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The Conscript: A Novel of Libya's Anticolonial War (Modern African Writing)

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The Conscript: A Novel of Libya's Anticolonial War (Modern African Writing) Cover

 

Synopses & Reviews

Synopsis:

Eloquent and thought-provoking, this classic novel by the Eritrean novelist Gebreyesus Hailu, written in Tigrinya in 1927 and published in 1950, is one of the earliest novels written in an African language and will have a major impact on the reception and critical appraisal of African literature.

The Conscript depicts, with irony and controlled anger, the staggering experiences of the Eritrean ascari, soldiers conscripted to fight in Libya by the Italian colonial army against the nationalist Libyan forces fighting for their freedom from Italy’s colonial rule. Anticipating midcentury thinkers Frantz Fanon and Aimé Césaire, Hailu paints a devastating portrait of Italian colonialism. Some of the most poignant passages of the novel include the awakening of the novel’s hero, Tuquabo, to his ironic predicament of being both under colonial rule and the instrument of suppressing the colonized Libyans.

The novel’s remarkable descriptions of the battlefield awe the reader with mesmerizing images, both disturbing and tender, of the Libyan landscape—with its vast desert sands, oases, horsemen, foot soldiers, and the brutalities of war—uncannily recalled in the satellite images that were brought to the homes of millions of viewers around the globe in 2011, during the country’s uprising against its former leader, Colonel Gaddafi.

About the Author

Gebreyesus Hailu (1906–1993) was a prominent and influential figure in the cultural and intellectual life of Eritrea during the Italian colonial period and in the post-Italian era in Africa. With a PhD in theology, he was vicar general of the Catholic Church in Eritrea and played several important roles in the Ethiopian government, including that of cultural attaché at the Ethiopian Embassy in Rome, member of the national academy of language, and advisor to the Ministry of Information of the Ethiopian government. Hailu’s novel, The Conscript, is based on a true story of Eritrean conscripts deployed to Libya by the Italians, whom Hailu met on his way to study in Italy.

Ghirmai Negash is a professor of English and African literature at Ohio University. He is the author of A History of Tigrinya Literature in Eritrea and coeditor of Who Needs a Story? His recent publications include articles and essays on Eritrean and South African literatures.

Laura Chrisman is a professor of English at the University of Washington, where she holds the Nancy K. Ketcham Endowed Chair. She is the author or editor of several books, including, as coeditor, Colonial Discourse and Post-Colonial Theory: A Reader.

Product Details

ISBN:
9780821420232
Author:
Hailu, Gebreyesus
Publisher:
Ohio University Press
Author:
Negash, Ghirmai
Author:
Chrisman, Laura
Subject:
African
Subject:
Sociology - General
Subject:
Literature-A to Z
Copyright:
Edition Description:
1
Series:
Modern African Writing Series
Publication Date:
20121131
Binding:
TRADE PAPER
Language:
English
Pages:
64
Dimensions:
8.5 x 5.5 in

Related Subjects

Fiction and Poetry » Anthologies » African Literature
Fiction and Poetry » Literature » A to Z
Fiction and Poetry » Literature » Africa
Fiction and Poetry » Popular Fiction » Military
History and Social Science » Sociology » General

The Conscript: A Novel of Libya's Anticolonial War (Modern African Writing) New Trade Paper
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Product details 64 pages Ohio University Press - English 9780821420232 Reviews:
"Synopsis" by ,
Eloquent and thought-provoking, this classic novel by the Eritrean novelist Gebreyesus Hailu, written in Tigrinya in 1927 and published in 1950, is one of the earliest novels written in an African language and will have a major impact on the reception and critical appraisal of African literature.

The Conscript depicts, with irony and controlled anger, the staggering experiences of the Eritrean ascari, soldiers conscripted to fight in Libya by the Italian colonial army against the nationalist Libyan forces fighting for their freedom from Italy’s colonial rule. Anticipating midcentury thinkers Frantz Fanon and Aimé Césaire, Hailu paints a devastating portrait of Italian colonialism. Some of the most poignant passages of the novel include the awakening of the novel’s hero, Tuquabo, to his ironic predicament of being both under colonial rule and the instrument of suppressing the colonized Libyans.

The novel’s remarkable descriptions of the battlefield awe the reader with mesmerizing images, both disturbing and tender, of the Libyan landscape—with its vast desert sands, oases, horsemen, foot soldiers, and the brutalities of war—uncannily recalled in the satellite images that were brought to the homes of millions of viewers around the globe in 2011, during the country’s uprising against its former leader, Colonel Gaddafi.

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