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Ingmar Bergman's Persona (Cambridge University Press Film Handbooks Series)

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Ingmar Bergman's Persona (Cambridge University Press Film Handbooks Series) Cover

 

Synopses & Reviews

Publisher Comments:

Long held to be among the world's greatest filmmakers, Ingmar Bergman shaped international art cinema from the 1950s to the 1980s. Among his many works, Persona is often considered to be his masterpiece and is often described as one of the central works of Modernism. The essays collected in this volume use a variety of methodologies to explore topics such as acting technique, genre, and dramaturgy. Also included are translations of Bergman's writings that have never before been available in English.

Synopsis:

The essays collected in this volume use a variety of methodologies to explore Bergman's Persona.

Synopsis:

The essays collected in this volume use a variety of methodologies to explore Bergman's "Persona".

Synopsis:

Among Ingmar Bergman’s many works, Persona is often considered to be his masterpiece and is often described as one of the central works of Modernism. The essays collected in this volume use a variety of methodologies to explore topics such as acting technique, genre, and dramaturgy.

Synopsis:

Each Cambridge Film Handbook focuses on a single film from a variety of theoretical, critical and contextual perspectives. This "prism" approach is designed to give students and general readers valuable background and insight into the cinematic, artistic, cultural, and socio-political importance of individual films by including essays by leading film scholars and critics. Filmographies and selected bibliographies are included.

Description:

Filmography: p. Includes bibliographical references.

Table of Contents

Introduction Lloyd Michaels; 1. Bergman's Persona through a native mindscape Birgitta Steene; 2. Persona and the 1960s' art cinema Wheeler Winston Dixon; 3. Bergman's Persona Susan Sontag; 4. Scenes from the class struggle in Sweden: Persona as Brechtian melodrama Christopher Orr; 5. Persona and the seduction of performance Steve Vineberg; 6. Feminist theory and the performance of Lesbian desire in Persona Gwendolyn Audrey Foster.

Product Details

ISBN:
9780521656986
Editor:
Michaels, Lloyd
Editor:
Andrew, Horton
Editor:
Michaels, Lloyd
Editor:
Andrew, Horton
Author:
Michaels, Lloyd
Author:
Andrew, Horton
Publisher:
Cambridge University Press
Location:
New York
Subject:
Film - General
Subject:
Film - Direction & Production
Subject:
Bergman, ingmar, 1918-
Subject:
Persona
Subject:
Film & Video - Direction & Production
Subject:
Persona (Motion picture)
Subject:
Film and Television-Production
Edition Description:
Trade paper
Series:
Cambridge Film Handbooks
Series Volume:
1
Publication Date:
20040331
Binding:
TRADE PAPER
Grade Level:
Professional and scholarly
Language:
English
Illustrations:
32 half-tones
Pages:
208
Dimensions:
8.96x6.01x.54 in. .64 lbs.

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Related Subjects

Arts and Entertainment » Film and Television » General
Arts and Entertainment » Film and Television » Production » Biographies
Arts and Entertainment » Film and Television » Production » General
Arts and Entertainment » Film and Television » Specific Film
Languages » ESL » General

Ingmar Bergman's Persona (Cambridge University Press Film Handbooks Series) New Trade Paper
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Product details 208 pages Cambridge University Press - English 9780521656986 Reviews:
"Synopsis" by , The essays collected in this volume use a variety of methodologies to explore Bergman's Persona.
"Synopsis" by , The essays collected in this volume use a variety of methodologies to explore Bergman's "Persona".
"Synopsis" by , Among Ingmar Bergman’s many works, Persona is often considered to be his masterpiece and is often described as one of the central works of Modernism. The essays collected in this volume use a variety of methodologies to explore topics such as acting technique, genre, and dramaturgy.
"Synopsis" by , Each Cambridge Film Handbook focuses on a single film from a variety of theoretical, critical and contextual perspectives. This "prism" approach is designed to give students and general readers valuable background and insight into the cinematic, artistic, cultural, and socio-political importance of individual films by including essays by leading film scholars and critics. Filmographies and selected bibliographies are included.
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