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Empire Falls (HBO Tie-In)

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Empire Falls (HBO Tie-In) Cover

 

 

Author Q & A

Q: Was there a particular event or image that sparked EMPIRE FALLS?

A: When I finish a novel, it's hard to go back and try to reconstruct its beginnings. It's a little like an interrogation: what did you know and when did you know it? Here are a couple of things, though. When I was living in Waterville, Maine, some years ago, a factory closed down that had employed a large number of women who had been sewing famous-label men's dress shirts for much of their lives. They'd done everything they could to save their jobs and the factory, but the multi-national company that owned it shut them down anyway. That struck me as a story that was playing out all over the country, if not the world. From the beginning of my writing career, I've always been interested in ordinary people swept up in economic and political forces they can't begin to comprehend, as well as in the changing face of American labor. Becoming a writer has only deepened my sympathies for working people, who are always, it seems to me, the first to be sold out.

The other event that had burrowed deep was the school shooting in Paducah, especially the question it begged: how could such a thing happen here? The answers that are typically offered to such questions are sociological and political—tighter gun control, return to family values, reducing violence on television and video games. Better answers to such impossible questions, I've always thought, are offered by novels, which ask you to live horror rather than simply witness or think about it.

Finally, in my previous novels I've written a lot about fathers and sons. As a father of two beloved daughters, I thought it high time to put a father/daughter relationship at the heart of one of my novels. In fact, now that I look back on it, it's the thing I'm most proud of in this new book.

Q: EMPIRE FALLS has a large cast of characters, any of whom might have been the center of the novel. How did you decide on Miles Roby, the middle-aged manager of the Empire Grill, as your protagonist?

A: I suppose there are two answers to this question. The first is kind of a non-answer, though it may be the truer. Such decisions are often intuitive; they feel right. Which is another way of saying that you decide before you're even aware of the fact that you have a decision to make. The more “analytical” answer is that of all the characters in the novel, Miles may be the most trapped—and that's saying something, since they're all trapped in one way or another. Janine is trapped by her need to be beautiful; Tick by her youth; David Roby by an accident. Even Mrs. Whiting, who rules the town, is in a way cornered by it. But Miles is trapped more interestingly and more completely--by the past, by his faith, by an old love, by his devotion to his daughter, by his own decency. I'm always drawn to the character whose dilemma is such that I can't imagine what I would do if I were in his shoes.

Q: People in Empire Falls often remind Miles that he stands to inherit something from Mrs. Whiting, yet the very possibility of this inheritance seems to imprison him. Is this an example of the price of wealth, even predicted wealth?

A: I suppose that's one way to look at it. My own feeling is that people are generally wrong to wait for others to make good on promises, either explicit or implied. Was it Lillian Hellman who used to tell young women writers: “Don't expect anyone to save you? Save yourself.” Maybe it was Flannery O'Connor. Somebody pretty damn smart, anyway. It's good advice, but tough to follow when you've been told the check's in the mail. Whole communities wait for promises to be fulfilled, long after those who made the promises are dead and buried. And like individuals, communities imagine promises and also mishear them. Miles is pretty sure Mrs. Whiting has made a promise, but is it one he heard? Imagined? Hoped for? And even if it were granted, would that be a good or bad thing?

Q: Can you talk about the effect of the collapse of small-town economies on the younger generation, as represented by Miles's daughter Tick and her peers?

A: I think the place you grow up in is a lot like “The Hotel California”: you can check out any time you like, but you can never leave. We'll never know any place better than the place we grew up, and no place, I suspect, will ever be more important to us, at least in terms of our imaginative lives. For that reason there's something tragic in the understanding that many kids from small towns have—that in order to be a success in life, they'll have to leave; to remain behind would be an admission of failure. For many, it means leaving their heart's home. Then again, there's a long American tradition, embodied in the novels of Scott Fitzgerald and Sinclair Lewis and others, which suggests that leaving a small town may be about the best thing that can happen to any young person. One thing seems clear: we've become a far-flung nation. “Where do you want to go today?” Bill Gates wants to know. Implied is that nobody wants to stay home.

Q: Miles considers the rich “beautiful people” on Martha's Vineyard almost foreign to him, and yet he's drawn to them. Do you find yourself identifying with this perspective?

A: Well, who isn't attracted to beauty? Or, for that matter, to things foreign? Both Gatsby and Nick Carroway are attracted to the mansions and the fancy cars and the wild parties on Long Island, just as Pip is attracted to privilege in Great Expectations. Show me someone who claims not to be attracted to such things and I'll show you either a liar or a person with no imagination. That said, wealth and beauty play a key role in Gatsby's destruction, and they cause Pip to behave in such a way that he loses all sense of his truest self. In the end they send Nick scurrying back to his bedrock Midwest values, feeling like he himself has dodged a bullet. Such is the nature of seduction.

Q: How do you imagine Mainers, and other New Englanders, will respond to the novel?

A: No clue. I thought academics would hate my last novel, Straight Man, but for the most part they've embraced it. When I read from the novel on book tour, professors showed up wearing those fake nose/glasses I have Lucky Hank wearing when he threatens to kill a duck a day. In general, I think people like having their experience of life validated; they like to think they count and they're glad you've noticed them, even if you get things wrong. In Empire Falls, I didn't want to “do Maine” in the sense of using a lot of down-east dialect or local color. Even when I was writing about upstate New York, I was always more interested in locating people by class and work than by region; it's the latter that makes you a “regional” writer, I suspect.

I hope people in Maine like the book; in the past, I've sold very well in New England. But my greater hope is that the book will ring true everywhere.

Q: What might surprise your readers about EMPIRE FALLS?

A: Well, I hope everything and nothing. When a favorite author of mine comes out with a new book, I always hope for two contradictory things: first, I hope it's like all the other books of his or hers that I love, and second, I hope he's not going to repeat himself. Sure, it's a paradox, but I suspect I'm not alone in my desires. So, I hope that when readers pick up Empire Falls and read the first chapter they'll feel that, yes, they're in a Russo novel, but not one they've read before. I'd also hope that their surprises in the reading parallel my own in the writing; I was surprised on virtually every page, and I hope readers will be too, because I wouldn't like to think that either my style or my peculiar way of seeing things have become predictable. What surprised me most about the book was how much it took out of me. Even though we know it won't, most authors keep hoping that writing novels will get easier as a result of experience. It doesn't, probably because it's not supposed to.

From the Hardcover edition.

Product Details

ISBN:
9780307275134
Author:
Russo, Richard
Publisher:
Vintage
Subject:
General
Subject:
General Fiction
Copyright:
Edition Number:
Reprint ed.
Edition Description:
Trade paper
Series:
Vintage Contemporaries
Publication Date:
May 2005
Binding:
Paperback
Grade Level:
General/trade
Language:
English
Pages:
496
Dimensions:
8 x 5.1 x 1 in .8 lb

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Fiction and Poetry » Literature » A to Z

Empire Falls (HBO Tie-In) Used Trade Paper
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Product details 496 pages Vintage Books USA - English 9780307275134 Reviews:
"Staff Pick" by ,

Careful: Laboratory tests confirm that Richard Russo's prose promotes addictive behavior among committed readers of fiction. His fifth novel, Empire Falls, turns its own pages.

Booklist noted, "Russo follows up his rollicking academic satire, Straight Man (1997), with a return to the blue-collar milieu featured in his first three novels and once again shows an unerring sense of the rhythms of small-town life, balancing his irreverent, mocking humor with unending empathy for his characters and their foibles."

In fact, Empire Falls infuses the blue-collar landscape of Russo's earlier work with the high comedy of Straight Man. The result is a compassionate and hilarious story, the most ambitious novel of his career. "These books seem to be getting bigger both in the number of pages and the number of things I'm tackling," the author admitted during his visit to Powell's. Notably, the new novel presents his largest cast of characters yet. Sample any two reviews of the book and you'll discover that few readers agree who is best.

Salon.com calls Tick "surely one of the most appealing adolescents ever to grace the pages of fiction." The Baltimore City Paper likes Max, whose "confidence is almost touching, a warped expression of unconditional parental love." The Detroit Free Press can't decide: "Even relatively minor [characters] — Tick's vastly untalented art teacher — are fully formed. Russo's eye and ear for small-town life are evident on every page."

Empire Falls, Maine, is a shell of its former self; of this there can be no argument. The dying factory town is controlled by a domineering widow who seems to relish its demise. One might say the same of Miles Roby, manager of the Empire Grill, above which Miles lives now that his soon-to-be ex-wife's fiance is sleeping in his bed. Thank goodness for Tick, then, his daughter, who'll one day escape the doomed town if Miles has anything to say about it.

"Writing about blue-collar folks is something I've been doing right from the start," Russo explained. "It's a world I know pretty well, and its people seem worth talking about to me. I like most of these folks quite a bit."

"Review A Day" by , "Richard Russo first made his reputation with a series of blue-collar novels that suggested a more antic and expansive Raymond Carver. But by the time he published Straight Man, in 1997, Russo was clearly interested in breaking new ground, and that foray into academic farce showed off his comic timing and sneaky construction to superb effect. Now comes Empire Falls, the author's most ambitious work to date." (Read the entire Atlantic Online review here)
"Review" by , "Cause for celebration...easily his most seductive book thus far....Rich, humorous, elegantly constructed, rooted in the bedrock traditions of American fiction."
"Review" by , "Even the minor members of Russo's large cast are fully fleshed, and forays into the past lend the narrative an extra depth and resonance. When it comes to evoking the cherished hopes and dreams of ordinary people, Russo is unsurpassed."
"Review" by , "In a warmhearted novel of sweeping scope....[Russo] shows an unerring sense of the rhythms of small-town life, balancing his irreverent, mocking humor with unending empathy for his characters and their foibles."
"Review" by , "In Empire Falls, the inhabitants seem so real that the smallest incidents are engaging, and the horrors that erupt will catch your breath. Try reminding yourself it's only a book while praying their dreams somehow break into life."
"Review" by , "Empire Falls is one of those rare novels you don't want to end, and it will surely send newcomers to Richard Russo's earlier books. A reader couldn't hope for much better than that."
"Review" by , "He stands alone as the Stendhal of blue-collar America....There are bound to be other, flashier novels published this year, but very few will find such a deep, permanent place in one's heart."
"Review" by , "The crowning achievement of [Russo's] remarkable career."
"Review" by , "Russo's command of his story is unerring, but his manner is so unassuming that his mastery is easy to miss. He satisfies every expectation without lapsing into predictability, and the last section...explodes with surprises that also seem, in retrospect, like inevitabilities....One of the best novelists around."
"Review" by , "Empire Falls is dense in the best sense of the word....Each paragraph is packed with concise, precise phrases, and hardly a word is wasted in 483 pages....[W]ith this deeply ambitious book, Richard Russo has found new life as a writer. (Grade: B+)"
"Review" by , "Russo writes with a warm, vibrant humanity....A stirring mix of poignancy, drama and comedy."
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