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1 Beaverton Literature- A to Z

The Flight of Gemma Hardy (P.S.)


The Flight of Gemma Hardy (P.S.) Cover





It was on an afternoon in May of 1844 that the letter came from Dragonwyck.

   One of the Mead boys had seen it lying in the Horseneck post office, and had thoughtfully carried it with him three miles up the Stanwich road to deliver it at the Wells farmhouse.

   When the letter came, Miranda was, most regrettably, doing not one of the tasks which should have occupied the hour from two to three.

   She was not in the springhouse churning butter, she was not weeding the vegetable patch, nor even keeping more than half an absent-minded eye on Charity, the baby, who had kicked off her blanket and was chewing on a blade of sweet meadow grass, delighted with her freedom.

   Miranda had hidden behind the stone wall in the quiet little family burying-ground on the north side of the apple orchard as far from the house as possible. It was her favorite retreat. The seven tombstones which marked graves of her fathers family were no more than seven peaceful friends. Even the tiny stone in the corner beneath the giant elm had no tragic significance though it was marked, “Daniel Wells, son of Ephraim and Abigail Wells, who departed this life April 7th, 1836, aged one year,” and covered the body of her baby brother. Miranda had been ten during little Dannys short life, and he was now nothing but a gently poignant memory.

   Miranda was curled up against the wall, her pink calico skirts bunched carelessly above her knees in uncharacteristic abandon. A green measuring worm inched himself unchecked across the smooth bodice of her dress. The May breeze, fragrant with appleblossoms and clover from the adjacent pasture, blew her loosened hair into her eyes. She pushed the strand back impatiently with one hand while the other clutched her book, as Miranda devoured the fascinating pages of “The Beautiful Adulteress.”

   So compelling were the beautiful adulteresss adventures, that even when Mirandas sunbonnet slipped off and hot sunshine fell through the elm trees onto her skin, she did not pause to replace the bonnet. And yet the transparent whiteness of that skin was the envy of her friends and part product of many a tedious treatment with buttermilk and cucumber poultices.

   “The Beautiful Adulteress” had been lent by Phoebe Mead, and it must be finished by nightfall so that Phoebe could return it to Deborah Wilson, who had purloined it from her brothers saddlebag.

   Despite Mirandas eighteen years and elegant education at Philander Buttons Greenwich Academy, despite avid perusal of this and similar books, she had not the vaguest notion of the horrifying behavior that resulted in ones becoming an adulteress. But that point was immaterial.

   It was the glorious palpitating romance that mattered. The melancholy heroes, the languishing heroines, the clanking ghosts, dismal castles and supernatural lights; all entrancingly punctuated at intervals by a tender, a rapturous—but in any case a guilty—kiss.

   Her mothers first call went unheard. It was not until the cry “Ranny—” changed to a louder and sharper “Miranda-a-a! Where in tunket are you?” that the girl jumped. She shoved the book between two stones in the wall, and called hastily, “Coming, Ma!”

   She brushed bits of grass and drifted appleblossom off her dress and apron, straightened the black mesh net which confined her masses of soft curling hair during the work day, hair that in the sunlight shone nearly as golden as the buttercups in the pasture behind her.

   Then she picked up Charity.

   “Oh, shame, lambkin, youre wet again,” she said reproachfully.

   The baby at once set up an anguished yell; even at a year she resented criticism.

   Miranda laughed and kissed the soft neck. “Never mind, pet. Sister isnt really cross.” But she sighed, rapidly checking the chores which must be done before dusk.

   There was a big batch of the babys never-ending diapers to be washed and sunned, the butter to be churned, and, worst of all, a fowl to be slaughtered, plucked, and drawn for the Sabbath dinner tomorrow. Miranda loathed this particular task above all others. The sight of blood sickened her. And whereas her brothers and sister found the antics of the staggering, decapitated chicken funny, Miranda always felt a little spasm of nausea. Equally unpleasant was the later necessity for plunging ones hand into the chickens slimy entrails.

   She usually spent quite ten minutes scrubbing her slender white fingers afterward. A process which Ephraim, her father, viewed with disapproval when he caught her at it.

   “Quite die finicking young lady, arent we, Ranny!” he growled, frowning at her beneath his bushy eyebrows. “The Lord has mercifully provided us with food, and He has no patience with those who think themselves too fine to prepare it.”

   Ephraim always knew what the Lord was thinking or feeling quite as well as the Reverend Coe did.

   Miranda assumed that her mothers summons had to do with the chicken and she walked slowly, shifting the heavy baby from arm to arm and avoiding the barnyard where the destined victim clucked in happy ignorance.

   As she walked, she noted absently that the north potato field was deserted and that therefore her father and three brothers must have finished the spraying and moved on ahead of schedule to the great field by Strickland brook. She also noted that the distant blue of the Sound was unusually clear and that she could even see the wooded purplish strip of Long Island on the horizon. That meant rain. But otherwise she saw nothing of the beauty of the rolling Connecticut countryside, the flowering meadows, the rustling wineglass elms and hemlocks greenish-black against the sky. The farm and the sturdy six-room farmhouse were simply home, and she had never been farther than ten miles away from them in her life.

   As she entered the dark kitchen, she saw with relief that her mothers gaunt though still handsome face showed neither annoyance at Mirandas tardiness, nor even the habitual pucker of admonition with which she urged her children on to the next inevitable chore.

   Abigail, who seldom rested from morning till night, was sitting on a reed-bottomed chair and staring at a paper which lay unfolded on the kitchen table.

   She looked up as her daughter came in. ‘Heres a strange thing, Ranny. I dont know what to make of it. Cant tell till Ive talked with your pa.”

   Miranda followed her mothers puzzled gaze to the paper on the table. “Why, its a letter, isnt it!” she cried with lively interest. Not three letters a year came to the Wells farm. “Can I read it?”

   “I guess so,” said Abigail. “But change the baby first, then knead down the bread dough while I nurse her. Times wasting.”

   The girl cast a longing glance at the mysterious letter, but she did as she was told. Abigail flew around the kitchen, cutting bacon with quick, decisive stabs, poking at the embers beneath the oven where the bread would soon be baked. Finally she unbuttoned her bodice, snatched up the hungry baby, and settled on the low nursing chair.

   When the dough was set to rise again, Miranda seized the letter. She examined the envelope first. The thick creamy paper was pleasant and unfamiliar as was the bold, rather illegible writing unadorned by the copper-plate flourishes or shaded capitals which she had painstakingly learned at the Academy. The envelope was addressed:

To Mistress Abigail Wells

The Stanwich Road

Horseneck, (or Greenwich)


   It was postmarked “Hudson, New York,” which conveyed nothing to Miranda, who had never heard of the place. But as she put down the envelope and picked up the letter a thrill of excitement ran through her. It was an intuitive flash of certainty that this bland piece of paper was of importance to her, and, though this intuition was pleasurable, it also contained a fleeting apprehension. She read eagerly.

Dragonwyck, May 19th, 1844.

My dear Cousin Abigail:

Though we have never met, we are related, as you doubtless know, through our mutual grandmother, Annetje Gaansevant.

   My wife and I, having discussed the matter at some length, have decided to invite one of your daughters into our home for an extended visit. We shall naturally be able to offer her many advantages which she could not hope to enjoy in her present station. In return, if she pleases, she may occasionally occupy herself with the teaching of our six-year-old child, Katrine, but she will in all ways be treated as befits my kins-woman.

   I have had inquiries made and was gratified to find that you and your husband enjoy the honor and respect of your little community. Be so good as to let me know at your earliest convenience which of your daughters you select, and I will make all suitable arrangements for her journey to Dragonwyck.

   Believe me, madam, your sincere friend and cousin.

Respectfully yours,

Nicholas Van Ryn

   Miranda read the letter twice before turning in amazement to her mother. “I dont understand this at all, Ma. Who in the world is Nicholas Van Ryn?”

   “He is, I believe, a very grand personage,” answered Abigail with a half-smile. “He is lord of a large manor up on the Hudson River somewhere near Albany.”

   “And youre his cousin?” persisted Miranda, still more astonished.

   “It would seem so,” replied Abigail dryly. “I remember my mother telling me of the Van Ryns, though I havent thought of them in years. Bring me the Patterson Bible.”

   Miranda moved toward the shelf where her father kept his ponderous Bible.

   “No, not that one, child,” Abigail stopped her. “That one has no records from my side. I want the Bible I brought with me at my marriage. Its in the attic next your Grandfather Pattersons musket and powder horn.”

   When Miranda had brought the great gilt-edged volume, they examined the records on the fly leaves between the Old and New Testaments.

   It was clear enough. Annetje Gaansevant of Rensselaer County, New York, had in 1779 married Adriaen Van Ryn, patroon of the Van Ryn manor, and borne him a son, Cornelius, who must be the father of Nicholas.

   Then after Adriaen Van Ryns death, Annetje had married again, a Connecticut Yankee named Patterson, and thereupon produced a great many children, the eldest of whom had been Abigails mother.

   “So this Nicholas grandmother is also my great-grandmother,” cried Miranda at last. “I had no idea I had such fine relations.” She looked down at her tapering hands. She had always privately thought them aristocratic, and it was pleasant to have confirmation.

   “You havent a scrap of Van Ryn blood,” snorted Abigail, “so you neednt go puffing like a peacock. The connection is only through the Gaansevants; Dutch farmers they were like ourselves. And its just as well, for the Van Ryns are a wild, strange lot with some kind of a skeleton in their closet, for all their money and land and hoity-toity ways.”

   “Truly, Ma?” cried Miranda, her hazel eyes sparkling. “How vastly romantic! Do tell me, please.”

   Abigail shifted the baby to the other arm. “I dont know anything to tell. You and your ‘vastly romantic! Youve a head stuffed with nonsense now.”

   “But you must know something about this Nicholas who writes the letter. I suppose hes quite an old man; its a pity his birth date isnt in the Bible.”

   “Oh, hes somewhere in middle life, I guess,” said Abigail. “About my age. And I know nothing about him except that he has great estates and a town house in New York, and that four years ago, when Van Buren was President, Nicholas often visited at the White House, for I read about it in a newspaper.”

   “Oh, Ma—” breathed Miranda, quite overcome. ‘He must be very grand indeed.” She considered these revelations for a moment, then she burst out, “You havent said a word about his letter, the invitation.”

   She clasped her hands together in a suddenly childish gesture. “Oh, but wouldnt I love to go!”

   “And if we should send a daughter, which I think unlikely, why should it be you, miss?” asked Abigail. “Why not Tibby, Id like to know?”

   Miranda frowned. Tabitha was sixteen and even now at the Academy finishing her last term. There was no reason why she should not be chosen except that Miranda felt that she could not bear it if she were.

   “Tibby wouldnt want to go,” she said slowly. “Shes not like me. She doesnt ​— ​” Her voice trailed off. Impossible to explain that Tabitha did not hunger after romance, change, adventure, as Miranda did. That she actually enjoyed cooking and washing and housekeeping, that she asked for nothing better in life than to settle down on the next farm with young Obadiah Brown and likely have a parcel of babies right off. But Im different. I am, thought Miranda passionately.

   Abigail watched her daughter and read some of these thoughts on the downcast face. Though she would never have admitted it, her firstborn girl was closest of all to her heart. She secretly gloried in Mirandas delicate, small-boned beauty, in her fastidiousness and dainty ways. She thought her remarkably like one of those exquisite creatures in Godeys Ladys Book, the same graceful height, small nose, and full, pouting lips.

   She pretended not to see when Miranda fussed over her complexion, guarding its pink and whiteness from freckles or sunburn with as much anxious care as might a fashionable New York lady. And she sympathized with the girls restlessness and vague youthful dreams. Abigail had had them, too, long ago before she married the estimable Ephraim and life flattened into a monotony of never-ending work and baby-tending.

   So,” she said with her normal crispness, “just like that, and with your usual lack of prudent thought, you ‘want to go. You dont consider whether I might be able to spare you, nor do you even seem to think that you might miss us here.”

   Miranda looked up, stricken. She rushed across the room and put her arms around her mothers thin shoulders, resting her cheek on the brown head that was already finely threaded with gray. “Oh, Ma, dear, of course Id miss you. Its just that—that it seems so rarely exciting an opportunity.”

   Abigail smiled faintly, and Miranda knew that, whether or not she would be allowed to go to Dragonwyck, there would be no real question of Tabithas going.

   Her mother straightened, buttoned her bodice, and placed the sleeping baby in the cradle. Then she seized the holystone and began scouring the oak drain board. “Well say no more about the matter now. Hurry up and kill that old white hen; shell be a mite tough, but the others are laying well, and shell have to do.” She glanced at the Seth Thomas banjo clock that was her great pride. “Were shockingly behind with the work. The men will be in from the fields before suppers near ready.”

Product Details

A Novel
Livesey, Margot
Seton, Anya
Harper Perennial
General Fiction
Literature-Contemporary Women
Edition Description:
Trade PB
Publication Date:
8 x 5.31 in 0.72 lb

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The Flight of Gemma Hardy (P.S.) Used Trade Paper
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$10.95 In Stock
Product details 480 pages Harper Perennial - English 9780062064233 Reviews:
"Staff Pick" by ,

Having lost both her parents, and subsequently her beloved uncle, 10-year-old Gemma Hardy is left with her uncle's wife. Her aunt despises Gemma and wastes no time dispatching her off to boarding school, where room and board are exchanged for nonstop backbreaking work. Education is an afterthought, but Gemma is a bright and earnest girl. After eight long years, she has worked hard and begrudgingly earns the respect of the school director. When the school abruptly closes, Gemma realizes she is soon to be homeless and penniless. Answering a desperate ad for a nanny on the isolated Orkney Islands, Gemma hopes to find — finally — the home and security she has never known.

Sound familiar? Livesey does a great job with this homage to Jane Eyre — so much so that I often forgot that Gemma Hardy lived in 1966 and not in 1850, until things like trousers on women, nail polish, and Scrabble intruded. Like Jane, Gemma is a serious and intellectual woman who falls in love with her employer, Hugh Sinclair (Livesey's stand-in for Mr. Rochester). There is no mad woman in the attic, but Gemma does have her own demons who threaten her happiness. Hugh Sinclair also has ghosts from his past, and Gemma finds herself unable to accept them. Taking flight, she disappears — leaving her newfound home, security, and love in her wake. Desperate to find some sense of family and her own history, Gemma realizes she is willing to lie, and worse: take on the exact same characteristics she finds intolerable in Sinclair. Touching on the histories of both Iceland and Scotland, with charming folktales and sometimes heartbreaking historical stories, Livesey writes a detailed and layered tale of loneliness, determination, self-discovery, and love.

"Synopsis" by , “There was, on the Hudson, a way of life such as this, and there was a house not unlike Dragonwyck.”

In the spring of 1844 the Wells family receives a letter from a distant relative, the wealthy landowner Nicholas Van Ryn. He invites one of their daughters for an extended visit to his Hudson Valley estate, Dragonwyck. Eighteen-year-old Miranda, bored with the local suitors and her commonplace life on the farm, leaps at the chance for escape. She immediately falls under the spell of Nicholas and his mansion, mesmerized by its Gothic towers, flowering gardens, and luxurious lifestyle—unaware of the dark, terrible secrets that await.

Anya Seton masterfully tells the heart-stopping story of a remarkable woman, her extraordinary passions, and the mystery that resides in the magnificent hallways of Dragonwyck.

"Synopsis" by , Taken from her native Iceland to Scotland in the early 1950s when her widower father drowns at sea, young Gemma Hardy comes to live with her kindly uncle and his family. But his death leaves Gemma under the care of her resentful aunt, and she suddenly finds herself an unwelcome guest. Surviving oppressive years at a strict private school, Gemma ultimately finds a job as an au pair to the eight-year-old niece of Mr. Sinclair on the Orkney Islands—and here, at the mysterious and remote Blackbird Hall, Gemma's greatest trial begins.
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