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1 Beaverton Literature- A to Z

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The Rotters' Club (Vintage Contemporaries)

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The Rotters' Club (Vintage Contemporaries) Cover

ISBN13: 9780375713125
ISBN10: 0375713123
Condition: Standard
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Excerpt

1

Imagine!

November the 15th, 1973. A Thursday evening, drizzle whispering against the window-panes, and the family gathered in the living room. All except Colin, who is out on business, and has told his wife and children not to wait up. Weak light from a pair of wrought-iron standard lamps. The coal-effect fire hisses.

Sheila Trotter is reading the Daily Mail: "'˜To have and to hold, for better for worse, for richer for poorer, in sickness and in health–"these are the promises which do in fact sustain most married couples through the bad patches."

Lois is reading Sounds: "Guy, 18, cat lover, seeks London chick, into Sabbath. Only Freaks please."

Paul, precociously, is reading Watership Down: "Simple African villagers, who have never left their remote homes, may not be particularly surprised by their first sight of an aeroplane: it is outside their comprehension."

As for Benjamin . . . I suppose he is doing his homework at the dining table. The frown of concentration, the slightly protruding tongue (a family trait, of course: I've seen my mother look the same way, crouched over her laptop). History, probably. Or maybe physics. Something which doesn't come easily, at any rate. He looks across at the clock on the mantelpiece. The organized type, he has set himself a deadline. He has ten minutes to go. Ten more minutes in which to write up the experiment.

I'm doing my best, Patrick. Really I am. But it's not an easy one to tell, the story of my family. Uncle Benjamin's story, if you like.

I'm not even sure this is the right place to start. But perhaps one place is as good as any other. And this is the one I've chosen. Mid-November, the dark promise of an English winter, almost thirty years ago.

November the 15th, 1973.

Long periods of silence were common. They were a family who had never learned the art of talking to one another. All of them inscrutable, even to themselves: all except Lois, of course. Her needs were simple, defined, and in the end she was punished for it. That's how I see things, anyway.

I don't think she wanted much, at this stage of her life. I think she only wanted companionship, and the occasional babble of voices around her. She would have had a craving for chatter, coming from that family; but she was not the sort to lose herself in a giggling circus of friends. She knew what she was looking for, I'm sure of that; already knew, even then, even at the age of sixteen. And she knew where to look for it, too. Ever since her brother had started buying Sounds every Thursday, on the way home from school, it had become her furtive weekly ritual to feign interest in the back-page adverts for posters and clothes ("Cotton drill shirts in black, navy, flame-red, cranberry–great to team with loons") when her real focus of attention was the personal column. She was looking for a man.

She had read nearly all of the personals by now. She was beginning to despair.

"Freaky Guy (20) wants crazy chick (16+) for love. Into Quo and Zep."

Once again, not exactly ideal. Did she want her guy to be freaky? Could she honestly describe herself as crazy? Who were Quo and Zep, anyway?

"Great guy wishes groovy chick to write, into Tull, Pink Floyd, 17–28."

"Two freaky guys seek heavy chicks. 16+, love and affection."

"Guy (20), back in Kidderminster area, seeks attractive chick(s)."


Kidderminster was only a few miles away, so this last one might have been promising, if it weren't for the giveaway plural in parentheses. He'd definitely blown his cover, there. Out for a good time, and little else. Though perhaps that was preferable, in a way, to the whiff of desperation that came off some of the other messages.

"Disenchanted, lonely guy (21), long dark hair, would like communication with aware, thoughtful girl, appreciate anything creative like: progressive, folk, fine art."

"Lonely, unattractive guy (22), needs female companionship, looks unimportant. Into Moodies, BJH, Camel etc."

"Lonely Hairy, Who and Floyd freak, needs a chick for friendship, love and peace. Stockport area."


Her mother put the newspaper aside and said: "Cup of tea, anyone? Lemonade?"

When she had gone to the kitchen, Paul laid down his rabbit saga and picked up the Daily Mail. He began reading it with a tired, sceptical smile on his face.

"Any chick want to go to India. Split end of Dec, no Straights."

"Any chick who wants to see the world, please write."


Yes, she did want to see the world, now that she thought of it. The slow awareness had been growing inside her, fuelled by holiday programmes on the television and colour photos in the Sunday Times magazine, that a universe existed beyond the confines of Longbridge, beyond the terminus of the 62 bus route, beyond Birmingham, beyond England, even. What's more, she wanted to see it, and she wanted to share it with someone. She wanted someone to hold her hand as she watched the moon rise over the Taj Mahal. She wanted to be kissed, softly but at great length, against the magnificent backdrop of the Canadian Rockies. She wanted to climb Ayers Rock at dawn. She wanted someone to propose marriage to her as the setting sun draped its blood-red fingers over the rose-tinted minarets of the Alhambra.

"Leeds boy with scooter, looks OK, seeks girlfriend 17–21 for discos, concerts. Photo appreciated."

"Wanted girl friend, any age, but 4 ft. 10 in. or under, all letters answered."


"Finished."

Benjamin slammed his exercise book shut and made a big show of packing his pens and books away in the little briefcase he always took to school. His physics text book had started to come apart, so he had re-covered it with a remnant of the anaglypta his father had used to wallpaper the living room two years ago. On the front of his English book he had drawn a big cartoon foot, like the one at the end of the Monty Python signature tune.

"That's me done for the night." He stood over his sister, who was sprawled across both halves of the settee. "Gimme that."

It always annoyed him when Lois got to read Sounds before he did. He seemed to think this gave her privileged access to top-secret information. But in truth she cared nothing for the news pages over which he was ready to pore so avidly. Most of the headlines she didn't even understand. "Beefheart here in May." "New Heep album due." "Another split in Fanny."

"What's a Freak?" she asked, handing him the magazine.

Benjamin laughed tartly and pointed at their nine-year-old brother, whose face was aglow with amused contempt as he perused the Daily Mail. "You're looking at one."

"I know that. But a Freak with a capital 'F.' I mean, it's obviously some sort of technical term."

Benjamin did not reply; and he somehow managed to leave Lois with the impression that he knew the answer well enough, but had chosen to withhold it, for reasons of his own. People always tended to regard him as knowledgeable, well-informed, even though the evidence was plainly to the contrary. There must have been some air about him, some indefinable sense of confidence, which it was easy to mistake for youthful wisdom.

"Mother," said Paul, when she came in with his fizzy drink, "why do we take this newspaper?"

Sheila glared at him, obscurely resentful. She had told him many times before to call her "Mum," not "Mother."

"No reason," she said. "Why shouldn't we?"

"Because it's full," said Paul, flicking through the pages, "of platitudinous codswallop."

Ben and Lois giggled helplessly. "I thought 'platitudinous' was an animal they had in Australia," she said.

"The lesser-spotted platitudinous," said Benjamin, honking and squawking in imitation of this mythical beast.

"Take this leading article, for instance," Paul continued, undeterred. "'That precise pageantry which Britain manages so well keeps its hold on our hearts. There's nothing like a Royal Wedding for lifting our spirits.'"

"What about it?" said Sheila, stirring sugar into her tea. "I don't agree with everything I read in there."

"'As Princess Anne and Mark Phillips walked out of the Abbey, their faces broke into that slow, spreading smile of people who are really happy.'" Pass the sick bag, please! "'The Prayer Book may be three hundred years old, but its promises are as clear as yesterday's sunlight.'" Pukerocious! "'To have and to hold, for better for worse–'"

"That's quite enough from you, Mr. Know-All." The quiver in Sheila's voice was enough to expose, just for a second, the sudden panic her youngest son was learning to inspire in her. "Drink that up and put your pyjamas on."

More squabbling ensued, with Benjamin making his own shrill interventions, but Lois did not listen to any of it. These were not the voices with which she longed to surround herself. She left them to it and withdrew to her bedroom, where she was able to re-enter her world of romantic daydreams, a kingdom of infinite colour and possibility. As for Benjamin's copy of Sounds, she had found what she was looking for there, and had no further use for it. She would not even need to sneak down later and take another look, for the box number was easy to remember (it was 247, the same as the Radio One waveband), and the message she had seized upon was one of perfect, magical simplicity. Perhaps that was how she knew that it was meant for her, and her alone.

Copyright 2002 by Jonathan Coe

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mick provencher, August 5, 2012 (view all comments by mick provencher)
Jonathan Coe's coming of age and beyond novel is an excellent introduction to life in Birmingham, England, in the 70s. The characters, a group of teens in school, their families and the social circle that entwine them tell the stories of that time. Politics, school life, industrial urban life and struggles for individuality, creativity and searching for it are some of the topics engagingly faced. It's full of wit and insight and a pure joy to read. You just might find yourself reading the sequel, The Closed Circle. I did.
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georgina lewis, September 2, 2011 (view all comments by georgina lewis)
I just re-read this--the third time in 10 years. It still makes me smile, tear-up, and get utterly absorbed in these kids lives in early 70s Birmingham. And so satisfying to then read the sequel, set 25 or so years later, The Closed Circle. The Rotters' Club is where it begins though. Awesome!
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Product Details

ISBN:
9780375713125
Author:
Coe, Jonathan
Publisher:
Vintage Books USA
Location:
New York
Subject:
Literary
Subject:
Historical fiction
Subject:
Teenage boys
Subject:
Male friendship
Subject:
Birmingham
Subject:
Bildungsromans
Subject:
Literature-A to Z
Copyright:
Edition Number:
1st American ed.
Edition Description:
Trade paper
Series:
Vintage Contemporaries
Publication Date:
February 2003
Binding:
TRADE PAPER
Grade Level:
General/trade
Language:
English
Pages:
432
Dimensions:
7.98x5.22x.91 in. .69 lbs.

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Related Subjects

Fiction and Poetry » Literature » A to Z
History and Social Science » American Studies » Popular Culture

The Rotters' Club (Vintage Contemporaries) Used Trade Paper
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Product details 432 pages Vintage Books USA - English 9780375713125 Reviews:
"Review A Day" by , "If Coe is right to claim that the 1970s were 'brown times,' then it is a testament to his skill that he has rendered them in such vivid colors." (read the entire Atlantic review)
"Review" by , "The first of two books (the sequel, The Closed Circle, has just been published) traces the adolescence of a small group in Birmingham, England, amid IRA bombings and Tory-Labour disputes, the boys' own first forays into sex and their parents' extramarital affairs, their private school intrigues, and the constant scandals of the school paper. Funny, panoramic, with every character, however brief, beautifully drawn."
"Review" by , "Reflective and compelling, satirical and tender, wildly imaginative and painstakingly realistic."
"Review" by , "Please, God...if there?s a next life, let me write as well as Jonathan Coe. The Rotters' Club offers a thick slice of seventies Birmingham — sharp, acerbic, and menacingly true; a sad, funny, thoroughly engaging look at compromise, complicity, and change in a decade many of us would choose to forget. I want more. Now."
"Review" by , "A must-read for anyone who cares about contemporary literature."
"Review" by , "England in the 1970s comes vividly to life in Coe's wonderfully entertaining novel....Coe's affection for his characters and the genuinely funny set pieces travel across the Atlantic with nothing lost. Think Nick Hornby by way of Julian Barnes."
"Review" by , "If there?s a contemporary novelist who combines sharp and sometimes savage social commentary with the classic, full-blooded pleasures novels are supposed to give readers as well as Jonathan Coe does, I must have missed him."
"Review" by , "Jonathan Coe is the most exciting young British novelist writing today, and The Rotters' Club is yet another in an unbroken string of entrancing achievements."
"Review" by , "I can't think of a writer who is more faithful to his memory, or to his perception of other people's memories, than [Coe]. Even those of us who didn't come of age in 1970s Birmingham, England, will hear echoes of our own youth in [his] latest novel."
"Review" by , "Its tinder-dry combustion of comic, indignant and elegiac suggests an Evelyn Waugh of the left."
"Review" by , "A thrillingly traitorous work. It hums along for a hundred pages of wise comedy about teenage love's mortifications, then cold cocks us with an honest surprise as cruel as it is earned."
"Review" by , "Jonathan Coe is a mesmerizing writer....The Rotters' Club is a wonderfully gripping novel, by turns funny, heartbreaking and terrifying."
"Review" by , "The novel's many intricate parts manage to mesh and turn with the startling harmony you find in Robert Altman's movies."
"Review" by , "Tasty but filling: a rich (too rich, perhaps) portrait of a time and a place that have received less than their fair share of literary attention."
"Review" by , "[W]itty, sprawling and ambitious....Coe is immensely clever, but that cleverness is almost misplaced here: universal as it may be, adolescent angst doesn't really compare to the problems of massive social change."
"Review" by , "With his hyper-lucid prose and eye for the whimsical, the absurd and the quintessentially human, Jonathan Coe is Britain's best contemporary fictional chronicler."
"Review" by , "As always with Jonathan Coe, the sheer intelligent good nature that suffuses his work makes it a pleasure to read."
"Synopsis" by , Jonathan Coe's latest novel combines comedy and tragedy in a vastly moving and entertaining tale pitting private lives against harsh political realities.

The Rotters' Club is a sprawling coming-of-age tale that chronicles the heartbreaking and hilarious vicissitudes in the lives of four friends: an irrepressible class clown, a confused artist, an earnest radical, and a quiet dreamer obsessed with poetry and music, God, and a girl. Set against the turbulent British seventies — a decade of industrial strikes, IRA bombings and rising nationalist racism — this marvelous tale is rounded out with an unforgettable cast of supporting characters. Jonathan Coe is a proven master of innovation and style, and this latest triumph — witty, wistful, poignant and profound — leaves little doubt as to why he is considered one of the most exciting young writers from across the Atlantic.

"Synopsis" by , Set against the turbulent British '70s — a decade of industrial strikes, IRA bombings and rising nationalist racism — this marvelous tale combines comedy and tragedy in a sprawling coming-of-age chronicle of four friends. A Book Sense 76 Pick.
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