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1 Hawthorne Mystery- Anthologies

The Best American Mystery Stories (Best American Mystery Stories)

by

The Best American Mystery Stories (Best American Mystery Stories) Cover

 

 

Excerpt

Introduction

Mystery is the nut of all great fiction, so it seems superfluous and even a bit patronizing to promote a separate category for it. Yet the tag has stuck since the heyday of pulp, and now it seems unshakable.

The stories in this collection would do honor to any anthology of short literature. More than transcending the genre of crime, they blow away its nebulous boundaries. Good writing is good writing, period.

Oh, theres death in these pages. Death by shotgun, handgun, hammer, candlestick, Barlow knife, bayonet, golf club—even death by garage- door opener. But the stories are far more memorable for the characters than for the crimes.

“A plague set upon the world to cauterize and cleanse it” is our introduction to the menacing, grief-shattered Jeepster in William Gays riveting “Where Will You Go When Your Skin Cannot Contain You?” The Jeepster is hellbound, of course, which is not an uncommon fate in his neighborhood. Theres nothing common about this story, though, a dark poetic torrent that makes vivid a state of almost unimaginable heartbrokenness.

The ability to deliver such complete and compelling tales in a couple of thousand words is an authentic gift, and the envy of writers who cannot pull it off.

When novelists pace themselves, they set their own clock. Sometimes the goal line is visible; other times it isnt. However long we take to get there is entirely up to us. Those who pick up our books can see how thick or thin they are, and adjust their expectations accordingly.

But readers of short stories arrive primed for a quick score, preferably in a single sitting. A writer must work essentially in a two-minute drill, trying to move the ball downfield quickly without fumbling. Such disciplined calibrations of plot and compressions of character development are difficult to do well.

In “Rodney Valens Second Life,” Kent Meyerss narrator sets the hook artfully: “Everyone figured Rodney, Shanes father, would end the Valen line. How the hell Rodney managed to find a wifes beyond anyone. Blame the freeway.” That funny line leads down a haunted road, though, and the shadows will be familiar to readers of Poe and even Faulkner.

In “Gleason,” by Louise Erdrich, a philandering dreamer named Stregg tries to explain his recent life to his mistresss brother: “Until I met Jade last year, you understand, I was reasonably happy.Carmen and I had sex for twenty minutes once a week and went to Florida in the winter; we gave dinner parties and stayed at the lake for two weeks every summer. In the summer, we had sex twice a week and I cooked all our meals.” The kidnapping that follows is brilliantly incidental to the fate of that marriage. Think O. Henry channeling John Cheever. While shored by tight structure, a mystery flops if the cast is uninteresting or fails to perform. The writers in this volume demonstrate zero tolerance for boring relationships, boring interludes, or boring endings.

Laura Lippmans soccer-mom call girl in “One True Love,” Robert Andrewss homeless hero in “Solomons Alley,” Jim Fusillis cuckolded Italian waiter in “Chellinis Solution” — all are splendidly galvanized from beginning to end.

As it does in life, evil abounds here in a variety of presentations. We expect to see it in a psychotic stalker, but not necessarily in a band of Texas volunteers on their way to battle the Mexican army of Santa Anna in 1836. Brent Spencers “The True History” is one of the most chilling pieces in this anthology, and theres virtually nothing for a reader to sort out.

“Let it be said here and now that a Texian has no taste for discipline,” the story begins, and soon its as plain as day: something truly ugly is about to happen, and all we can do is be swept along with mounting dread.

No less powerful is Chris Adrians “Stab,” in which an autistic boy is first befriended and then recruited by a budding serial killer who moves “as slowly as the moon does across the sky.” The search for a missing child leads to a sack of riled poisonous snakes in “Jakob Loomis,” Jason Ockerts sinuous account of crossed paths and black luck. And in “The Timing of Unfelt Smiles,” John Dufresne arranges the ultimate counseling session between a family therapist and a fellow whos just murdered his wife, his kids, and his parents. Obviously there are issues.

Sometimes there is no villain to blame, only fate or frailty — an accident of lust, distraction, or rotten judgment. Peter Blauners “Going, Going, Gone” is about a man named Sussman who is separated from his six- year-old son on the subway — a parents urban nightmare. Watching the boys face in a window of the departing train, Sussman fills with desperation and thinks: II have lost the only thing that matters.

For those who prefer conventional pump fakes and behind-the- back passes, theres the redoubtable Lawrenccccce Block and his droll, likable hit man, Keller. Having a killer for hire as a recurring protagonist must be challenging at times, but it doesnt hurt that this one lives in Greenwich Village, loves spicy food, and collects stamps as a hobby.

In “Kellers Double Dribble,” he is sent to whack somebody in Indianapolis and finds himself killing time at a Pacers game, which for most assassins would be a pleasant diversion. However, basketball depresses Keller, so his attention wanders to other matters, such as why the stranger who hired him would kick in for two $96 seats. As Keller soon discovers, it was not an innocent gratuity.

Back in New York, a squad of detectives employs creative methods of interrogation on a Japanese businessman suspected of tossing a hooker from the window of his hotel room, in Robert Knightlys “Take the Mans Pay.” Far away, in western Montana, a man oils his Winchester and prepares to hunt down the three marauding bikers who killed his sorrel mare. The rifle is brand-new, purchased at a Wal-Mart, and does not comfortably fit the hands of the avenging rancher in James Lee Burkes fine contribution, “A Season of Regret.” In “Meadowlands,” Joyce Carol Oates takes us to a messy afternoon at the Jersey track, where the animals that break down are of the two-legged type. More gambling adventure is at play in “Pin- wheel,” Scott Wolvens story of an ex-con who takes a job at a private and very illegal Nevada racetrack where each day millions are won and lost. Mostly lost.

To the east, a peripatetic pimp known as Shank and a teenage prostitute called Meg contemplate the roaring enigma of Niagara Falls, in David Meanss “The Spot.” And in St. Louis, where Ridley Pearson sets “Queeny,” a famous author of horror tales is trapped in a real one after his wife vanishes while jogging.

Up in Minnesota, territory long claimed by John Sandford, a golf pro turns up dead and plugged in a sand trap, making for a difficult lie in “Lucy Had a List.” And way down in my own stomping grounds of South Florida, the most reliable freak show in America, a professional poker player gets lucky, laid, and then nearly lit up in “T-Bird,” John Bonds hot deal on the Miami River.

All these pieces were originally published in story anthologies, distinguished magazines, and literary quarterlies that recognized them as fine fiction, not just fine mysteries. No single genre holds a special claim on grittiness and irony, blood-letting and remorse, betrayal and redemption — these are universal ingredients of art, and of the front page of your hometown newspaper; daily soul scrapings from back alleys, penthouses, suburbs, and farmlands.

Pulp is life. We are drawn to so-called mystery stories not only for anticipated thrills and surprises, but for the raw and reportorial light they shine on the human condition, which is mysterious indeed.

Carl Hiaasen

Copyright © 2007 by Houghton Mifflin Company. Introduction copyright © 2007 by Carl Hiaasen. Reprinted by permission of Houghton Mifflin Company.

Product Details

ISBN:
9780618812653
Author:
Hiaasen, Carl
Publisher:
Houghton Mifflin Harcourt (HMH)
Editor:
Hiaasen, Carl; Penzler, Otto
Author:
Harlan C
Author:
Coben, Harlan
Author:
oben
Author:
Penzler, Otto
Location:
Boston
Subject:
Mystery & Detective - Short Stories
Subject:
Mystery & Detective - Anthologies
Subject:
Detective and mystery stories, American
Subject:
FIC022050
Subject:
Mystery-A to Z
Copyright:
Edition Description:
Trade Paper
Series:
Best American (TM)
Publication Date:
20071031
Binding:
TRADE PAPER
Grade Level:
General/trade
Language:
English
Pages:
352
Dimensions:
8.25 x 5.5 in

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Related Subjects

Fiction and Poetry » Mystery » A to Z
Fiction and Poetry » Mystery » Anthologies

The Best American Mystery Stories (Best American Mystery Stories) Used Trade Paper
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$6.98 In Stock
Product details 352 pages Houghton Mifflin Company - English 9780618812653 Reviews:
"Publishers Weekly Review" by , "The 11th volume in this consistently high-quality series features such household names as Joyce Carol Oates and Lawrence Block, but for the most part it's the lesser lights who shine brightest with superb short crime stories that evoke human passions and bring characters to life with a few well-chosen phrases or images. As series editor Otto Penzler again cautions in his foreword, few of the stories revolve on 'whodunit,' the 'why' having become more important in contemporary crime fiction. One of the best of the 20 selections is Chris Adrian's 'Stab,' a chilling tale of childish cruelty, as witnessed by an autistic child. Block himself weighs in with the masterful 'Keller's Double Dribble,' a story of double crosses, white-collar crime and basketball. Another standout is Brent Spencer's 'The True History,' a gripping account of brutality and revenge set during the Texas War of Independence. Cozy and Agatha Christie fans won't find much to suit their particular tastes, but lovers of good writing should be delighted." Publishers Weekly (Starred Review) (Copyright Reed Business Information, Inc.)
"Synopsis" by ,
The best-selling author Carl Hiaasen takes the reins for the eleventh edition of this series, featuring twenty of the past years most distinguished tales of mystery, crime, and suspense.

Laura Lippman introduces us to a suburban soccer mom who moonlights as a call girl and who has a fateful encounter with a former client at her sons soccer game. Ridley Pearson traces a famous author of horror tales who becomes trapped in a real one after his wife vanishes while jogging. Joyce Carol Oates travels to a New Jersey racetrack where the animals that break down are of the two-legged type. Lawrence Block tells the story of Keller, a hitman for hire who happens to live in Greenwich Village, loves spicy food, and collects stamps as a hobby. And Scott Wolven plunges us into the world of an ex-con who takes a job at a private and very illegal Nevada racetrack where each day millions are won and lost. Mostly lost.

As Carl Hiaasen notes in his introduction, “The stories in this collection would do honor to any anthology of short literature. More than transcending the genre of crime, they blow away its nebulous boundaries.” The Best American Mystery Stories 2007 is a powerful collection certain to delight mystery aficionados and all lovers of great fiction.

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