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16 Local Warehouse Science Fiction and Fantasy- A to Z

Fahrenheit 451

by

Fahrenheit 451 Cover

ISBN13: 9780345410016
ISBN10: 0345410017
Condition: Standard
All Product Details

 

 

Excerpt

It was a pleasure to burn.

It was a special pleasure to see things eaten, to see things blackened and changed. With the brass nozzle in his fists, with this great python spitting its venomous kerosene upon the world, the blood pounded in his head, and his hands were the hands of some amazing conductor playing all the symphonies of blazing and burning to bring down the tatters and charcoal ruins of history. With his symbolic helmet numbered 451 on his stolid head, and his eyes all orange flame with the thought of what came next, he flicked the igniter and the house jumped up in a gorging fire that burned the evening sky red and yellow and black. He strode in a swarm of fireflies. He wanted above all, like the old joke, to shove a marshmallow on a stick in the furnace, while the flapping pigeon-winged books died on the porch and lawn of the house. While the books went up in sparkling whirls and blew away on a wind turned dark with burning.

Montag grinned the fierce grin of all men singed and driven back by flame.

He knew that when he returned to the firehouse, he might wink at himself, a minstrel man, burnt-corked, in the mirror. Later, going to sleep, he would feel the fiery smile still gripped by his face muscles, in the dark. It never went away, that smile, it never ever went away, as long as he remembered.

He hung up his black beetle-colored helmet and shined it; he hung his flameproof jacket neatly; he showered luxuriously, and then, whistling, hands in pockets, walked across the upper floor of the fire station and fell down the hole. At the last moment, when disaster seemed positive, he pulled his hands from his pockets and broke his fall by grasping the golden pole. He slid to a squeaking halt, the heels one inch from the concrete floor downstairs.

He walked out of the fire station and along the midnight street toward the subway where the silent air-propelled train slid soundlessly down its lubricated flue in the earth and let him out with a great puff of warm air onto the cream-tiled escalator rising to the suburb.

Whistling, he let the escalator waft him into the still night air. He walked toward the corner, thinking little at all about nothing in particular. Before he reached the corner, however, he slowed as if a wind had sprung up from nowhere, as if someone had called his name.

The last few nights he had had the most uncertain feelings about the sidewalk just around the corner here, moving in the starlight toward his house. He had felt that a moment prior to his making the turn, someone had been there. The air seemed charged with a special calm as if someone had waited there, quietly, and only a moment before he came, simply turned to a shadow and let him through. Perhaps his nose detected a faint perfume, perhaps the skin on the backs of his hands, on his face, felt the temperature rise at this one spot where a persons standing might raise the immediate atmosphere ten degrees for an instant. There was no understanding it. Each time he made the turn, he saw only the white, unused, buckling sidewalk, with perhaps, on one night, something vanishing swiftly across a lawn before he could focus his eyes or speak.

But now tonight, he slowed almost to a stop. His inner mind, reaching out to turn the corner for him, had heard the faintest whisper. Breathing? Or was the atmosphere compressed merely by someone standing very quietly there, waiting?

He turned the corner.

The autumn leaves blew over the moonlit pavement in such a way as to make the girl who was moving there seem fixed to a sliding walk, letting the motion of the wind and the leaves carry her forward. Her head was half bent to watch her shoes stir the circling leaves. Her face was slender and milk-white, and in it was a kind of gentle hunger that touched over everything with tireless curiosity. It was a look, almost, of pale surprise; the dark eyes were so fixed to the world that no move escaped them. Her dress was white and it whispered. He almost thought he heard the motion of her hands as she walked, and the infinitely small sound now, the white stir of her face turning when she discovered she was a moment away from a man who stood in the middle of the pavement waiting.

The trees overhead made a great sound of letting down their dry rain. The girl stopped and looked as if she might pull back in surprise, but instead stood regarding Montag with eyes so dark and shining and alive that he felt he had said something quite wonderful. But he knew his mouth had only moved to say hello, and then when she seemed hypnotized by the salamander on his arm and the phoenix disc on his chest, he spoke again.

“Of course,” he said, “youre our new neighbor, arent you?”

“And you must be”—she raised her eyes from his professional symbols “—the fireman.” Her voice trailed off.

“How oddly you say that.”

“Id—Id have known it with my eyes shut,” she said, slowly.

“What—the smell of kerosene? My wife always complains,” he laughed. “You never wash it off completely.”

“No, you dont,” she said, in awe.

He felt she was walking in a circle about him, turning him end for end, shaking him quietly, and emptying his pockets, without once moving herself.

“Kerosene,” he said, because the silence had lengthened, “is nothing but perfume to me.”

“Does it seem like that, really?”

“Of course. Why not?”

She gave herself time to think of it. “I dont know.” She turned to face the sidewalk going toward their homes. “Do you mind if I walk back with you? Im Clarisse McClellan.”

“Clarisse. Guy Montag. Come along. What are you doing out so late wandering around? How old are you?”

They walked in the warm-cool blowing night on the silvered pavement and there was the faintest breath of fresh apricots and strawberries in the air, and he looked around and realized this was quite impossible, so late in the year.

There was only the girl walking with him now, her face bright as snow in the moonlight, and he knew she was working his questions around, seeking the best answers she could possibly give.

“Well,” she said, “Im seventeen and Im crazy. My uncle says the two always go together. When people ask your age, he said, always say seventeen and insane. Isnt this a nice time of night to walk? I like to smell things and look at things, and sometimes stay up all night, walking, and watch the sun rise.”

They walked on again in silence and finally she said, thoughtfully, “You know, Im not afraid of you at all.”

He was surprised. “Why should you be?”

“So many people are. Afraid of firemen, I mean. But youre just a man, after all . . .”

He saw himself in her eyes, suspended in two shining drops of bright water, himself dark and tiny, in fine detail, the lines about his mouth, everything there, as if her eyes were two miraculous bits of violet amber that might capture and hold him intact. Her face, turned to him now, was fragile milk crystal with a soft and constant light in it. It was not the hysterical light of electricity but—what? But the strangely comfortable and rare and gently flattering light of the candle. One time, as a child, in a power failure, his mother had found and lit a last candle and there had been a brief hour of rediscovery, of such illumination that space lost its vast dimensions and grew comfortably around them, and they, mother and son, alone, transformed, hoping that the power might not come on again too soon . . .

And then Clarisse McClellan said:

“Do you mind if I ask? How longve you worked at being a fireman?”

“Since I was twenty, ten years ago.”

“Do you ever read any of the books you burn?”

He laughed. “Thats against the law!”

“Oh. Of course.”

“Its fine work. Monday burn Millay, Wednesday Whitman, Friday Faulkner, burn em to ashes, then burn the ashes. Thats our official slogan.”

They walked still farther and the girl said, “Is it true that long ago firemen put fires out instead of going to start them?”

“No. Houses have always been fireproof, take my word for it.”

“Strange. I heard once that a long time ago houses used to burn by accident and they needed firemen to stop the flames.”

He laughed.

She glanced quickly over. “Why are you laughing?”

“I dont know.” He started to laugh again and stopped. “Why?”

“You laugh when I havent been funny and you answer right off. You never stop to think what Ive asked you.”

He stopped walking. “You are an odd one,” he said, looking at her. “Havent you any respect?”

“I dont mean to be insulting. Its just I love to watch people too much, I guess.”

“Well, doesnt this mean anything to you?” He tapped the numerals 451 stitched on his char-colored sleeve.

“Yes,” she whispered. She increased her pace. “Have you ever watched the jet cars racing on the boulevards down that way?”

“Youre changing the subject!”

“I sometimes think drivers dont know what grass is, or flowers, because they never see them slowly,” she said. “If you showed a driver a green blur, Oh yes! hed say, thats grass! A pink blur! Thats a rose garden! White blurs are houses. Brown blurs are cows. My uncle drove slowly on a highway once. He drove forty miles an hour and they jailed him for two days. Isnt that funny, and sad, too?”

“You think too many things,” said Montag, uneasily.

“I rarely watch the ‘parlor walls or go to races or Fun Parks. So Ive lots of time for crazy thoughts, I guess. Have you seen the two hundred-foot-long billboards in the country beyond town? Did you know that once billboards were only twenty feet long? But cars started rushing by so quickly they had to stretch the advertising out so it would last.”

“I didnt know that!” Montag laughed abruptly.

“Bet I know something else you dont. Theres dew on the grass in the morning.”

He suddenly couldnt remember if he had known this or not, and it made him quite irritable.

“And if you look”—she nodded at the sky—“theres a man in the moon.”

He hadnt looked for a long time.

They walked the rest of the way in silence, hers thoughtful, his a kind of clenching and uncomfortable silence in which he shot her accusing glances. When they reached her house all its lights were blazing.

“Whats going on?” Montag had rarely seen that many house lights.

“Oh, just my mother and father and uncle sitting around, talking. Its like being a pedestrian, only rarer. My uncle was arrested another time—did I tell you?—for being a pedestrian. Oh, were most peculiar.”

“But what do you talk about?”

She laughed at this. “Good night!” She started up her walk. Then she seemed to remember something and came back to look at him with wonder and curiosity. “Are you happy?” she said.

“Am I what?” he cried.

But she was gone—running in the moonlight. Her front door shut gently.

“Happy! Of all the nonsense.”

He stopped laughing.

He put his hand into the glove hole of his front door and let it know his touch. The front door slid open.

Of course Im happy. What does she think? Im not? he asked the quiet rooms. He stood looking up at the ventilator grille in the hall and suddenly remembered that something lay hidden behind the grille, something that seemed to peer down at him now. He moved his eyes quickly away.

What a strange meeting on a strange night. He remembered nothing like it save one afternoon a year ago when he had met an old man in the park and they had talked . . .

Montag shook his head. He looked at a blank wall. The girls face was there, really quite beautiful in memory: astonishing, in fact. She had a very thin face like the dial of a small clock seen faintly in a dark room in the middle of a night when you waken to see the time and see the clock telling you the hour and the minute and the second, with a white silence and a glowing, all certainty and knowing what it had to tell of the night passing swiftly on toward further darknesses, but moving also toward a new sun.

“What?” asked Montag of the other self, the subconscious idiot that ran babbling at times, quite independent of will, habit, and conscience.

He glanced back at the wall. How like a mirror, too, her face. Impossible; for how many people did you know who refracted your own light to you? People were more often—he searched for a simile, found one in his work—torches, blazing away until they whiffed out. How rarely did other peoples faces take of you and throw back to you your own expression, your own innermost trembling thought?

What incredible power of identification the girl had; she was like the eager watcher of a marionette show, anticipating each flicker of an eyelid, each gesture of his hand, each flick of a finger, the moment before it began. How long had they walked together? Three minutes? Five? Yet how large that time seemed now. How immense a figure she was on the stage before him; what a shadow she threw on the wall with her slender body! He felt that if his eye itched, she might blink. And if the muscles of his jaws stretched imperceptibly, she would yawn long before he would.

Why, he thought, now that I think of it, she almost seemed to be waiting for me there, in the street, so damned late at night . . .

He opened the bedroom door.

It was like coming into the cold marbled room of a mausoleum after the moon has set. Complete darkness, not a hint of the silver world outside, the windows tightly shut, the chamber a tomb world where no sound from the great city could penetrate. The room was not empty.

He listened.

What Our Readers Are Saying

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Average customer rating based on 3 comments:

Alaina, April 5, 2013 (view all comments by Alaina)
My absolute favorite book. The writing is incredibly poetic and Bradbury does an amazing job of painting a scene with each carefully crafted phrase. A book to digest chapter by chapter, don't rush through it! Each part of the book has an amazing ability to stand alone, an absolute must read!
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Gregorio Roth, November 14, 2010 (view all comments by Gregorio Roth)
Fahrenheit 451 is a parable* about reading and the role of the critic/teacher. The book takes place in a future where books are burned and only comic books are allowed for reading. The main characters Montag and Faber battle against each other in war between the preservation of books and the need to burn them all.


The characters in the story represent the battle between readers and those that stand in the way of a free flow of information. Montag represents the blank piece of paper. Faber represents a pencil with an eraser. Faber desires to graft the critics wholesome viewpoint on the blank unwritten mind.

The outsider community represents the librarians who desire to keep the word pure of unnecessary edits.

The major take away from the book is how destructive it is to tell the youthful mind what to think about this or that idea/book. We keep our world sterilized written between the liens and only between the lines. We stand conditioned as trained morons, to use Prussian systematization to condition our future to be like drones thinking with homogenized answer. The homogenized answer is a problem in a divergent complex world.


A Classic Tale-liked it a lot!!!


LOL FML



(Listened to this on Audio C.D. Read for B.S.I. Lakeland.)



*(ashort story that uses familiar events to illustrate a religious or ethical point)
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(1 of 2 readers found this comment helpful)
Lucy Little, September 3, 2007 (view all comments by Lucy Little)
This should be required reading for everyone! In this futuristic story, firefighters' roles are to burn books. People live in a state of apathetic numbness. When the main character meets someone who cares, his view of the status quo is impacted. Written over 50 years ago it eerily resonates today with technological advances and lack of tolerance for ideological differences.
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(18 of 33 readers found this comment helpful)
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Product Details

ISBN:
9780345410016
Author:
Bradbury, Ray
Publisher:
Ballantine Books
Location:
New York :
Subject:
General
Subject:
Fiction
Subject:
Classics
Subject:
Science Fiction - General
Subject:
Science fiction
Subject:
Censorship
Subject:
Totalitarianism
Subject:
Book burning
Subject:
Bradbury, ray, 1920-
Subject:
Book burning -- Fiction.
Subject:
Political fiction
Subject:
Science / General
Subject:
Literature-A to Z
Copyright:
Edition Number:
1st trade ed.
Edition Description:
Trade paper
Series Volume:
1
Publication Date:
19960827
Binding:
Paperback
Grade Level:
General/trade
Language:
English
Illustrations:
Y
Pages:
192
Dimensions:
8.01x5.77x.52 in. .41 lbs.

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Related Subjects

» Fiction and Poetry » Literature » A to Z
» Fiction and Poetry » Science Fiction and Fantasy » A to Z

Fahrenheit 451 Used Trade Paper
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Product details 192 pages Ballantine Books - English 9780345410016 Reviews:
"Staff Pick" by ,

Fahrenheit 451 is probably one of the most important books ever written. If the world of this novel comes to pass, I will be this book. (You'll have to read it to see what I mean.)

"Review" by , "One of the most brilliant overall jobs of social satire."
"Review" by , "Frightening in its implications...Mr. Bradbury's account of this insane world, which bears many alarming resemblances to our own, is fascinating."
"Review" by , "A chilling work about a dystopian society."
"Review" by , "A landmark book."
"Review" by , "A modern classic."
"Synopsis" by , Nowadays firemen start fires. Fireman Guy Montag loves to rush to a fire and watch books burn up. Then he met a seventeen-year old girl who told him of a past when people were not afraid, and a professor who told him of a future where people could think. And Guy Montag knew what he had to do....

From the Paperback edition.

"Synopsis" by , Internationally acclaimed with more than 5 million copies in print, Fahrenheit 451 is Ray Bradbury's classic novel of censorship and defiance, as resonant today as it was when it was first published nearly 50 years ago.

Guy Montag was a fireman whose job it was to start fires...

The system was simple. Everyone understood it. Books were for burning... along with the houses in which they were hidden.

Guy Montag enjoyed his job. He had been a fireman for ten years, and he had never questioned the pleasure of the midnight runs nor the joy of watching pages consumed by flames... never questioned anything until he met a seventeen-year-old girl who told him of a past when people were not afraid.

Then he met a professor who told him of a future in which people could think... and Guy Montag suddenly realized what he had to do!

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