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Guests | May 6, 2013

Benjamin Percy: IMG The Roof People



My sister slept with the light on until she was 27. She rightfully blames me. I would leap out of closets with my hands made into claws. I would... Continue »
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14 Beaverton Literature- A to Z
5 Burnside Featured Titles- Pulitzer Prize Winners

The Road

by

The Road Cover

ISBN13: 9780307387899
ISBN10: 0307387895
Condition: Standard
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Excerpt

When he woke in the woods in the dark and the cold of the night he'd reach out to touch the child sleeping beside him. Nights dark beyond darkness and the days more gray each one than what had gone before. Like the onset of some cold glaucoma dimming away the world. His hand rose and fell softly with each precious breath. He pushed away the plastic tarpaulin and raised himself in the stinking robes and blankets and looked toward the east for any light but there was none. In the dream from which he'd wakened he had wandered in a cave where the child led him by the hand. Their light playing over the wet flowstone walls. Like pilgrims in a fable swallowed up and lost among the inward parts of some granitic beast. Deep stone flues where the water dripped and sang. Tolling in the silence the minutes of the earth and the hours and the days of it and the years without cease. Until they stood in a great stone room where lay a black and ancient lake. And on the far shore a creature that raised its dripping mouth from the rimstone pool and stared into the light with eyes dead white and sightless as the eggs of spiders. It swung its head low over the water as if to take the scent of what it could not see. Crouching there pale and naked and translucent, its alabaster bones cast up in shadow on the rocks behind it. Its bowels, its beating heart. The brain that pulsed in a dull glass bell. It swung its head from side to side and then gave out a low moan and turned and lurched away and loped soundlessly into the dark.

With the first gray light he rose and left the boy sleeping and walked out to the road and squatted and studied the country to the south. Barren, silent, godless. He thought the month was October but he wasnt sure. He hadnt kept a calendar for years. They were moving south. There'd be no surviving another winter here.

When it was light enough to use the binoculars he glassed the valley below. Everything paling away into the murk. The soft ash blowing in loose swirls over the blacktop. He studied what he could see. The segments of road down there among the dead trees. Looking for anything of color. Any movement. Any trace of standing smoke. He lowered the glasses and pulled down the cotton mask from his face and wiped his nose on the back of his wrist and then glassed the country again. Then he just sat there holding the binoculars and watching the ashen daylight congeal over the land. He knew only that the child was his warrant. He said: If he is not the word of God God never spoke.

When he got back the boy was still asleep. He pulled the blue plastic tarp off of him and folded it and carried it out to the grocery cart and packed it and came back with their plates and some cornmeal cakes in a plastic bag and a plastic bottle of syrup. He spread the small tarp they used for a table on the ground and laid everything out and he took the pistol from his belt and laid it on the cloth and then he just sat watching the boy sleep. He'd pulled away his mask in the night and it was buried somewhere in the blankets. He watched the boy and he looked out through the trees toward the road. This was not a safe place. They could be seen from the road now it was day. The boy turned in the blankets. Then he opened his eyes. Hi, Papa, he said.

I'm right here.

I know.

An hour later they were on the road. He pushed the cart and both he and the boy carried knapsacks. In the knapsacks were essential things. In case they had to abandon the cart and make a run for it. Clamped to the handle of the cart was a chrome motorcycle mirror that he used to watch the road behind them. He shifted the pack higher on his shoulders and looked out over the wasted country. The road was empty. Below in the little valley the still gray serpentine of a river. Motionless and precise. Along the shore a burden of dead reeds. Are you okay? he said. The boy nodded. Then they set out along the blacktop in the gunmetal light, shuffling through the ash, each the other's world entire.

They crossed the river by an old concrete bridge and a few miles on they came upon a roadside gas station. They stood in the road and studied it. I think we should check it out, the man said. Take a look. The weeds they forded fell to dust about them. They crossed the broken asphalt apron and found the tank for the pumps. The cap was gone and the man dropped to his elbows to smell the pipe but the odor of gas was only a rumor, faint and stale. He stood and looked over the building. The pumps standing with their hoses oddly still in place. The windows intact. The door to the service bay was open and he went in. A standing metal toolbox against one wall. He went through the drawers but there was nothing there that he could use. Good half-inch drive sockets. A ratchet. He stood looking around the garage. A metal barrel full of trash. He went into the office. Dust and ash everywhere. The boy stood in the door. A metal desk, a cashregister. Some old automotive manuals, swollen and sodden. The linoleum was stained and curling from the leaking roof. He crossed to the desk and stood there. Then he picked up the phone and dialed the number of his father's house in that long ago. The boy watched him. What are you doing? he said.

A quarter mile down the road he stopped and looked back. We're not thinking, he said. We have to go back. He pushed the cart off the road and tilted it over where it could not be seen and they left their packs and went back to the station. In the service bay he dragged out the steel trashdrum and tipped it over and pawed out all the quart plastic oilbottles. Then they sat in the floor decanting them of their dregs one by one, leaving the bottles to stand upside down draining into a pan until at the end they had almost a half quart of motor oil. He screwed down the plastic cap and wiped the bottle off with a rag and hefted it in his hand. Oil for their little slutlamp to light the long gray dusks, the long gray dawns. You can read me a story, the boy said. Cant you, Papa? Yes, he said. I can.

. . .

On the far side of the river valley the road passed through a stark black burn. Charred and limbless trunks of trees stretching away on every side. Ash moving over the road and the sagging hands of blind wire strung from the blackened lightpoles whining thinly in the wind. A burned house in a clearing and beyond that a reach of meadowlands stark and gray and a raw red mudbank where a roadworks lay abandoned. Farther along were billboards advertising motels. Everything as it once had been save faded and weathered. At the top of the hill they stood in the cold and the wind, getting their breath. He looked at the boy. I'm all right, the boy said. The man put his hand on his shoulder and nodded toward the open country below them. He got the binoculars out of the cart and stood in the road and glassed the plain down there where the shape of a city stood in the grayness like a charcoal drawing sketched across the waste. Nothing to see. No smoke. Can I see? the boy said. Yes. Of course you can. The boy leaned on the cart and adjusted the wheel. What do you see? the man said. Nothing. He lowered the glasses. It's raining. Yes, the man said. I know.

They left the cart in a gully covered with the tarp and made their way up the slope through the dark poles of the standing trees to where he'd seen a running ledge of rock and they sat under the rock overhang and watched the gray sheets of rain blow across the valley. It was very cold. They sat huddled together wrapped each in a blanket over their coats and after a while the rain stopped and there was just the dripping in the woods.

When it had cleared they went down to the cart and pulled away the tarp and got their blankets and the things they would need for the night. They went back up the hill and made their camp in the dry dirt under the rocks and the man sat with his arms around the boy trying to warm him. Wrapped in the blankets, watching the nameless dark come to enshroud them. The gray shape of the city vanished in the night's onset like an apparition and he lit the little lamp and set it back out of the wind. Then they walked out to the road and he took the boy's hand and they went to the top of the hill where the road crested and where they could see out over the darkening country to the south, standing there in the wind, wrapped in their blankets, watching for any sign of a fire or a lamp. There was nothing. The lamp in the rocks on the side of the hill was little more than a mote of light and after a while they walked back. Everything too wet to make a fire. They ate their poor meal cold and lay down in their bedding with the lamp between them. He'd brought the boy's book but the boy was too tired for reading. Can we leave the lamp on till I'm asleep? he said. Yes. Of course we can.

He was a long time going to sleep. After a while he turned and looked at the man. His face in the small light streaked with black from the rain like some old world thespian. Can I ask you something? he said.

Yes. Of course.

Are we going to die?

Sometime. Not now.

And we're still going south.

Yes.

So we'll be warm.

Yes.

Okay.

Okay what?

Nothing. Just okay.

Go to sleep.

Okay.

I'm going to blow out the lamp. Is that okay?

Yes. That's okay.

And then later in the darkness: Can I ask you something?

Yes. Of course you can.

What would you do if I died?

If you died I would want to die too.

So you could be with me?

Yes. So I could be with you.

Okay.

He lay listening to the water drip in the woods. Bedrock, this. The cold and the silence. The ashes of the late world carried on the bleak and temporal winds to and fro in the void. Carried forth and scattered and carried forth again. Everything uncoupled from its shoring. Unsupported in the ashen air. Sustained by a breath, trembling and brief. If only my heart were stone.

He woke before dawn and watched the gray day break. Slow and half opaque. He rose while the boy slept and pulled on his shoes and wrapped in his blanket he walked out through the trees. He descended into a gryke in the stone and there he crouched coughing and he coughed for a long time. Then he just knelt in the ashes. He raised his face to the paling day. Are you there? he whispered. Will I see you at the last? Have you a neck by which to throttle you? Have you a heart? Damn you eternally have you a soul? Oh God, he whispered. Oh God.

They passed through the city at noon of the day following. He kept the pistol to hand on the folded tarp on top of the cart. He kept the boy close to his side. The city was mostly burned. No sign of life. Cars in the street caked with ash, everything covered with ash and dust. Fossil tracks in the dried sludge. A corpse in a doorway dried to leather. Grimacing at the day. He pulled the boy closer. Just remember that the things you put into your head are there forever, he said. You might want to think about that.

You forget some things, dont you?

Yes. You forget what you want to remember and you remember what you want to forget.

There was a lake a mile from his uncle's farm where he and his uncle used to go in the fall for firewood. He sat in the back of the rowboat trailing his hand in the cold wake while his uncle bent to the oars. The old man's feet in their black kid shoes braced against the uprights. His straw hat. His cob pipe in his teeth and a thin drool swinging from the pipebowl. He turned to take a sight on the far shore, cradling the oarhandles, taking the pipe from his mouth to wipe his chin with the back of his hand. The shore was lined with birchtrees that stood bone pale against the dark of the evergreens beyond. The edge of the lake a riprap of twisted stumps, gray and weathered, the windfall trees of a hurricane years past. The trees themselves had long been sawed for firewood and carried away. His uncle turned the boat and shipped the oars and they drifted over the sandy shallows until the transom grated in the sand. A dead perch lolling belly up in the clear water. Yellow leaves. They left their shoes on the warm painted boards and dragged the boat up onto the beach and set out the anchor at the end of its rope. A lardcan poured with concrete with an eyebolt in the center. They walked along the shore while his uncle studied the treestumps, puffing at his pipe, a manila rope coiled over his shoulder. He picked one out and they turned it over, using the roots for leverage, until they got it half floating in the water. Trousers rolled to the knee but still they got wet. They tied the rope to a cleat at the rear of the boat and rowed back across the lake, jerking the stump slowly behind them. By then it was already evening. Just the slow periodic rack and shuffle of the oarlocks. The lake dark glass and windowlights coming on along the shore. A radio somewhere. Neither of them had spoken a word. This was the perfect day of his childhood. This the day to shape the days upon.

What Our Readers Are Saying

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Average customer rating based on 27 comments:

pkdubreuil, January 6, 2013 (view all comments by pkdubreuil)
Well written.
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Sue Bond, January 1, 2013 (view all comments by Sue Bond)
Simple and powerful prose that made me read the novel all the way through in one go. The Road is the first novel of Cormac McCarthy's that I read, and I came to it with my partner's strong recommendations for his other books, particularly Blood Meridian. It is a tough story of the end of human civilisation as we know it, told through the characters of a father and his son, and I was right there with them in the blackened remains and the frightening encounters with other humans mostly stripped bare of their humanity. Absolutely devastating; I will never forget it.
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Vschoen, March 30, 2012 (view all comments by Vschoen)
“The Road”, written by Cormac McCarthy is a novel that tugs at the harsh reality of the outcome of a destructive society. In this post-apocalyptic novel, two protagonists struggle to survive as they embark on a seemingly never-ending journey. As a reader you will be introduced to the conflict of good vs. evil and what is justifiable in the midst of ‘life or death’ situations. The audience will discover the definition of perseverance and will be able to visualize the depth of a father-son relationship. The novel was a wonderful novel that taught me many life lessons. I would recommend you read it although you must be aware that the novel is very depressing and is quite violent in some scenes.

The novel ”The Road” begins with a father and a son in the midst of an extremely horrific setting with “Everything paling away into the murk. The soft ash blowing in loose swirls over the blacktop,” (McCarthy, 4). The novel progresses as the man and the boy travel the country on foot in order to escape unfriendly people and unwelcoming situations. Along their journey they encounter cannibalism, hypothermia, and extreme malnutrition. Not only is their journey significant for how it reflects modern-day society, but their journey also gives the reader a strong appreciation for shelter, food, water, and clothing.

“The Road” reflects society as a ‘dog eat dog’ world; everyone looking out for themselves or their loved ones and caring little about those who they don’t affiliate themselves with. A secondary theme is the conflict between determining who is ‘good’ in the world and who is ‘bad’. The struggle between good and evil is utterly difficult. Is the man who steals their clothes in order to stay warm an evil person? Is the group who kills a dying man in order to eat his flesh to fuel their hunger a bad group of people? You as the reader have the liberty to decide what is justifiable in a twisted world. You may also begin to question the actuality of human nature and how one will do anything to survive including putting someone else in misery. Where is the line drawn and how does our society in the 21st century reflect these selfish motives?

It is important to take notice that there are no chapters in this novel, nor are there any sections. McCarthy chooses to organize different thoughts, the changing of scenery, and t coming of a new day through page breaks. There are also no quotations in the dialogue. For example,
“It’s okay
Please, Papa. Please.
It’s okay.
No it’s not.” (McCarthy, 134)
Although, the story is still very easy to follow and very rarely does the style inflict confusion. The story is told chronologically although flashbacks do occur causing the plot to bounce around a few times. The flashbacks take the reader to a time that is still post-apocalypse; leaving the reader with no insight into how the world came to perish. One can identify this novel with other futuristic novels. For example, Brave New World, written by Aldous Huxley, and Fahrenheit 451, written by Ray Bradbury, also showcase a distorted future occurring as a result of society’s materialistic desires, narcissistic motives, and warped morals.

Overall, this is a wonderful novel that will give you a gripping vision into the world’s possible future. The novel will teach you many new and important ideas into the harsh reality of our society in this day in age. The comments on egocentric personalities and the difference between good and evil is a heart-quenching story that will force you to question life’s current state. If you enjoy reading about futuristic novels and are not threatened by the depressing themes the novel centers around, then “The Road”, written by Cormac McCarthy, is most definitely a novel for you. Enjoy your reading!
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Product Details

ISBN:
9780307387899
Author:
McCarthy, Cormac
Publisher:
Vintage
Author:
Various
Subject:
Literary
Subject:
Fathers and sons
Subject:
Voyages and travels
Subject:
General Fiction
Subject:
Literature-A to Z
Copyright:
Edition Description:
Trade paper
Series:
Vintage International
Publication Date:
20070328
Binding:
Paperback
Grade Level:
General/trade
Language:
English
Pages:
304
Dimensions:
12 x 9 x 5 in 9.74 lb

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The Road Used Trade Paper
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Product details 304 pages Vintage Books USA - English 9780307387899 Reviews:
"Review A Day" by , "It's an adventure, believe it or not — the sort of book that, if only for the relentless clarity of the writing, the lucid descriptions of the grasses, the mud, the thorns, and the very arc of the road that cuts through all that, presents a clear and episodic progress from one small terror to the next. Forget comfort and possession. Postapocalypse or not, it's classic McCarthy....You should read this book because it is exactly what a book about our future ought to be: the knife wound of our inconvenient truths, laid bare in a world that will just plain scare the piss out of you on a windy night." (read the entire Esquire review)
"Review A Day" by , "The love between the father and the son is one of the most profound relationships McCarthy has ever written, and the strength of it helps raise the novel — despite considerable gore — above nihilistic horror....Fans of McCarthy's brutal world view may not approve, but other readers will welcome the unexpectedly hopeful ending." (read the entire CSM review)
"Review A Day" by , "The Road is a much more compelling and demanding book than its predecessor....The new novel will not let the reader go, and will horribly invade his dreams, too....It is an interesting question as to why McCarthy succeeds so well. The secret, I think, is that McCarthy takes nothing for granted." (read the entire New Republic review)
"Review" by , "Even within the author's extraordinary body of work, this stands as a radical achievement, a novel that demands to be read and reread....A novel of horrific beauty, where death is the only truth."
"Review" by , "The Road offers nothing in the way of escape or comfort. But its fearless wisdom is more indelible than reassurance could ever be."
"Review" by , "One of McCarthy's best novels, probably his most moving and perhaps his most personal."
"Review" by , "I'm always thrilled when a fine writer of first-class fiction takes up the genre of science fiction and matches its possibilities with his or her own powers....[A] dark book that glows with the intensity of his huge gift for language."
"Review" by , "[B]eyond the inherent technical difficulties of concocting the unthinkable, McCarthy has rendered a greater and more subtle story that makes The Road riveting."
"Review" by , "[O]nly now, with his devastating 10th novel, has [McCarthy] found the landscape perfectly matched to his cosmically bleak vision....[E]xtraordinarily lovely and sad...[a] masterpiece... (Grade: A)"
"Review" by , "The setup may be simple, but the writing throughout is magnificent....McCarthy may have created a world where things are reduced to their essence, but he continually surprises by finding a way to strip them further."
"Review" by , "The wildly admired writer Cormac McCarthy presents his own post-apocalyptic vision in The Road. The result is his most compelling, moving and accessible novel since All the Pretty Horses."
"Review" by , "[F]or a parable to succeed, it needs to have some clear point or message. The Road has neither, other than to say that after an earth-destroying event, things will go hard for the survivors."
"Synopsis" by , A man and his young son traverse a blasted American landscape, covered with "the ashes of the late world." The man can still remember the time before. The boy knows only this time. There is nothing for them but survival — they are "each other's world entire" — and the precious last vestiges of their own humanity. At once brutal and tender, despairing and rashly hopeful, spare of language and profoundly moving, The Road is a fierce and haunting meditation on the tenuous divide between civilization and savagery, and the essential, sometimes terrifying power of filial love. It is a masterpiece.
"Synopsis" by , NATIONAL BESTSELLER

PULITZER PRIZE WINNER

National Book Critic's Circle Award Finalist

A New York Times Notable Book

One of the Best Books of the Year

The Boston Globe, The Christian Science Monitor, The Denver Post, The Kansas City Star, Los Angeles Times, New York, People, Rocky Mountain News, Time, The Village Voice, The Washington Post

The searing, postapocalyptic novel destined to become Cormac McCarthy's masterpiece.

A father and his son walk alone through burned America. Nothing moves in the ravaged landscape save the ash on the wind. It is cold enough to crack stones, and when the snow falls it is gray. The sky is dark. Their destination is the coast, although they don't know what, if anything, awaits them there. They have nothing; just a pistol to defend themselves against the lawless bands that stalk the road, the clothes they are wearing, a cart of scavenged food—and each other.

The Road is the profoundly moving story of a journey. It boldly imagines a future in which no hope remains, but in which the father and his son, "each the other's world entire," are sustained by love. Awesome in the totality of its vision, it is an unflinching meditation on the worst and the best that we are capable of: ultimate destructiveness, desperate tenacity, and the tenderness that keeps two people alive in the face of total devastation.

"Synopsis" by , NATIONAL BESTSELLERPULITZER PRIZE WINNERNational Book Critic's Circle Award FinalistA New York Times Notable BookOne of the Best Books of the YearThe Boston Globe, The Christian Science Monitor, The Denver Post, The Kansas City Star, Los Angeles Times, New York, People, Rocky Mountain News, Time, The Village Voice, The Washington PostThe searing, postapocalyptic novel destined to become Cormac McCarthy's masterpiece.A father and his son walk alone through burned America. Nothing moves in the ravaged landscape save the ash on the wind. It is cold enough to crack stones, and when the snow falls it is gray. The sky is dark. Their destination is the coast, although they don't know what, if anything, awaits them there. They have nothing; just a pistol to defend themselves against the lawless bands that stalk the road, the clothes they are wearing, a cart of scavenged food-—and each other.The Road is the profoundly moving story of a journey. It boldly imagines a future in which no hope remains, but in which the father and his son, "each the other's world entire," are sustained by love. Awesome in the totality of its vision, it is an unflinching meditation on the worst and the best that we are capable of: ultimate destructiveness, desperate tenacity, and the tenderness that keeps two people alive in the face of total devastation.
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