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1 Remote Warehouse Literature- A to Z

Evening

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Evening Cover

 

 

Reading Group Guide

1. For discussion

2. Minot gives the novel an epigraph from William Faulkner: "I give it to you not that you may remember time, but that you might forget it now and then for a moment and not spend all your breath trying to conquer it." How does this quotation relate to Evening? Does Ann try to "conquer" time?

3. Minot renders Ann's thoughts in what might be called stream-of-consciousness. Which things does Ann remember most distinctly? Which does she remember least distinctly? Which does she repress? What does the relative weight she allows each memory tell us about the emotional shape of her life?

4. Outsiders see Ann rather differently than she sees herself. Her daughter Constance, for instance, says that "her big thing" is "her stuff"; "That's what she cared about, her house and her pictures and all her things" [p. 129]. Her daughters imply that she doesn't laugh much [p. 32]. The doctor's wife says Ann is "just like other women, maybe a little more stylish if you had to say something, but like other women" [p. 12]. What, if anything, does this elderly Ann have in common with the young, passionate Ann she still feels herself to be? What does this dichotomy imply about the differences between our inner selves and the outer person our friends and family see?

5. What might have attracted Ann to each of her three husbands? How did she come to view each of them as the years went by? How does the language in which Ann recalls her marriages differ from the language in which she recalls Harris, and what does this difference in language tell us about her feelings?

6. Ann wishes that she "might have been able to read the spirit within herself and would not have spent her life as if she were only halfway in it" [p. 137], then goes on to reflect that "her life had not been long enough for her to know the whole of herself, it had not been long enough or wide" [ibid]. In what ways has it not been wide enough? Does the fault for this lie with the cruelty of fate, or with Ann herself? If fault lies with Ann, what might she have done to make things different?

7. How would you describe each of Ann's children? How has each been molded and shaped by his or her relationship with her? How does each of them behave toward her? Has the essential sadness of Ann's life rubbed off on them?

8. How has Paul's death affected Ann, Teddy, and the other children? Has it made them closer, or estranged them from one another? How, and at what times, is Ann compelled to remember Paul?

9. What sort of a person is Harris, really? What do you deduce about him and about his feelings, principles, and desires from his behavior, from what others say about him, and from the short section written from his point of view [p. 232-233]?

10. In one of Ann's imaginary discussions with Harris, he says that she might have become a little "hard" [page 224]. Does this seem a fair assessment, judging from what you know of the older Ann? If so, how does this hardness manifest itself and why has she become hard?

11. How does Minot thematically link Buddy's fate with the fate of Ann and Harris's romance? In what ways is this particular weekend the turning point in Ann's life, and how has Buddy's fate intensified this process of change?

12. Does Ann ever feel responsible for what happened to Buddy? Does Harris? Does a sense of responsibility for this tragedy, or a lack of one, have any specific effect on Ann's future life?

13. Ann conducts a number of imagined conversations with Harris in which the two meet again, for the first time in forty years. What sort of person is this elderly, imaginary Harris? Is he the sort of character you can imagine the young Harris growing into? How do you think the real sixty-five-year-old Harris might remember Ann?

14. If Ann and Harris had married, what sort of a life might they have had? Would they have been happy together? Might Ann have been unhappy and unfulfilled even with Harris?

  Suggestions for further reading

Anita Brookner, Hotel du Lac; John Irving, A Widow for One Year; William Kennedy, Ironweed; Penelope Lively, Moon Tiger; Alice McDermott, Charming Billy; Kazuo Ishiguro, The Remains of the Day; William Maxwell, So Long, See You Tomorrow; Sue Miller, Family Picture, The Good Mother, While I Was Gone; Alice Munro, Open Secrets; Michael Ondaatje, The English Patient; Philip Roth, American Pastoral; Jane Smiley, A Thousand Acres; Anne Tyler, Dinner at the Homesick Restaurant, A Patchwork Planet; John Updike, Rabbit at Rest.

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joanre101, October 29, 2006 (view all comments by joanre101)
Emily Dickenson wrote, "The heart selects her own society."
In her book, "Evening," Susan Minot explore the process by which the heart decides who and what is important in her story told from the point of view of Ann Lord, a sixty-five year-old woman stricken with cancer.
It understandable how, as Ann lays dying her thoughts to her fleeting time with Harris Arden a doctor she met at a friend's lavish wedding forty years earlier. Her liaison with Harris occured at a time in her life when she was young and when the very air around her was charged with romance and possibility, before she was knocked onto a life path that lead through a series of dissapointing marriages and tragedy.
For Ann, her time with Harris is something to be etched on a grecian urn, one perfect moment to keep for the rest of her life and sustain her through life's difficulties. For Ann, the liaison between herself and Harris relies on its brevity for its beauty. For Ann, Harris will always be dashing, someone who will never leave the toilet seat up or fail to take out the garbage, and he will never age for her.
With her spare language, Minot brings the reader to the breath and marrow of Ann. You can fully empathize with Ann's belief that Harris is the only real love of her life. As a reader, understanding that, to Harris, the relationship was merely one last fling before he marries his pregnant girlfriend makes Ann a more real and relatable character.
Did Ann have a great love for Harris? No, of course not. She hardly knew him. And even if there were no pregnant fiance, the odds would have been heavily against Ann and Harris would having a happy, "'til death do you part" marriage. The fact that Harris would cheat on his fiance tells us who he is. So maybe it's better for Ann to have the icon she made in Harris' image during that weekend with her on her darkening evening forty years later.
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Product Details

ISBN:
9780375700262
Author:
Minot, Susan
Publisher:
Vintage
Location:
New York, NY
Subject:
General
Subject:
Literary
Subject:
Fiction
Subject:
Women
Subject:
Maine
Subject:
Cancer
Subject:
Life change events
Subject:
Love stories
Subject:
Reminiscing
Subject:
Children of cancer patients
Subject:
General Fiction
Subject:
Literature-A to Z
Subject:
fiction;death;novel;cancer;maine;memory;new england;dying;contemporary
Copyright:
Edition Description:
Trade paper
Series:
Vintage Contemporaries
Series Volume:
v. 4
Publication Date:
September 1999
Binding:
Undefined
Grade Level:
General/trade
Language:
English
Pages:
288
Dimensions:
8 x 5.2 x 0.6 in 0.56 lb

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Related Subjects

Fiction and Poetry » Literature » A to Z
Fiction and Poetry » Romance » General

Evening Used Trade Paper
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Product details 288 pages Vintage Books USA - English 9780375700262 Reviews:
"Review" by , "Minot is renowned for the exquisite precision of her language and her emotional insights, traits she has elevated to new and exhilarating heights in this supremely sensual, sensitive, dramatic, and artistic novel, her finest work to date....Minot's renderings of the heat of the past and the cooling of the present are gorgeously cinematic, so rich in color and motion, music and atmosphere that sorrow and death become no less glorious than joy and life."
"Review" by , "In her powerful third novel Susan Minot mesmerizes with her convincing evocation of Lord's final semiconscious state, wherein time and place crisscross, the lines between real and imagined blur, and the difference between resignation and regret is indistinguishable."
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