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The Mists of Avalon

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The Mists of Avalon Cover

ISBN13: 9780345350497
ISBN10: 0345350499
Condition: Standard
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Author Q & A

To the Reader

Below is a letter from Diana L. Paxon, Marion Zimmer Bradley's sister-in-law, fellow author, and longtime collaborator. Her deep friendship with Bradley, who passed away in 1999, and respect for Bradley's writing shines through in her letter, shedding new light on the inspiration behind THE MISTS OF AVALON.

Marion Zimmer Bradley died on September 25, 1999. During the week after her passing, my in-box filled to overflowing with messages from people who mourned her. They came from women and men, science fiction fans and pagans, Anachronists and people from all of the many other communities who appreciated her many novels; but above all, they came from readers who loved The Mists of Avalon.

In Marion, I lost not only a favorite author, but a sister and a friend. I had known her for over thirty years, and when I married her adopted brother, writer Jon DeCles, I became part of her family. For many years my husband and I shared a house with her brother Paul Edwin Zimmer (also a fantasy writer) and his family, and her mother lived with us until she died.

Marion read my first attempt at a novel, and read it again after I followed her advice and re-wrote it. We worked together as priestesses in the Women's Spirituality movement and founded Darkmoon Circle, which is still going strong today. Once I had become established as a writer, we traded ideas and manuscripts. When she wanted to do an anthology of work by people associated with our extended family and virtual writer's colony, she named it after my house, Greyhaven.

But when Marion first announced her intention to do an Arthurian novel I was skeptical. Surely, after T. H. White and Rosemary Sutcliffe's modern treatments of the story, there was nothing left to be said. Nonetheless, she knew that I had specialized in medieval literature in graduate school, and when she came to me for resources, I was glad to give what help I could. Not that she needed much, for she had been steeped in the Arthurian tradition since childhood.

I read the first chapters of what became The Mists of Avalon with a mounting excitement, for Marion had, indeed, found a new approach to the legend, one with particular relevance to the culture of the day. But I should not have been surprised--one of Marion's great gifts as a writer was to say something, at just the right time, that some group of people very much needed to hear. This time, it was an exploration of the role of the women in the legend of King Arthur--and in her hands, it became a deeply evocative story of women's struggles to survive in a masculine world.

In particular, it was a story of a woman's spiritual quest. The spirituality of Avalon derives from the British Mystery tradition, especially as it was interpreted by the occult writer Dion Fortune, whose character, Miss LeFay Morgan, is both a progenitor and descendant of Morgaine. In addition, Marion drew upon Dion Fortune's non-fiction book, Avalon of the Heart. For a time, Dion Fortune lived in Glastonbury, home of the Glastonbury Tor and still a sacred center of pilgrimage for many.

Although Marion traveled to the British Isles several times to visit Arthurian sites and do research, she realized early on that in order to be true to her vision she would have to abandon history, and instead, tell the truth of legend. The brilliant device of placing Avalon halfway between our world and Faerie allowed her to adorn it with structures and a society unknown to archaeology.

The Arthurian legend holds a unique place in the literature of the English language and seems to be capable of infinite reinterpretations. My own version, Hallowed Isle, is more faithful to history, but The Mists of Avalon casts a long shadow, which I avoided only by placing my priestesses in the Lake Country in the north of England!

For years after Mists was published, women continued to come to Darkmoon Circle looking for the College of Priestesses on Avalon. They were not misled, for the quality of interaction among the women, as well as much of the spirituality, reflects the atmosphere in the circle. It was a time of great excitement, as we realized that it was possible to create a religious practice that would meet our needs, and that the Goddess, far from being confined to ancient mythology, was alive, well, and eager to communicate. What Marion was describing in the new book--which she had originally wanted to call Mistress of Magic--was what we were experiencing every time we came together.

But no one expected what happened when The Mists of Avalon was published. Some of its success was no doubt due to the editorial and promotional genius of Judy Lynn Benjamin Del Rey, who got the book reviewed in the New York Times. But the rest has to be put down to Marion's ability to resonate with the zeitgeist. Glowing reviews certainly helped, but what made the book a bestseller was word-of-mouth publicity, and that's what keeps it selling today. People bought and read and loved it, then bought copies for their friends. Suddenly Marion found herself world-famous.

This was not what she had expected, especially when people began to phone her in the middle of the night wanting spiritual counsel. Morgaine herself could not have fulfilled all the expectations being laid upon the author of The Mists of Avalon. Marion continued to write, but she began to withdraw from public life.

Her health was also beginning to fail. To the heart trouble from which she had suffered for many years was added diabetes, and then a series of strokes. She managed to complete the first draft of The Forest House, a story based on the opera Norma that she had wanted to tell for many years, but it showed the effects of her illness, and she asked me to help her revise it. We were both pleased with the result, even though there was not much we could do to make Gaius nicer--his character, after all, is based on the opera's tenor role.

As I discussed the book with Marion, I came to understand the place of the Avalon mythos in her work much more clearly. Not only were the characters in Forest House ancestral to the later people of Avalon, but Marion considered several of them to be reincarnations of the major characters in her early occult novel, which was eventually published as The Fall of Atlantis. That suggested a further development of the mythos, and we proposed a new project, Lady of Avalon, which takes the characters through three incarnations; the first section being a continuation of the story line in The Forest House, while the third tells of the youth of Viviane and helps explain how she got that way. Our last collaboration, Priestess of Avalon, surrounds the middle section of the previous book with the story of Helena the mother of Constantine. In Priestess of Avalon, I have taken the opportunity to try and show not only Helena's spiritual quest, but Marion's religious position, which was that of a student of the Mysteries who could find truth and inspiration in both Christianity and paganism. The vision at the end of Mists in which the Goddess takes the form of the Virgin Mary expresses a truth beyond dogma. --Diana L. Paxson

March 26, 2001

What Our Readers Are Saying

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Average customer rating based on 8 comments:

radianttheatre, January 31, 2013 (view all comments by radianttheatre)
This (and other books by the author) are an incredibly detailed view of a history long since forgotten into song and myth.
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Waney, December 31, 2012 (view all comments by Waney)
This is by far my favorite reading experience. . I would read, and my elbows would go numb, so I would lay on my back until my thumbs hurt, and then flip over again. I had read some Zimmer Bradley in high school and enjoyed it, Firebrand and the one about trapeze artists, but I hadn't been swallowed by the story, hadn't consumed it in turn, like I did with this book. She blew my post-adolescent mind with her view of history, of legend, of the long, dark story of men and women. Totally recommended.
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(1 of 2 readers found this comment helpful)
dmard, August 6, 2012 (view all comments by dmard)
It's the story of King Arthur turned on it's ear beautifully and magically. Arthur and Merlin become minor characters in the story while the women, particularly Authur's sister Morgana, become the driving forces. These female characters are profoundly spiritual and passionate. They are also fully in control.

This book taught me more about feminism than anything else I've ever read. It made me fully aware of the fact the the history of Western Civilization is told from a male perspective and that the roles of women have merely been downplayed. In short, it changed my life.
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Product Details

ISBN:
9780345350497
Author:
Bradley, Marion Zimmer
Publisher:
Del Rey Books
Author:
Bradley, Marion Zimmer
Location:
New York :
Subject:
General
Subject:
Great britain
Subject:
Fiction
Subject:
Fantastic fiction
Subject:
Fantasy
Subject:
Historical fiction
Subject:
Fantasy - General
Subject:
Fantasy fiction
Subject:
Fantasy - Epic
Subject:
Fantasy - Historical
Subject:
Visionary & metaphysical
Subject:
Arthurian romances
Subject:
Historical - Arthurian
Subject:
Britons
Subject:
Arthurian romances -- Adaptations.
Subject:
Great Britain History Anglo Saxon period, 449-1066 Fiction.
Subject:
Avalon
Subject:
Science Fiction and Fantasy-Fantasy-Historical
Subject:
fantasy;fiction;king arthur;arthurian;historical fiction;avalon;mythology;magic;arthurian legend;women;feminism;novel;england;religion;historical;camelot;arthur;pagan;paganism;historical fantasy;goddess;feminist;celtic;merlin;medieval;legend;myth;history;
Subject:
fantasy;fiction;king arthur;arthurian;historical fiction;avalon;mythology;magic;arthurian legend;women;feminism;novel;england;religion;historical;camelot;arthur;pagan;paganism;historical fantasy;goddess;feminist;celtic;merlin;medieval;legend;myth;history;
Subject:
fantasy;fiction;king arthur;arthurian;historical fiction;avalon;mythology;magic;arthurian legend;women;feminism;novel;england;religion;historical;camelot;arthur;pagan;paganism;historical fantasy;goddess;feminist;celtic;merlin;medieval;legend;myth;history;
Copyright:
Edition Description:
Trade paper
Series:
Del Rey Book
Series Volume:
2001-02
Publication Date:
19870512
Binding:
Paperback
Grade Level:
General/trade
Language:
English
Illustrations:
Yes
Pages:
912
Dimensions:
9.22 x 6.6 x 1.6 in 2 lb

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The Mists of Avalon Used Trade Paper
0 stars - 0 reviews
$8.50 In Stock
Product details 912 pages Ballantine,1984. - English 9780345350497 Reviews:
"Synopsis" by , With more than 1 million copies in print and winner of the 1984 Locus Award for Best Fantasy Novel, "The Mists of Avalon" is by far Marion Zimmer Bradley's most successful novel. Putting a new twist on the Arthurian legends, this beloved book tells the epic story of the women behind the rise and fall of King Arthur.
"Synopsis" by , A Literary Guild Featured Alternate

Here is the magical legend of King Arthur, vividly retold through the eyes and lives of the women who wielded power from behind the throne. A spellbinding novel, an extraordinary literary achievement, THE MISTS OF AVALON will stay with you for a long time to come....

"Synopsis" by , A Literary Guild Featured Alternate
Here is the magical legend of King Arthur, vividly retold through the eyes and lives of the women who wielded power from behind the throne. A spellbinding novel, an extraordinary literary achievement, THE MISTS OF AVALON will stay with you for a long time to come....
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