as you could. But you can't talk back to memories, only relive them.

"Damn it." My flashlight's beam dropped off the door; I was unwilling to look at theflace of the woman who had cost my flather his life.

*there is always evidence*

The voice was back. And probably right. I let the beam play on the floor, unsure what I was looking flor. Scan, step, scan. I repeated the process all the way up to the door, then turned around and looked the way I had come.

"There."

On the floor, about two fleet away. A spot where the hardwood floor shone differently. That meant that it had been refinished more recently than the rest ofl the floor, or been treated somehow.…Zaki would have known. All I knew was that it was a clue.

I touched it with current, as lightly as I could. Something warned me that a gentle touch would reveal more than demanding ever would.

"The killer's actions, I beg you wood, reveal."

J's influence: treat current the way you would a horse; control it through its natural instincts. Current, like electricity, illuminated.

A dent in the floor, sanded down and covered up. The point ofl a chisel stained with blood? No. The harder end, sticking out ofl a body as it landed, flalling backward…

Oh, Zaki, you idiot was all I could flind inside myselfflollowing the arc of the body. For a woman? For another man's woman when you had Claire at home?

And then I saw it, the shadow figure ofl the killer, indistinct even in his own mind—shading himselfl.That meant the killer was a Talent, if ofl even less skill than Zaki. Had that been a flactor? The man—the foreman, I knew now—jealous not only ofl the carpenter's attraction to his wife, but ofl his skill to display it, driven to murder?

The chisel was removed, wiped down, and…

I still flinched, even years and dreams later.

The blood alone flared bright in the pictorial, a shine of wet rubies in the shadows as the foreman dipped the chisel into a cloth still damp with the blood, laying the trace for me to find, a week later.

Find, and be unable to do anything about, save live with the knowledge that my father had been murdered, and the murderer still walked, unpunished….

I woke up, and the still-powerful sadness of dream faded, although it never really went away. Zaki had been dead for three years, though, and I'd learned to live with it. My depressing reality was more immediate: three months out of college, and I still didn't have a job.

I thought about putting the feather pillow over my face until I turned a proper shade of blue and suffocated. Even knowing that it was the overblown act of a spoiled five-year-old didn't stop me from contemplating it, running through scenarios of who would find me and what they might say or think or do. Eventually, though, I shoved the pillow to the side and stared glumly up at the ceiling.

No, I wasn't quite that desperate. But it was close.

Nobody wanted to hire me. It wasn't that I didn't have brains. Or enthusiasm. Or dedication, for that matter. I just…didn't know what to do with any of what I had. I guess that was showing up in my interviews, because nobody was saying "welcome aboard."

Something had to break soon, or I was looking at a short-term career goal of flipping burgers or, if I was lucky, pulling beers at a semidecent pickup bar.

"Oh, the hell with that." I got out of bed and stripped down my sweat-soaked T-shirt and panties, replacing them with my sweat-dried gym clothes, fresh socks, and my sneakers, and headed down to the hotel's gym. The only way to interrupt a self-pity party was with a good hard run.

I got back to my room, feeling only a little bit better, just in time to take possession of my breakfast order. I let the room-service guy in and tipped him, the door barely closing behind his back when the phone rang. I dropped the receipt on the table and picked up the phone, telling myself not to make any assumptions or unfounded leaps of hope. This early, though, it might be good news. Did people really call at 9:00 a.m. with bad news? Didn't they put that off as long as possible?

"Bonita Torres."

"Ms. Torres? This is Sally Marin, at Homefront Services."

I could tell by the sound of her voice that the news wasn't going to be good. Damn. Deep breathing is supposed to be good for panic, wasn't it? I took a breath, held it, and then let it out. Nope, didn't help.

I shifted the phone to the other ear, and tried to relax my shoulders, kicking off my sneakers and peeling off my socks. There was no reason to panic. My checkbook was still decently in the black, I wasn't in debt, if you could ignore a credit card or three coming due at the end of the month, and I had a degree from a top school packed with all my belongings in storage while I lounged around in a swank little suite on the Upper East side of Manhattan on a lovely, not-too-hot summer day.

Life could be worse, right?

Life could be a hell of a lot worse. I knew that firsthand. I took another deep breath and stared at my feet—I'd painted the toenails dark blue, to keep myself from thinking about the demure pale pink that was on my fingernails—and wiggled them. Yeah, things could be worse. But they could be shitloads better, too.

The brutal truth of the matter was that I needed a job, and not a minimum-wage one, either. Joseph kept telling me to relax, that I'd find something, but much as I love J, and he loves me, I couldn't mooch off him for the rest of my life, letting him pay for this hotel, my food, and my clothing. Sure, he had money but that wasn't the point. Comes a time, you've got to do for yourself, or self-esteem, what's that?

The problem was, J's been doing for me for so long, I think we've both forgotten how for him not to. Not that he spoiled me or anything, just…He's always taken care of me. Ever since I was eight years old, and an instinctive cry for help had literally pulled him off the street and into my life.

The dream came back to me, and I shoved it away. My dad, rest his soul, always meant well, and I'd never had a moment's doubt that he loved me, but Zaki Torres had been a crap parental figure, and his decisions weren't always the best even for himself, much less me. J had taken one look that day, and arranged to become mentor to that mouthy, opinionated eight-year-old. He taught me everything I needed to know and a bunch of stuff he figured I'd want to know, and then, ten years later, had the grace and wisdom to let me go.

Not that I went far—just off to college for four years. But even then, J was there, the comforting shadow and sounding board at my elbow, not to mention the tuition check in the mail. Now that phase was over, and it was time to be an adult.

Somehow.

And that was why I was starting to panic.

"I'm sorry, Ms. Torres," the woman on the other end of the phone line was saying. "Your résumé was quite good, of course, but…"

I kinda tuned her out at that point. It was the same thing everyone had been saying for the past three months. I'm smart, I'm well educated—the aforementioned four years at Amherst will do that—and I'm a hard worker. All my references were heavy on that point. I've never shied away from a challenge.

Only these days, nobody wanted to hire someone with a liberal-arts degree and minimal tech skills, no matter how dedicated they might be.

It wasn't my fault, not really. I know how to use computers and all that. It's just that I can't. Or, I can, but it doesn't always end well.

I'm a Talent, which is the politically correct way of saying magic user. Magician. Witch. Whatever. Using current—the magical energy that floats around the world—is as natural to me as hailing a cab is to New Yorkers. Only problem is, current runs in the same time-space whatever as electricity, and like two cats in the same household, they don't always get along. They're pretty evenly balanced in terms of power and availability, but current's got the added kick of people dipping in and out, which makes it less predictable, more volatile. Which means a Talent…well, let's just say that most of us don't carry cell phones or PDAs on our person, or work with any delicate or highly calibrated technology.

I'm actually better than most—for some reason my current tends to run cool, not hot, meaning I don't have as many spikes in my—hypothetical—graph. Nobody's been able to explain it, except to say I'm just naturally laid-back. I guess it's because of that I've never killed a landline, or any of the basic household appliances just by proximity the way most Talent do, but there's always the risk.

Especially when we're under stress. You learn to work around it, and I wouldn't give up what I am, not for anything, but sometimes current is less a gift and more a righteous pain in the patoot. Especially when you're trying to find a job in the Null world.

Ms. Marin had finished making apologies, finally.

"Yes, thank you. I do appreciate your taking the time to speak with me." J taught me manners, too. I hung up the phone, and stared at my toes again. The sweat of my treadmill workout seemed far away, and the dream-sweat closer to my skin, somehow.

Damn it. I had really hoped something would come out of that interview. Something good, I meant.

Lacking any other idea or direction, I wandered over to the desk, where a pile of résumés, a notepad, and my breakfast—a three-egg omelet with hash browns and ketchup—waited for me to get my act together. There were still half a dozen places I needed to call, to follow up on applications and first interviews. I sat in the chair and stared at the notepad, with its neatly printed list—the result of ten weeks of intensive job-hunting—and felt a headache starting to creep up on me. At this rate, I really was going to be begging for temp jobs or—god help me—going back to retail. My life's ambition, not really. I might not know what I wanted to do, but I knew what I didn't want.

I forked up a bit of the omelet and took a bite, less because I was hungry and more because it was there. Other Talent found their niche, why couldn't I? All right, so a lot of them became artists, or lawyers, or ran their own companies, where their weirdness wasn't noticed, or was overlooked. None of that really interested me, even if I'd had an inch of artistic or entrepreneurial talent, which I didn't. Academia maybe, but the truth was that while I loved learning, school mostly bored me.

Me bored was a bad idea. When I was bored I did things like create a spell that would burn out selected letters in neon signs all over town, until it looked as though there was a conspiracy against the letters Y and N. Listening to people's crackpot theories about what had really happened for the rest of the week had been fun, but…

But I needed something to do.

What Our Readers Are Saying

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Average customer rating based on 3 comments:

Anna Hernandez, September 1, 2011 (view all comments by Anna Hernandez)
Cute, quick read. Perfect for those who loved Angel and CSI and Kim Harrison's books. Quirky somewhat snarky lead character makes for some fun dialogue. Will need to read the next one to see if the series can sustain itself.
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Jvstin, January 23, 2011 (view all comments by Jvstin)
I've mentioned before in previous reviews of mine that Urban fantasy is a genre that I find hit or miss. Certainly its popular, authors are doing well cranking them up, but many urban fantasy novels feel like either romance novels with not well worked out paranormal elements, or feel like they are bandwagoners trying to get in on a hot sub-genre. And, I generally like my landscapes more fantastic and bigger. But I am willing to dip into the sub-genre now and again, if for no other reason than to keep abreast of how it is evolving.

Laura Anne Gilman is an author whose work I have not read before, but she has popped up in mentions of blog posts and social media by authors I have varying levels of contact and friendship with. So, I was delighted to enter and win a contest for a copy (signed as it turns out) of one of her books: Hard Magic

Hard Magic starts a new novel in her "Cosa Nostradamus" universe. Seven books in, there is not a lot of explanation of how the universe works, but clues in the book provided by good writing from Gilman allowed me to piece together that Hard Magic and its previous novels are set in a modern-day urban fantasy universe where magicians, and nonhuman races ("fatae") secretly live in a world ignorant of their presence. A major organized faction of practitioners (Talents), called the Council, try to organize the magical community. Opposing them are lonejacks, who are talents who try and make their own, anarchic way in keeping their powers secret and doing the business of making a living.

Bonnie Torres, a character who had appeared as a minor character in previous Cosa Nostradamus books, gets center stage in Hard Magic. With a Council patron, and a lonejack sort of independence, she nicely encapsulates the dichotomy between these factions as she tries to make a living in NYC.

When Bonnie gets a call to attend a job interview she never applied for, she is soon sucked into PUPI--Private Unaffiliated Paranormal Investigations. She joins a number of other misfit Talents similarly recruited, and together learn to harness their powers for magical forensics.

Oh, and of course, they DO get a case, investigate the strange suicide of a prominent pair of Council members that may very well be something more than a suicide. And in the process, Bonnie and her new friends stir up a number of very dangerous hornets nests in the process...

As an expatriate New Yorker, I felt like a slice of home reading this book, as, with the exception of a few teleports to Boston and Chicago, the entirety of the book takes place in New York City. From jokes about the GWB to pumpernickel bagels, Gilman brings forth the spirit of New York. Bonnie is clearly not a native, and we get a sense of her trying to understand the city, like a cat, has decided to adopt her. Unlike some urban fantasy that I have read, the setting is in harmony with the fantastic elements and they work together (much like, say, Elizabeth Bear's Blood and Iron).

The central mystery is a fair one by the standards of the universe. More than the mystery, though, the writing and the text show that Gilman is even more interested in exploring the characters. While we only follow Bonnie's point of view and her mind, Gilman does allow us to slowly reveal aspects of her employers and fellow employees. By the end of the book, we have a good handle not only on Bonnie but also her evolving relationships with PUPI, and her mentor J as well.

The advantage for Gilman to start a new series within her Cosa Nostradamus universe is that it provides a new entry point for people wanting to explore a new urban fantasy universe. If you are looking to try some urban fantasy, or more especially if you are a urban fantasy junkie, I recommend you give Bonnie Torres and the PUPI investigators a try.
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(29 of 58 readers found this comment helpful)
twopipers, May 13, 2010 (view all comments by twopipers)
Love the cover, but I would! That gorgeous young model is my niece.
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Product Details

ISBN:
9780373803132
Author:
Gilman, Laura Anne
Publisher:
Luna Books
Subject:
Romance - Fantasy
Subject:
Fantasy - Contemporary
Subject:
Magic
Subject:
Murder -- Investigation.
Subject:
Science Fiction and Fantasy-Fantasy-Contemporary
Copyright:
Edition Description:
Trade Paperback
Publication Date:
20100531
Binding:
TRADE PAPER
Language:
English
Pages:
336
Dimensions:
7.98x6.32x.85 in. .48 lbs.

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Hard Magic Used Trade Paper
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$14.95 In Stock
Product details 336 pages Luna Books - English 9780373803132 Reviews:
"Publishers Weekly Review" by , "Spinning off a minor character from the Retrievers books (Staying Dead, etc.), Gilman launches an entertaining new series set in her Cosa Nostradamus world of magic-using Talented humans. Following up on a mysterious job lead, college grad Bonita Torres joins the Private Unaffiliated Paranormal Investigations (PUPI), a freelance CSI-style unit for Talent-related crimes. The 'puppies' refine and practice spells until they get their first big case: an apparent double suicide. As they follow the evidence, trail and interrogate suspects, and defend themselves against attacks, the investigators develop comfortable and engaging team dynamics and create the field of forensic magic. Gilman's deft plotting and first-class characters complement her agile blend of science and spell craft, and readers will love the Mythbusters-style fun of smart, sassy people solving mysteries through experimentation, failure, and blowing stuff up." Publishers Weekly (Starred Review) (Copyright Reed Business Information, Inc.)
"Synopsis" by , A recent college grad is thrown into an entirely new career in forensic magic, in this launch title of the Paranormal Scene Investigations series, a spin-off of Gilman's popular The Retrievers books.
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