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17 Local Warehouse Children's- Scary Stories
17 Remote Warehouse Children's Young Adult- Social Issue Fiction

This Is Not a Test


This Is Not a Test Cover

ISBN13: 9780312656744
ISBN10: 0312656742
All Product Details







“Get the door! Get the tables against the fucking door, Trace—move!”

In a perfect world, Im spinning out. Im seven days ago, sleeping myself into nothingness. Every breath in and out is shallower than the last until, eventually, I stop. In a perfect world, Im over. Im dead. But in this world, Lily took the pills with her and Im still alive. Im climbing onstage before Cary notices and gives me something to do even though I should be doing something. I should help. I should be helping because seconds are critical. He said this over and over while we ran down streets, through alleys, watched the community center fall, hid out in empty houses and he was right—seconds are critical.

You can lose everything in seconds.

“Harrison, Grace, take the front! Rhys, I need you in the halls with me—”

I slip past the curtain. I smell death. Its all over me but its not me, not yet. I am not dead yet. I run my hands over my body, feeling for something that doesnt belong. We were one street away and they came in at all sides with their arms out, their hands reaching for me with the kind of sharp-teethed hunger that makes a person—them. Cary pulled me away before I could have it, but I thought—I thought I felt something, maybe—

“Sloane? Wheres Sloane?”

I cant reach far enough behind my back.

“Rhys, the halls—”

“Where is she?”

“We have to get in the halls now!”

“Sloane? Sloane!

I look up. Boxy forms loom overhead, weird and ominous. Stage lights. And I dont know why but I dig my cell phone out of my pocket and I dial Lily. If this is it, I want her to know. I want her to hear it. Except her number doesnt work anymore, hasnt worked since she left, and I dont know how I forgot that. I cant believe I forgot that. Instead of Lily, that womans voice is in my ear: Listen closely. She sounds familiar, like someones mother. Not my mother. I was young when she died. Lily was older. Car accident …

“Sloane!” Rhys pushes the curtain back and spots me. I drop the phone. It clatters to the floor. “What the hell are you doing? Weve got to move—” He takes in the look on my face and his turns to ash. “Are you bit? Did you get bitten?”

“I dont know—” I unbutton my shirt and pull it off and I know he sees all of me before I can turn away, but I dont care. I have to know. “I cant see anything—I cant feel it—”

Rhys runs his hands over my back, searching for telltale marks. He murmurs prayers under his breath while I hold mine.

“Its okay—youre good—youre fine—youre alive—”

The noises in the auditorium get louder with the frantic scrambling of people who actually want to live, but Im still.

Im good, Im fine.

“Are you sure?”

“Im sure—now come on—come on, we have to—”

Good, fine. Im fine. Im fine, Im fine. He grabs my arm. I shrug him off and put my shirt back on more slowly than I should. I am fine. Im alive.

I dont even know what that means.

“Look, weve got to get back out there,” he says as I do up my buttons. “There are three other doors that need to be secured—” He grabs my arm and turns me around. “Look at me—are you ready? Sloane, are you ready?”

I open my mouth but nothing comes out.


Copyright © 2012 by Courtney Summers

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Average customer rating based on 3 comments:

nadiacoradin, April 29, 2014 (view all comments by nadiacoradin)
What bothers me about recommending this book is that usually people want to know what it is about, and when you say the words "zombie apocalypse" you are bound to lose their attention (with the wrong people that is). And the thing about this novel is that IT'S SO MUCH MORE THAN ZOMBIES EATING PEOPLE! In fact, that happens in the distant background, because what takes the front seat is the characters (and their afflictions). You get teenagers BEING actual teenagers, and with the way Courtney Summers describes emotions, they feel as if they'll leap out of the page.

One of the things I love the most about "This is Not a Test" is that it tackles the subjects of mental health, suicide and abuse; which in on itself it's a great thing because we NEED to talk about these subjects, they are SO important and a part of everyone's life, specifically teens.

And not only that, but Summers's writing is FANTASTIC!

I'd describe "This is Not a Test" as an engaging, emotional and thought provoking read that is sure to leave you breathless. You'll have lots of FEELS, thank me later.

In conclusion, I'd recommend it for the following reasons: awesome writing, awesome characters, ideal for zombie lovers and haters alike, mental health issues! A+++++
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theimaginetree, January 2, 2013 (view all comments by theimaginetree)
I read this book during a literary zombie marathon. This book is unlike other zombie books in that it is not just about surviving, but deciding whether or not to even survive. The zombies are barely secondary to the storyline, but it was still my favorite zombie book of the year. Sloane's story resonated deeply with me, and in fact the story haunted me for weeks after I was finished reading.
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lilianxcheng, August 9, 2012 (view all comments by lilianxcheng)
I was hesitant to read Courtney Summer's This is Not a Test because I'm not a fan of zombies. However, This is Not a Test keeps zombies to a minimum, with them mainly appearing in flashbacks and in the denouement. I can see how zombie fans would be disappointed with the lack of action and epic fight scenes, but I was fine with it because the all of characters were rendered with such complexity, from their inner motivations to their flaws. I was skeptical how Summers could make being stuck in a school last 300 pages, but she did--and beautifully too. This is Not a Test is a wonderful, poignant character-driven story and what happens when you are stuck in a school with five less-than-perfect people in a hopeless situation, which may be more evil than the rancid zombies looming outside.

Solane, The Girl Who Wants to Die...But Can't Seem To Do It Right:
Solane is a unique protagonist, while everyone is fighting for survival, she's contemplating the best way to die without being a burden on everyone else. She's not the fierce survivor who slashes through hoards of zombies with a strong will to survive. She also tries to get herself eaten by zombies, but somehow her plans always foil. Oh the irony! It's through Solane's eyes that we get her story behind her suicidal intentions; even though I find her character gloomy, I could understand her motivations. I found her character realistic, especially when she voices her disgust towards Harrison, the wimpy freshman who always makes the already dire situation worse with his crying. I could relate to her (don't worry, not the suicidal part), even if she isn't the nicest of people.

She's a gloomy, passively reserved character, but I also found her surprisingly thoughtful. It would be so easy for her to slit her wrists, but she decides not to do so for she doesn't want her peers to deal with her corpse. I would also like to think that part of her doesn't really want to die. We find out her father's abuse and her being abandoned by her older sister that made her sink into depression. I liked the complexity in her relationship with her older sister, she wants her to be safe, but she also blames her sister. It's as if she wants to use her sister as an excuse to wallow in depression. The suicide note she keeps in her pocket is written to her sister, as if she wants to make her sister feel guilty for her death.

Harrison, The Crybaby That Everyone Secretly Wants to Punch in the Face:
He is the reason why I think all the others are very nice people: they manage to put up with his whining. If it was me, I would have slapped this kid in the face, and probably gagged him so he would stop crying. He somewhat redeems himself in the end, but I suspect he was kept unlikable because Sloane wanted nothing to do with him, so we never got his back story. I was annoyed with him, but I don't know if I would have been able to muster courage either amidst a zombie apocalypse where everyone I ever knew was either dead or developed an palate for my brains.

He pretty much faded in the background for much of the story. I pitied him, because he knew he was being dead weight.
And he tries desperately to be in everyone's good graces, or at least stay out of everyone's way so they won't feed him to zombies. For some reason, I was expecting him to extract revenge. Hey, it's always the silent ones you have to watch out for.

Grace, The Student-body President and Nice Girl:
For a nice girl, I didn't expect her to be that promiscuous. She's the only one that kept Trace, her twin brother, in check and acted as a peer-mediator. She's secretly weak even if her position calls for bravery. She has her flaws, but I found her to be a flat character and the most boring out of the group. Sure, she was nice but that was it. No one had a reason to dislike her, but she wasn't the brave, righteous person either.

Trace, The Jerk Everyone Loves To Hate:
He's the one that stirs up unnecessary problems to get on everyone's nerves. His anger is not completely misplaced for he does have his reasons. He just doesn't know how to deal with his grief, so he displaces it with anger and blame. He blames other so that he won't have to live with the guilt--but deep down, he knows it isn't working. I'm surprised at the maturity of his peers to let him go on his tirade instead of giving him a cold, hard reality check. Underneath his anger is just a lonely guy.

Cary and Rhys, Because I Am Too Lazy to Give Them Each Their Own Section:
For an Asian guy (I am guessing from his last name), Cary Chen breaks the stereotype. He doesn't do well academically and he is a drug dealer. And apparently he is also a sexy beast. Cary might not do well in school, but he gets an A+ in survival skills, even if had some evil intentions. He didn't survive by being a nice guy. Rhys' back story is heartbreaking, and I admire him. There's no reason to dislike him, but I have nothing to say about him either. Go figure.

There's a tiny pinch of romance. Although I would rather call it "being desperate" instead. It's more of trying to make light of the dire situation than a romance.

Overall, I loved the story. My only gripe was Sloane spent her time being emo and made the pace slower than I would've liked. There were also a few minor events that weren't fully explained. But it's definitely on my list of top YA reads of the year. The characters were so well developed that my heart ached for them throughout the story. A refreshing new direction for the zombie genre (even though it barely had anything to do with zombies).

On a separate note, what's the best way to stop yourself from becoming a zombie in the middle of a zombie fight? Would drinking cyanide be fast enough before a zombie bite? Just wondering.
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Product Details

Summers, Courtney
Situations / Violence
Children s Young Adult-Social Issue Fiction
Children s-Scary Stories
Edition Description:
Trade paper
Publication Date:
Grade Level:
from 8
8.25 x 5.5 in
Age Level:
from 13 up to 18

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Related Subjects

Children's » Action and Adventure » Adventure Stories
Children's » Scary Stories » General
Children's » Science Fiction and Fantasy » General
Young Adult » Fiction » Social Issues » Depression and Mental Illness
Young Adult » Fiction » Social Issues » Violence
Young Adult » General

This Is Not a Test New Trade Paper
0 stars - 0 reviews
$9.99 In Stock
Product details 336 pages St. Martin's Griffin - English 9780312656744 Reviews:
"Publishers Weekly Review" by , "It's The Breakfast Club, George Romero style, as six teens who barely know or like each other seek refuge in their high school while the undead hordes lurk outside. This isn't as much of a departure from Summers's edgy contemporary novels like Fall for Anything and Some Girls Are as one might think — it's as much a character study as it is a 'zombie novel.' The end of the world unfolds through the eyes of high school junior Sloane Price, who has been contemplating suicide since her older sister ran away six months earlier, leaving Sloane with their physically abusive father. But these worries are pushed aside as Sloane tries to keep her fellow students alive. The fragile dynamic is disrupted by the arrival of another survivor, a teacher, and a news report about survivor camps. The interpersonal dynamics and growing tension take precedence over any explanations regarding the zombies — Summers is more interested in what it's like to be a girl who doesn't want to live, stuck in a world where death isn't what it used to be. Ages 12 — up. Agent: Amy Tipton, Signature Literary Agency. (June)" Publishers Weekly (Starred Review) Copyright PWxyz, LLC. All rights reserved.
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