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Other titles in the Vintage Crime/Black Lizard Original series:

Zombies! Zombies! Zombies! (Vintage Crime/Black Lizard Original)


Zombies! Zombies! Zombies! (Vintage Crime/Black Lizard Original) Cover





by Otto Penzler

ZOMBIES AIN'T WHAT they used to be. Not so long ago, they were safely ensconced on Haiti so the rest of the world could merely scoff at the bizarre myth of the living dead on one relatively small Caribbean island. Well, they have proliferated at an alarming rate, invading the rest of the world, and it seems unlikely that they have any intention of going away anytime soon.

W. B. Seabrook, in his 1929 book, The Magic Island, recounted “true” tales of voodoo magic on Haiti bringing the recently dead back to life as slow- moving, virtually brain-dead creatures who would work tirelessly in the fields without pay and without complaint. These stories introduced the zombie to much of the world, though most national folklores have similar tales and legends. A decade after Seabrook’s groundbreaking volume, Zora Neale Hurston researched Haitian folklore and told similar stories of eyewitness accounts of zombies, as have subsequent anthropologists, sociologists, and others not prone to imaginative fancies.

If zombie literature began with the reportage of Seabrook, it had powerful ancestral works on which to draw. Stories of the living dead, or ghouls, or reanimated people, have existed since the Arabian Nights tales and borrowed from other horror story motifs, from the lurching reanimated monster of Mary Shelley’s Frankenstein to the undead vampires of John Polidori’s The Vampyre and Bram Stoker’s Dracula.

Several of the most distinguished short-story writers of the nineteenth century turned to figures who had been dead but then, uh-oh, were alive. Edgar Allan Poe was almost relentless in his use of the dead coming back to life, most famously in “The Fall of the House of Usher” but most vividly in his contribution to this volume, “The Facts in the Case of M. Valdemar.” Guy de Maupassant’s poignant “Was It a Dream?” lingers in the memory as an example of how a corpse leaving a grave can destroy the living without a single act or thought of violence. Ambrose Bierce’s famous “The Death of Halpin Frayser” may be interpreted as a ghost story, a vampire story, or a zombie story, and is equally terrifying as any of them; it is not included in this volume because I selected it for inclusion in The Vampire Archives.

Now a staple of horror fiction, zombies, as we know them today, have a very short history. Tales of resurrected corpses and ghouls were popular in the weird menace pulps of the 1930s, but these old-fashioned zombies had no taste for human flesh. For that, we can thank George Romero, whose 1968 film Night of the Living Dead introduced this element to these undead critters. Writers, being writers, took to this notion as a more extreme depiction of reanimation and have apparently made every effort to outdo one another in the degree of violence and gore they could bring to the literature.

While this incursion into the realm of splatterpunk may be welcomed by many readers, I have attempted to maintain some balance in this collection and have omitted some pretty good stories that, in my view, slipped into an almost pornographic sensibility of the need to drench every page with buckets of blood and descriptions of mindless cruelty, torture, and violence. Of course, zombies are mindless, so perhaps this behavior is predictable, but so are many of the stories, and I have opted to include a wider range of fiction. While the characters in early stories are not called zombies, they are the living dead (or, occasionally, apparently so), and they qualify for inclusion.

Inevitably, some of the most popular writers and their best stories will have been collected in other anthologies, so will seem familiar. For a definitive collection like this one, I wanted them to be included, so if you’ve already read the stories by H. P. Lovecraft, Poe, and Stephen King, skip them if you must, though they became popular because they are really good and bear rereading. On the other hand, you will find in these pages some stories that you’ve never read by authors of whom you’ve never heard, and you are in for a treat.

To cover the broad spectrum and significant history of zombie literature required a good bit of research, and I am indebted to the welcome and needed assistance of numerous experts in the genre, most notably John Pelan, Robert Weinberg, John Knott, Chris Roden, Joel Frieman, Michele Slung, and Gardner Dozois.

Product Details

Penzler, Otto
Vintage Crime/Black Lizard
General Fiction
Literature-A to Z
Horror - General
Edition Description:
Trade paper
Vintage Crime/Black Lizard Original
Publication Date:
Grade Level:
9.08 x 6.92 x 1.55 in 2.04 lb

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Related Subjects

Fiction and Poetry » Anthologies » General
Fiction and Poetry » Horror » Anthology
Fiction and Poetry » Horror » General
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Zombies! Zombies! Zombies! (Vintage Crime/Black Lizard Original) Used Trade Paper
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Product details 832 pages Vintage Crime/Black Lizard - English 9780307740892 Reviews:
"Publishers Weekly Review" by , "Penzler's latest monster-sized anthology of monster stories is sure to call attention to the living dead the same way that his Vampire Archives (2009) spotlighted the undead. The 57 stories mostly feature the two main types of fictional zombie: pre — Night of the Living Dead voodoo-resurrected corpses (Manly Wade Wellman's 'Song of the Slaves,' August Derleth and Mark Schorer's 'The House in the Magnolias') and modern Romero-esque brain-eating machines (Robert R. McCammon's 'Eat Me,' Stephen King's 'Home Delivery'). Penzler makes a solid case for some horror classics being zombie tales in spirit if not in specifics, among them Robert E. Howard's Southern Gothic masterpiece 'Pigeons from Hell' and Theodore Sturgeon's backwoods monster tale 'It.' He overreaches somewhat, though, in including H.P. Lovecraft's ghoul-fest 'Pickman's Model' and F. Marion Crawford's haunted-stateroom story 'The Upper Berth.' Zombie fans will find this book controversial as well as comprehensive. (Sept.)" Publishers Weekly Copyright PWxyz, LLC. All rights reserved.
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