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Everyman: A Novel

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ISBN13: 9780307277718
ISBN10: 0307277712
Condition: Standard
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Excerpt

Around the grave in the rundown cemetery were a few of his former advertising colleagues from New York, who recalled his energy and originality and told his daughter, Nancy, what a pleasure it had been to work with him. There were also people who?d driven up from Starfish Beach, the residential retirement village at the Jersey Shore where he?d been living since Thanksgiving of 2001?the elderly to whom only recently he?d been giving art classes. And there were his two sons, Randy and Lonny, middle-aged men from his turbulent first marriage, very much their mother?s children, who as a consequence knew little of him that was praiseworthy and much that was beastly and who were present out of duty and nothing more. His older brother, Howie, and his sister-in-law were there, having flown in from California the night before, and there was one of his three ex-wives, the middle one, Nancy?s mother, Phoebe, a tall, very thin whitehaired woman whose right arm hung limply at her side. When asked by Nancy if she wanted to say anything, Phoebe shyly shook her head but then went ahead to speak in a soft voice, her speech faintly slurred. ?It?s just so hard to believe. I keep thinking of him swimming the bay?that?s all. I just keep seeing him swimming the bay.? And then Nancy, who had made her father?s funeral arrangements and placed the phone calls to those who?d showed up so that the mourners wouldn?t consist of just her mother, herself, and his brother and sister-in-law. There was only one person whose presence hadn?t to do with having been invited, a heavyset woman with a pleasant round face and dyed red hair who had simply appeared at the cemetery and introduced herself as Maureen, the private duty nurse who had looked after him following his heart surgery years back. Howie remembered her and went up to kiss her cheek.

Nancy told everyone, ?I can begin by saying something to you about this cemetery, because I?ve discovered that my father?s grandfather, my greatgrandfather, is not only buried in the original few acres alongside my great-grandmother but was one of its founders in 1888. The association that first financed and erected the cemetery was composed of the burial societies of Jewish benevolent organizations and congregations scattered across Union and Essex counties. My great-grandfather owned and ran a boarding house in Elizabeth that catered especially to newly arrived immigrants, and he was concerned with their well-being as more than a mere landlord. That?s why he was among the original members who purchased the open field that was here and who themselves graded and landscaped it, and why he served as the first cemetery chairman. He was relatively young then but in his full vigor, and it?s his name alone that is signed to the document specifying that the cemetery was for ?burying deceased members in accordance with Jewish law and ritual.? As is all too obvious, the maintenance of individual plots and of the fencing and the gates is no longer what it should be. Things have rotted and toppled over, the gates are rusted, the locks are gone, there?s been vandalism. By now the place has become the butt end of the airport and what you?re hearing from a few miles away is the steady din of the New Jersey Turnpike. Of course I thought first of the truly beautiful places where my father might be buried, the places where he and my mother used to swim together when they were young, and the places where he loved to swim at the shore. Yet despite the fact that looking around at the deterioration here breaks my heart?as it probably does yours, and perhaps even makes you wonder why we?re assembled on grounds so badly scarred by time ?I wanted him to lie close to those who loved him and from whom he descended. My father loved his parents and he should be near them. I didn?t want him to be somewhere alone.? She was silent for a moment to collect herself. A gentle-faced woman in her mid-thirties, plainly pretty as her mother had been, she looked all at once in no way authoritative or even brave but like a ten-year-old overwhelmed. Turning toward the coffin, she picked up a clod of dirt and, before dropping it onto the lid, said lightly, with the air still of a bewildered young girl, ?Well, this is how it turns out. There?s nothing more we can do, Dad.? Then she remembered his own stoical maxim from decades back and began to cry. ?There?s no remaking reality,? she told him. ?Just take it as it comes. Hold your ground and take it as it comes.?

The next to throw dirt onto the lid of the coffin was Howie, who?d been the object of his worship when they were children and in return had always treated him with gentleness and affection, patiently teaching him to ride a bike and to swim and to play all the sports in which Howie himself excelled. It still appeared as if he could run a football through the middle of the line, and he was seventy-seven years old. He?d never been hospitalized for anything and, though a sibling bred of the same stock, had remained triumphantly healthy all his life.

His voice was husky with emotion when he whispered to his wife, ?My kid brother. It makes no sense.? Then he too addressed everyone. ?Let?s see if I can do it. Now let?s get to this guy. About my brother . . .? He paused to compose his thoughts so that he could speak sensibly. His way of talking and the pleasant pitch of his voice were so like his brother?s that Phoebe began to cry, and, quickly, Nancy took her by the arm. ?His last few years,? he said, gazing toward the grave, ?he had health problems, and there was also loneliness?no less a problem. We spoke on the phone whenever we could, though near the end of his life he cut himself off from me for reasons that were never clear. From the time he was in high school he had an irresistible urge to paint, and after he retired from advertising, where he?d made a considerable success first as an art director and then when he was promoted to be a creative director?after a life in advertising he painted practically every day of every year that was left to him. We can say of him what has doubtless been said by their loved ones about nearly everyone who is buried here: he should have lived longer. He should have indeed.? Here, after a moment?s silence, the resigned look of gloom on his face gave way to a sorrowful smile. ?When I started high school and had team practice in the afternoons, he took over the errands that I used to run for my father after school. He loved being only nine years old and carrying the diamonds in an envelope in his jacket pocket onto the bus to Newark, where the setter and the sizer and the polisher and the watch repairman our father used each sat in a cubbyhole of his own, tucked away on Frelinghuysen Avenue. Those trips gave that kid enormous pleasure. I think watching these artisans doing their lonely work in those tight little places gave him the idea for using his hands to make art. I think looking at the facets of the diamonds through my father?s jewelry loupe is something else that fostered his desire to make art.? A laugh suddenly got the upper hand with Howie, a little flurry of relief from his task, and he said, ?I was the conventional brother. In me diamonds fostered a desire to make money.? Then he resumed where he?d left off, looking through the large sunny window of their boyhood years. ?Our father took a small ad in the Elizabeth Journal once a month. During the holiday season, between Thanksgiving and Christmas, he took the ad once a week. ?Trade in your old watch for a new one.? All these old watches that he accumulated?most of them beyond repair?were dumped in a drawer in the back of the store. My little brother could sit there for hours, spinning the hands and listening to the watches tick, if they still did, and studying what each face and what each case looked like. That?s what made that boy tick. A hundred, two hundred tradein watches, the entire drawerful probably worth no more than ten bucks, but to his budding artist?s eye, that backroom watch drawer was a treasure chest. He used to take them and wear them?he always had a watch that was out of that drawer. One of the ones that worked. And the ones he tried to make work, whose looks he liked, he?d fiddle around with but to no avail?generally he?d only make them worse. Still, that was the beginning of his using his hands to perform meticulous tasks. My father always had two girls just out of high school, in their late teens or early twenties, helping him behind the counter in the store. Nice, sweet Elizabeth girls, well-mannered, clean-cut girls, always Christian, mainly Irish Catholic, whose fathers and brothers and uncles worked for Singer Sewing Machine or for the biscuit company or down at the port. He figured nice Christian girls would make the customers feel more at home. If asked to, the girls would try on the jewelry for the customers, model it for them, and if we were lucky, the women would wind up buying. As my father told us, when a pretty young woman wears a piece of jewelry, other women think that when they wear the piece of jewelry they?ll look like that too. The guys off the docks at the port who came in looking for engagement rings and wedding rings for their girlfriends would sometimes have the temerity to take the salesgirl?s hand in order to examine the stone up close. My brother liked to be around the girls too, and that was long before he could even begin to understand what it was he was enjoying so much. He would help the girls empty the window and the showcases at the end of the day. He?d do anything at all to help them. They?d empty the windows and cases of everything but the cheapest stuff, and just before closing time this little kid would open the big safe in the backroom with the combination my father had entrusted to him. I?d done all these jobs before him, including getting as close as I could to the girls, especially to two blond sisters named Harriet and May. Over the years there was Harriet, May, Annmarie, Jean, there was Myra, Mary, Patty, there was Kathleen and Corine, and every one of them took a shine to that kid. Corine, the great beauty, would sit at the workbench in the backroom in early November and she and my kid brother would address the catalogues the store printed up and sent to all the customers for the holiday buying season, when my father was open six nights a week and everybody worked like a dog. If you gave my brother a box of envelopes, he could count them faster than anybody because his fingers were so dexterous and because he counted the envelopes by fives. I?d look in and, sure enough, that?s what he?d be doing?showing off with the envelopes for Corine. How that boy loved doing everything that went along with being the jeweler?s reliable son! That was our father?s favorite accolade ??reliable.? Over the years our father sold wedding rings to Elizabeth?s Irish and Germans and Slovaks and Italians and Poles, most of them young working-class stiffs. Half the time, after he?d made the sale, we?d be invited, the whole family, to the wedding. People liked him?he had a sense of humor and he kept his prices low and he extended credit to everyone, so we?d go?first to the church, then on to the noisy festivities. There was the Depression, there was the war, but there were also the weddings, there were our salesgirls, there were the trips to Newark on the bus with hundreds of dollars? worth of diamonds stashed away in envelopes in the pockets of our mackinaws. On the outside of each envelope were the instructions for the setter or the sizer written by our father. There was the five- foot-high Mosley safe slotted for all the jewelry trays that we carefully put away every night and removed every morning . . . and all of this constituted the core of my brother?s life as a good little boy.? Howie?s eyes rested on the coffin again. ?And now what?? he asked. ?I think this had better be all there is. Going on and on, remembering still more . . . but why not remember? What?s another gallon of tears between family and friends? When our father died my brother asked me if I minded if he took our father?s watch. It was a Hamilton, made in Lancaster, P-A, and according to the expert, the boss, the best watch this country ever produced. Whenever he sold one, our father never failed to assure the customer that he?d made no mistake. ?See, I wear one myself. A very, very highly respected watch, the Hamilton. To my mind,? he?d say, ?the premier American-made watch, bar none.? Seventy-nine fifty, if I remember correctly. Everything for sale in those days had to end in fifty. Hamilton had a great reputation. It was a classy watch, my dad did love his, and when my brother said he?d like to own it, I couldn?t have been happier. He could have taken the jeweler?s loupe and our father?s diamond carrying case. That was the worn old leather case that he would always carry with him in his coat pocket whenever he went to do business outside the store: with the tweezers in it, and the tiny screwdrivers and the little ring of sizers that gauge the size of a round stone and the folded white papers for holding the loose diamonds. The beautiful, cherished little things he worked with, which he held in his hands and next to his heart, yet we decided to bury the loupe and the case and all its contents in his grave. He always kept the loupe in one pocket and his cigarettes in the other, so we stuck the loupe inside his shroud. I remember my brother saying, ?By all rights we should put it in his eye.? That?s what grief can do to you. That?s how thrown we were. We didn?t know what else to do. Rightly or wrongly, there didn?t seem to us anything but that to do. Because they were not just his?they were him . . . To finish up about the Hamilton, my father?s old Hamilton with the crown that you would turn to wind it every morning and that you would pull out on its stem to turn to move the hands . . . except while he was in swimming, my brother wore it day and night. He took it off for good only forty-eight hours ago. He handed it to the nurse to lock away for safekeeping while he was having the surgery that killed him. In the car on the way to the cemetery this morning, my niece Nancy showed me that she?d put a new notch in the band and now it?s she who?s wearing the Hamilton to tell time by.?

Then came the sons, men in their late forties and looking, with their glossy black hair and their eloquent dark eyes and the sensual fullness of their wide, identical mouths, just like their father (and like their uncle) at their age. Handsome men beginning to grow beefy and seemingly as closely linked with each other as they?d been irreconcilably alienated from the dead father. The younger, Lonny, stepped up to the grave first. But once he?d taken a clod of dirt in his hand, his entire body began to tremble and quake, and it looked as though he were on the edge of violently regurgitating. He was overcome with a feeling for his father that wasn?t antagonism but that his antagonism denied him the means to release. When he opened his mouth, nothing emerged except a series of grotesque gasps, making it appear likely that whatever had him in its grip would never be finished with him. He was in so desperate a state that Randy, the older, more decisive son, the scolding son, came instantly to his rescue. He took the clod of dirt from the hand of the younger one and tossed it onto the casket for both of them. And he readily met with success when he went to speak. ?Sleep easy, Pop,? Randy said, but any note of tenderness, grief, love, or loss was terrifyingly absent from his voice.

The last to approach the coffin was the private duty nurse, Maureen, a battler from the look of her and no stranger to either life or death. When, with a smile, she let the dirt slip slowly across her curled palm and out the side of her hand onto the coffin, the gesture looked like the prelude to a carnal act. Clearly this was a man to whom she?d once given much thought.

That was the end. No special point had been made. Did they all say what they had to say? No, they didn?t, and of course they did. Up and down the state that day, there?d been five hundred funerals like his, routine, ordinary, and except for the thirty wayward seconds furnished by the sons? and Howie?s resurrecting with such painstaking precision the world as it innocently existed before the invention of death, life perpetual in their fathercreated Eden, a paradise just fifteen feet wide by forty feet deep disguised as an old-style jewelry store ?no more or less interesting than any of the others. But then it?s the commonness that?s most wrenching, the registering once more of the fact of death that overwhelms everything.

In a matter of minutes, everybody had walked away?wearily and tearfully walked away from our species? least favorite activity?and he was left behind. Of course, as when anyone dies, though many were grief-stricken, others remained unperturbed, or found themselves relieved, or, for reasons good or bad, were genuinely pleased.

Copyright © 2006 by Philip Roth

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pete94087, January 1, 2010 (view all comments by pete94087)
Each thought accessible.
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geoff.wichert, June 23, 2008 (view all comments by geoff.wichert)
“It’s because life’s most disturbing intensity is death.” With these words Roth’s everyman could be justifying why this biography of his life focuses on its end. Sure it’s unwelcome, but death touches us all. And in this novella, readable in a sitting, Roth’s stripped to the American essentials prose tells a story that at some point touches everyone’s dying--and living.
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Product Details

ISBN:
9780307277718
Author:
Roth, Philip
Publisher:
Vintage Books USA
Subject:
Literary
Subject:
Literature-A to Z
Subject:
fiction;novel;death;literature;aging;american;american literature;usa;family;21st century;new jersey;american fiction;old age;contemporary fiction;contemporary;life;mortality;illness;2000s;health;new york;jewish men;disease;relationships;us
Subject:
fiction;novel;death;literature;aging;american;american literature;usa;family;21st century;new jersey;american fiction;old age;contemporary fiction;contemporary;life;mortality;illness;2000s;health;new york;jewish men;disease;relationships;us
Copyright:
Edition Description:
Trade paper
Series:
Vintage International
Publication Date:
20070431
Binding:
TRADE PAPER
Grade Level:
General/trade
Language:
English
Pages:
192
Dimensions:
7.98x5.21x.50 in. .47 lbs.

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Fiction and Poetry » Literature » A to Z

Everyman: A Novel Used Trade Paper
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Product details 192 pages Vintage Books USA - English 9780307277718 Reviews:
"Publishers Weekly Review" by , "What is it about Philip Roth? He has published 27 books, almost all of which deal with the same topics — Jewishness, Americanness, sex, aging, family — and yet each is simultaneously familiar and new. His latest novel is a slim but dense volume about a sickly boy who grows up obsessed with his and everybody else's health, and eventually dies in his 70s, just as he always said he would. (I'm not giving anything away here; the story begins with the hero's funeral.) It might remind you of the old joke about the hypochondriac who ordered his tombstone to read: 'I told you I was sick.' And yet, despite its coy title, the book is both universal and very, very specific, and Roth watchers will not be able to stop themselves from comparing the hero to Roth himself. (In most of his books, whether written in the third person or the first, a main character is a tortured Jewish guy from Newark — like Roth.) The unnamed hero here is a thrice-married adman, a father and a philanderer, a 70-something who spends his last days lamenting his lost prowess (physical and sexual), envying his healthy and beloved older brother, and refusing to apologize for his many years of bad behavior, although he palpably regrets them. Surely some wiseacre critic will note that he is Portnoy all grown up, an amalgamation of all the womanizing, sex- and death-obsessed characters Roth has written about (and been?) throughout his career. But to obsess about the parallels between author and character is to miss the point: like all of Roth's works, even the lesser ones, this is an artful yet surprisingly readable treatise on...well, on being human and struggling and aging at the beginning of the new century. It also borrows devices from his previous works — there's a sequence about a gravedigger that's reminiscent of the glove-making passages in American Pastoral, and many observations will remind careful readers of both Patrimony and The Dying Animal — and through it all, there's that Rothian voice: pained, angry, arrogant and deeply, wryly funny. Nothing escapes him, not even his own self-seriousness. 'Amateurs look for inspiration; the rest of us just get up and go to work,' he has his adman-turned-art-teacher opine about an annoying student. Obviously, Roth himself is a professional." Publishers Weekly (Starred Review) (Copyright Reed Business Information, Inc.)
"Review A Day" by , "The upside, of course, is that Roth is the best fiction writer America has ever produced. And Everyman is fiction as calligraphy, a ribbon of memory spun from a single stroke across a couple hundred pages, encircling, and entombing, a life." (read the entire Esquire review)
"Review A Day" by , "Everyman is Roth's attempt to modernize The Death of Ivan Ilych. Although it lacks the terrible grandeur of Tolstoy's story, Roth's version might be set at a still lower temperature....Perhaps the only weakness in Everyman is that there isn't really, in the end, any argument to keep up — which is another way of saying that Philip Roth has reached the limit of what he can be funny about." (read the entire TLS review)
"Review A Day" by , "Everyman is in places quite beautiful, illuminated by that fine precision and relative spareness of language that has characterized Roth's work in his late phase. Like some of that work, notably The Human Stain and American Pastoral, it starts well and ends even better, but it leaves the muddle of a middle somewhere behind it, like a sloughed skin....Despite some undeniably moving passages, the novella fails to gather its power: the sum of its parts is not finally as affecting as the parts themselves." (read the entire New Republic review)
"Review A Day" by , "Let's use a noun I've never used before: masterpiece. Whereas Roth's prize-laden recent fictions are a tad manipulative, in Everyman there is never any sense of a novelist trying to write a novel. Every sentence is urgent, essential, almost nonfictional....Everyman is therefore that rarest of literary achievements: a novel that disappears as it progresses, leaving in one's hands only the matters of life and death it describes." (read the entire Atlantic Monthly review)
"Review" by , "Roth continues exercising his career-defining, clear-eyed, intelligent vision of how the psychology of families works....Perhaps...more readers will find this lean, poignant novel more relevant to themselves."
"Review" by , "This risky novel is significantly marred by redundancy and discursiveness...but energized by vivid writing, palpable emotional intensity and several wrenching scenes....A rich exploration of the epiphany that awaits us all — that 'life's most disturbing intensity is death.'"
"Review" by , "Everyman is vintage Roth: full of passion, anger and vivid details of lives well lived and profoundly screwed up....Everyman doesn't exactly brim with happy, fun fun. However, fans of serious fiction...know to hunt down other forms of satisfaction."
"Review" by , "In the course of Everyman Mr. Roth captures the more depressing aspects of aging....But these harrowing evocations of age and infirmity do not a novel make. This book often reads like a laundry list of complaints about the human condition."
"Review" by , "[Everyman] verges on being a mocking summation of what people who don't appreciate Philip Roth's work mistakenly think it's all about....There are some great turns of phrase...but the vanity and cruelty of this man render him and his self-pitying tale inert. (Grade: C+)"
"Review" by , "It's far from Roth's best work, but it contains flashes of the writing that earned him a Pulitzer Prize in 1997....[A]t the age of 73, he's in excellent health and is at work on yet another novel. That could be good news for readers, even if Everyman is a disappointment."
"Review" by , "The new novel clocks in at a slim 182 pages, yet it is packed densely with observations and recriminations....It is the empathy that Roth creates for this seemingly unsympathetic character that drives the novel to its extraordinary heights."
"Review" by , "This brilliant little morality play on the ways that our bodies dictate the paths our lives take is vintage Roth; essential for every fiction collection."
"Review" by , "One of the literary lessons of The Great Gatsby is that in the right hands, a short novel can have deep impact. Everyman...is no instant classic, but it dives similarly deep and makes an indelible impression."
"Review" by , "Everyman continues his recent streak of notable books. And although Roth is far from always perfect, the book is further proof he will be remembered and re-read."
"Review" by , "Everyman is a swift, brutal novel about a heartbreakingly ordinary subject, and it is also testament to Roth that the book leaves you a little breathless and not at all bereft."
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