Summer Reading Sale
 
 

Special Offers see all

Enter to WIN!

Weekly drawing for $100 credit. Subscribe to PowellsBooks.news for a chance to win.
Privacy Policy

More at Powell's


Recently Viewed clear list


The Powell's Playlist | June 18, 2014

Daniel H. Wilson: IMG The Powell’s Playlist: Daniel H. Wilson



Like many writers, I'm constantly haunting coffee shops with a laptop out and my headphones on. I listen to a lot of music while I write, and songs... Continue »

spacer
Qualifying orders ship free.
$10.95
List price: $16.00
Used Trade Paper
Ships in 1 to 3 days
Add to Wishlist
Qty Store Section
2 Beaverton Literature- A to Z
1 Burnside Literature- A to Z
1 Hawthorne Literature- A to Z
3 Local Warehouse Literature- A to Z

How It All Began

by

How It All Began Cover

 

 

Excerpt

Kath.

                       

Kath steps from the landing cupboard, where she should not be.

The landing cupboard is stacked high with what Glyn calls low-use material: conference papers and student references and offprints, including he hopes an offprint that he needs right now for the article on which he is working. The strata in here go back to his postgraduate days, in no convenient sequential order but all jumbled up and juxtaposed. A crisp column of Past and Present is wedged against a heap of tattered files spewing forth their contents. Forgotten students drift to his feet as he rummages, and lie reproachful on the floor: 'Susan Cochrane's contributions to my seminar have been perfunctory …;’ Labelled boxes of photographs - Aerial, Bishops Munby 1979, Leeds 1985 -are squeezed against a further row of files. To remove one will bring the lot crashing down, like an ill-judged move in that game involving a tower of balanced blocks. But he has glimpsed behind them a further cache which may well include offprints.

On the shelf above he spots the gold-lettered spine of his own doctoral thesis, its green cloth blotched brown with age; on top of it sits a 1980s run of the Yorkshire Archaeological Journal. Come to think of it, the contents of the landing cupboard are a nice reflection of his own trade - it is a landscape in which everything co-exists, requiring expert deconstruction. But he does not dwell on that, intent instead upon this, increasingly irritating, search.

 

He tugs at a file to improve his view of what lies beyond and, sure enough, there is a landslide. Exasperated, he gets down on hands and knees to shovel up this mess, and suddenly there is Kath.

A brown foolscap-size wallet file, with her loopy scrawl across the flap: Keep!

She smiles at him; he sees her skimpy dark fringe, her eyes, that smile.

What is she doing here, in the middle of all this stuff that has nothing to do with her? He picks up the file, stares. He cannot think how it got here. Everything of hers was cleared out. Back then. When she. When.

Hang on, though. Here underneath it are a couple of folders, also with her handwriting: Recipes. Since when did Kath go in for serious cooking, for heaven's sake? He opens the folder, flicks through the contents. Indeed, yes - cuttings from newspapers and magazines in the late 1980s, but petering out fairly rapidly, which signifies. He investigates the second folder, which contains receipted bills, many of them red-flagged second demands, which signifies also, and an incomplete series of bank statements, indicating a mounting overdraft.

It would seem that this assortment of her things got pushed in with his papers by mistake during the big clearing-out operation. The hurried, distracted clearing-out operation. Elaine had volunteered to sort out and dispose of Kath's possessions. She missed this lot. And here they have lain ever since, festering.

Well no, not exactly festering, but turning a little brown at the edges, doggedly degrading away as is everything else in here, doing what inanimate objects do as time passes, preparing to give pause for thought to those whose business is the interpretation of vanished landscapes.

 

The wallet file is brown anyway, so degradation is not much apparent. He dumps the folders on the floor and goes to sit on the top step of the stairs, holding the file.

He opens it.

Not much inside. Various documents, and a sealed brown envelope containing something stiff. Glyn sets this aside and goes through the rest.

       

A jeweller's valuation for a two-strand pearl necklace and a pair of drop pearl earrings. Originally her mother's, he seems to remember. Kath wore the earrings a lot.

Her medical card. And her birth certificate. Aha! So this is where that was, the absence of which caused considerable nuisance back then, necessitating a visit to Somerset House. No marriage certificate, one notes. That too had gone missing, making difficulties. And is still lost, it would seem. Not that that is, now, a problem.

Her 0-level certificate. Seven subjects. A grades in all but one. Glyn scans this with some surprise. Well, well. Who'd have thought it?

The injunction on the file's flap was presumably to herself. This was the repository for items she knew that she must hang on to, but - knowing herself - that she knew she was only too likely to lose. He experiences a stir of fondness, which disconcerts him. And he has been entirely diverted from the hunt for that offprint, which is a matter of some urgency. Fondness is overtaken by annoyance; Kath is getting in the way of his work, which was not allowed, as she well understood.

There is also a National Savings Certificate for £5, bearing a date in the mid 1950s. When she was about eight, for heaven's sake. And some chequebook stubs and a Post Office savings book showing a balance of £14.58, and a clutch of letters, at which he glances. The letters are from Kath's mother, the mother who died when she was sixteen. Glyn sees no reason to be interested in these and pushes them back into the file unread.

He is left with a semi-opaque folder, which turns out to hold a sequence of studio portraits of Kath. She is looking at him in glossy black and white, now made entirely manifest. Young Kath. A backlit Kath with bare shoulders, head turned this way or that, eyes to camera or demurely lowered, provocative smile, contemplative sideways gaze. These would date from the aspiring actress days, long before he knew her. Very young Kath.

Glyn studies these photos for quite a while.

Kath.

He returns everything to the file. There is now just this brown envelope. He notices for the first time that something is written on it. In her hand. Lightly pencilled.

DON'T OPEN-DESTROY.

And for whom is this second instruction intended?

He opens the envelope. Within are a photograph and a folded sheet of paper. He looks first at the photograph. A group of five people; grass beneath their feet, a backdrop of trees. Two members of the group, a man and a woman, have their backs to the photographer. Of the other three, Elaine can be identified at once, visible between the two whose faces cannot be seen. Near to her stand another man and woman, whom Glyn does not recognize.

One of the back-turned pair is Kath - he would know that outline anywhere, that stance. The someone else, the man, is at first a bit of a teaser. Familiar, surely - the rather long dark hair, the height, a good head taller than Kath. A slightly hunched way of standing.

Glyn brings the photo closer to his face for more minute inspection. And then he sees. He sees the hands. He sees that Kath and this someone, this man, have their hands closely entwined, locked together, pushed behind them so that as they stand side by side in this moment of private intimacy, this interlocking of hands would be invisible to the rest of the group.

Except to the photographer, who may or may not have been aware of what had been immortalized - the freeze-frame revelation.

And now Glyn recognizes the someone, the man. It is Nick.

He turns to the folded piece of paper that accompanied the photograph. He feels as though gripped by the onset of some incapacitating disease, but this paper requires attention.

Handwriting. A brief message. ‘I can't resist sending you this. Negative destroyed, I'm told. Blessings, my love.'

No signature. None needed. Neither for Kath then, nor, now, for Glyn. Though confirmation is needed. Somewhere he will have an instance of Nick's handwriting. A signature. A letter from way back when he was a consultant, or some such nonsense, on that landscape history series Nick published and of which he endlessly and ignorantly enthused, as Nick always did.

The disease now has him by the throat. The throat, the gut, the balls. What he feels is ... well, what he experiences is the most appalling stomach-churning, head-spinning cauldron of emotion. Rage is the top-note - beneath that a seethe of jealousy and humiliation, the whole primed with some kind of furious drive and energy. Where? When? Who? Who took this photograph? Who presumably passed it on to Nick and destroyed the negative?

The telephone rings, down in his study. Such is Glyn's powered state, his consuming purpose, that he is at once on his feet and halfway down the stairs to pick it up and snap: 'I am not available. Sorry.'

I cannot be doing with you right now because I have just learned that the woman who was once my wife had an affair with her sister's husband apparently - at some time yet to be identified. I am evidently a dupe, a cuckold. My understanding of the past has been savagely undermined. You will appreciate that for the foreseeable future this requires all my attention.

The phone stops. Of course. The answerphone is on.

Product Details

ISBN:
9780143122647
Author:
Lively, Penelope
Publisher:
Penguin Books
Author:
Lipman, Elinor
Subject:
General Fiction
Subject:
Family saga
Subject:
Literary
Subject:
Literature-A to Z
Edition Description:
Trade paper
Publication Date:
20121131
Binding:
TRADE PAPER
Grade Level:
from 12
Language:
English
Pages:
224
Dimensions:
8.25 x 5.5 in 1 lb
Age Level:
from 18

Other books you might like

  1. Between the Lines
    Used Hardcover $4.95
  2. Jane Fairfax: The Secret Story of... Used Trade Paper $1.50
  3. The Sense of an Ending (Vintage...
    Used Trade Paper $8.00
  4. The Little Book
    Used Trade Paper $5.50
  5. Battle Hymn of the Tiger Mother
    Used Hardcover $3.50
  6. The Fifty Year Sword
    New Hardcover $26.00

Related Subjects

Featured Titles » Literature
Fiction and Poetry » Literature » A to Z
Fiction and Poetry » Literature » Sale Books

How It All Began Used Trade Paper
0 stars - 0 reviews
$10.95 In Stock
Product details 224 pages Penguin Books - English 9780143122647 Reviews:
"Synopsis" by ,
A sister story about love, loneliness, and new life in middle age, from the author of The Family Man and The Inn at Lake Devine.
"Synopsis" by ,
The beloved and bestselling author takes an intimate look back at a life of reading and writing

“The memory that we live with . . . is the moth-eaten version of our own past that each of us carries around, depends on. It is our ID; this is how we know who we are and where we have been.”

Memory and history have been Penelope Livelys terrain in fiction over a career that has spanned five decades. But she has only rarely given readers a glimpse into her influences and formative years.

Dancing Fish and Ammonites traces the arc of Livelys life, stretching from her early childhood in Cairo to boarding school in England to the sweeping social changes of Britains twentieth century. She reflects on her early love of archeology, the fragments of the ancients that have accompanied her journey—including a sherd of Egyptian ceramic depicting dancing fish and ammonites found years ago on a Dorset beach. She also writes insightfully about aging and what life looks like from where she now stands.

"Synopsis" by ,
"[In this] haunting new novel, the act of forgetting is as strange and interesting as the power of remembering."

-The New York Times Book Review

Penelope Lively is renowned for her signature combination of silken storytelling and nuanced human insights. In Family Album, lively masterfully peels back one family's perfect façade to reveal the unsettling truths.

All Alison ever wanted was to provide her six children with a blissful childhood. Its creation, however, became an obsession that involved Ingrid, the family au pair. As adults, Paul, Gina, Sandra, Katie, Roger, and Clare return to their family home and as mysteries begin to unravel, each must confront how the consequences of long-held secrets have shaped their lives.

spacer
spacer
  • back to top
Follow us on...




Powell's City of Books is an independent bookstore in Portland, Oregon, that fills a whole city block with more than a million new, used, and out of print books. Shop those shelves — plus literally millions more books, DVDs, and gifts — here at Powells.com.