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This title in other editions

The Matrix of Visual Culture: Working with Deleuze in Film Theory (Cultural Memory in the Present)

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The Matrix of Visual Culture: Working with Deleuze in Film Theory (Cultural Memory in the Present) Cover

 

Synopses & Reviews

Publisher Comments:

This book explores Gilles Deleuze's contribution to film theory. According to Deleuze, we have come to live in a universe that could be described as metacinematic. His conception of images implies a new kind of camera consciousness, one that determines our perceptions and sense of selves: aspects of our subjectivities are formed in, for instance, action-images, affection-images and time-images. We live in a matrix of visual culture that is always moving and changing. Each image is always connected to an assemblage of affects and forces. This book presents a model, as well as many concrete examples, of how to work with Deleuze in film theory. It asks questions about the universe as metacinema, subjectivity, violence, feminism, monstrosity, and music. Among the contemporary films it discusses within a Deleuzian framework are Strange Days, Fight Club, and Dancer in the Dark.

Book News Annotation:

Pisters (film, U. of Amsterdam) explores how a Deleuzian approach to visual culture differs from a traditional view of images as representations. Her topics include the universe as metacinema, the politics of violence, and the logic of sensations. Annotation (c)2003 Book News, Inc., Portland, OR (booknews.com)

Synopsis:

“ ...a rigorous, progressive, and thought-provoking study.” — Leonardo Reviews

Synopsis:

“...a rigorous, progressive, and thought-provoking study.”—Leonardo Reviews

About the Author

Patricia Pisters is Professor of Film at the University of Amsterdam.

Table of Contents

The universe as metacinema — Material aspects of subjectivity — Cinema's politics of violence — Conceptual personae and aesthetic figures of becoming-woman — Logic of sensations of becoming animal — (De)territorializing forces of the sound machine.

Product Details

ISBN:
9780804740289
Author:
Pisters, Patricia
Publisher:
Stanford University Press
Author:
Bal, Mieke
Author:
Vries, Hent De
Author:
de Vries, Hent
Location:
Stanford, Calif.
Subject:
Philosophy
Subject:
Film - General
Subject:
Film - History & Criticism
Subject:
Motion pictures
Subject:
Film & Video - History & Criticism
Subject:
Culture in motion pictures
Subject:
Deleuze, Gilles
Subject:
Film and Television-History and Criticism
Edition Number:
1
Edition Description:
1
Series:
Cultural Memory in the Present
Series Volume:
107-338
Publication Date:
20030731
Binding:
TRADE PAPER
Language:
English
Pages:
320
Dimensions:
9 x 6 in

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Related Subjects

Arts and Entertainment » Film and Television » History and Criticism
History and Social Science » World History » General

The Matrix of Visual Culture: Working with Deleuze in Film Theory (Cultural Memory in the Present) New Trade Paper
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Product details 320 pages Stanford University Press - English 9780804740289 Reviews:
"Synopsis" by , “ ...a rigorous, progressive, and thought-provoking study.” — Leonardo Reviews
"Synopsis" by ,
“...a rigorous, progressive, and thought-provoking study.”—Leonardo Reviews
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