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1 Beaverton Literature- A to Z

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Carry Me Home

by

Carry Me Home Cover

 

 

Excerpt

Chapter One

Jimmy stands out by the oak tree next to the garage. He's turning in circles, all skittery-like. From my bedroom window I see the orange dot from his cigarette making streaks as he turns. I know if I don't hurry and get down there, he's gonna say piss on me, and leave. I walk real careful and put my ear against my door and it's cold. The door, not my ear. And I listen real good for Ma, but I don't hear nothing but for that loud whooshing you get in your ears when you're scared of getting caught climbing out your window.

I go back to the window—the one I opened while the house was still all noisy with Glenn Miller, 'cause simpleminded or not, I ain't exactly a fool—and I climb out real quiet-like. Them shingles feel like a cat's tongue against my hands as I scoot across the rooftop on my ass.

I get to the edge of the roof and drop down, my hands squeezing real tight, then I dangle there like a string of snot 'til Jimmy comes and gets ahold of my legs. He catches me, then drops me with a thud. "Crissakes, Earwig, you get any taller and you won't need me to catch you." Jimmy calls me "Earwig." He says it's 'cause I'm like one of those bugs that crawls in a guy's ear and goes right to his brain, making him go crazy. Jimmy reaches up and rubs his knuckles over my hair that is turd-brown and grows straight up like quack grass, then he grabs our fishing gear and off we go down the sidewalk.

Jimmy whistles as we go down them empty, dark streets to get to Louie's house. Jimmy's car is in the garage, the motor all ripped to shit, so Louie's gonna drive his car to the millpond, where we're gonna spear suckers and drink beers. Jimmy's real nice to let me come along. Ain't many brothers who'd take their sixteen-year-old, dumb-as-a-stump brother to fish and drink beers with 'em. But Jimmy's always letting me tag along. He knows I ain't got friends like he's got, 'cept for Eddie, and he don't count 'cause he's only six years old, fat as a Thanksgiving turkey, and maybe even dumber than me.

Louie's coming outta the garage with his creel when we get there, his orange, frazzly hair looking like fire with the porch light shining on it. John is leaned up against Louie's car, smoking a cigarette, and Floyd, he is standing there kicking up gravel with his shoe, his shoulders all drooped forward, like they always is.

"You took long enough, Gunderman," John says, and Jimmy says to him, "Ah, give it a rest, Pissfinger." I don't call John Pissfinger like the rest of the gang does, on accounta I know if I do, he's probably gonna stick his boot so far up my ass I'll gag on his shoelaces.

We all whoop and holler as we pull outta the driveway, spitting gravel.

"Serve 'em up, Earwig," Jimmy says. I reach under the seat to fetch the bottles of Schlitz that are clinking and clanking there. I pry a cap with the opener I got dangling from my belt, slip the cap into my pocket, and hand the first bottle to Louie. It's the rule: The number-one guy gets the first beer, and usually, whoever's got a car that's running is the number-one guy.

All the way to the millpond, them guys talk about titties, beers, and whose asses they're gonna kick. Jimmy's the only one of them guys that can really kick anybody's ass. Jimmy ain't real tall, but he's got muscles pert' near as big as Captain Midnight's, and like John says, Jimmy knows how to use his fists when he's gotta. I tell 'em I know a few asses I'd like to kick, and Jimmy tells me to shut up or he's gonna fart in my face. I know he will too, so I shut up.

Them trees along the road to the millpond look like butt-naked skinny girls against the sky that's bright from a fat moon. Jimmy told me once that them fat circle moons remind him of a big, white titty. Course, he thinks everything looks like a titty.

We turn off Mill Street and head down the dirt road that goes to the millpond. Louie drives so fast over the bumps that I bang my head on the roof.

Louie jams on the brakes and we stop real fast. Beer slops down the front of John's shirt and he pisses and moans about it like he's going to the town hall for a fancy-up dance instead of grubbing for suckers at the millpond.

We stand on the bank and rip our shoes and socks off. I know damn well it's gonna be cold as shit in that rushing water, the snow here in Wisconsin not being gone all that long when them suckers start wriggling upriver looking for a place to drop their eggs. We're all laughing and joking and having a good time. Ain't nothing more fun than spearing suckers with Jimmy and the guys.

"Hey, Earwig," John says, as he balls up a sock and throws it at me. "I hear you tried choppin' off Edna Pritchard's fat leg." Floyd and Louie start to laughing. I talk real loud so John can hear me above the laughing and the whooshing of the water. "I wasn't trying to chop her leg off. That's the God's honest truth."

"That's right," Jimmy says, talking all mumbled 'cause he's got a Camel sticking outta the corner of his mouth. "He wasn't trying to cut off her leg, he was trying to measure her fat ass." This makes them laugh all the harder.

"Tell us the story, Earwig," Floyd says, so I tell 'em. I tell 'em how Dad said, right there at the table while buttering a piece of nut bread Mrs. Pritchard brought, that that Edna Pritchard has the biggest ass he ever see'd on a woman. Dad said, "That ass has got to be at least three ax handles wide."

"Well, that didn't sound right to me," I tell the guys, and it didn't. "Mrs. Pritchard has a fat ass, sure as my name's Earl Hedwig Gunderman, but three ax handles wide, that just didn't sound right to me. So I wait 'til I hear her big mouth yapping in the store, then I go out to the woodpile real fast and I fetch myself the ax. Then I go back into the store, whistling so as no one thinks I'm up to something, and I start taggin' after Mrs. Pritchard. Ma and her was talking about that Dickens girl getting polio and what a pity it will be if her legs get all crippled, and how, worse yet, if that little girl dies, her mama's heart's gonna cripple up too and she'll die right along with her. Mrs. Pritchard is looking at cans of applesauce while she talks, 'cause she's gonna make some gingerbread and Mr. Pritchard won't eat gingerbread unless it's got applesauce poured over the top."

"Crissakes," Jimmy says as he roots around in our stuff for a spear, "get to the goddamn point of the story, Earwig," but he ain't mad when he says it, 'cause he's laughing.

"Well," I tell 'em, "I go'ed up behind Mrs. Pritchard, holding that ax like this," and I show 'em how I holded it, sideways like, right behind her fat ass. "And it sure is a fat ass," I say, and Floyd holds his skinny guts that are sunk in like a bowl and asks how would I like to hose that fat ass, and I say I wouldn't like that at all. Jimmy says, "The story, Earwig, get to the point of the goddamn story."

So I go on with the story. I tell 'em how I was holding that ax up crossways, following behind her, and how when she walks, her ass under that dress looks like two bulls fighting under a sheet of mill felt.

"Then Ma looks up and sees me behind Mrs. Pritchard, who ain't so far seeing nothing but that can of applesauce in her hand, and Ma yells, 'Earl Hedwig Gunderman, what on earth are you doing with that ax?' and Mrs. Pritchard starts to turn and she sees me holding that ax, and she starts to screaming. I get all scared 'cause her scream is as big as her ass, and that ax falls right outta my hands, just as her fat legs are turning her around." Floyd is slapping the ground with his hand, laughing real hard.

I turn to Louie, who is laughing too, but not so hard he can't hear me. "You ever see an ax fall, Louie? It don't fall flat and nice at all. That cutting part, it falls first, making it look like a ghost is fixing to split a chunk of wood. And that ax come right down on Mrs. Pritchard's fat ankle."

Jimmy is laughing 'til he's choking out, "Cut through her fat almost right down to the bone!" Floyd laughs 'til his dark hair is slapping his forehead like a horse's tail. "Ol' Fat Ass starts hopping around like she's got a rat trying to crawl up the crack of her ass, and Earwig here goes nuts like he always does when he gets rattled. He starts slapping the sides of his head, almost knocking himself out. Then Pritchard really loses it." They're all in stitches now, only I'm starting to think it ain't so goddamn funny. Ain't nothing funny about blood, all red and shiny, spewing out of somebody's fat ankle.

Jimmy shakes his head. "Ma starts in with her 'Oh, good Lord! Oh, good Lord!' And she runs to fetch a towel, then gets down on all fours, trying to get that towel slung around Pritchard's ankle to stop the bleeding. That Pritchard was going nuts, yelling that Earwig had tried to kill her, and Ma was going nuts, screaming at me to go get Dr. McCormick. I had to leave then, so I missed the rest of that freak show."

Them guys start joking about how I shoulda chopped a chunk of her ass off while I was at it, but I ain't listening too hard to 'em now. I'm trying to get Mrs. Pritchard's words outta my head. Them words, "You should have locked that boy up long ago, Eileen."

Ma didn't make me mop up that blood that was already seeping into the cracks of the floor, turning it all dark by the time Dr. McCormick come and took Mrs. Pritchard back in the kitchen to stitch her fat back together. Ma, she came back into the store with a pail of soapy water and started scrubbing with a bunched rag. She made me stand right there, where she could keep an eye on me. She sounded all winded, like she'd just run all the way down Main Street and back without stopping, as she preached at me about minding my Ps and Qs and not scaring people.

"So," John asks after he lights his Lucky Strike, "how many ax handles wide is the old bag's ass, anyway, Earwig?"

"Well, I didn't exactly get to finish measuring it," I tell him, "but I got as far as knowing it's more than one ax handle wide, that's for sure."

I'm real glad when the guys get done laughing and go back to talking about titties and kicking ass.

I go to the trunk of Louie's car to get the bucket we use for keeping the beer cold. I take that bucket and dig the rest of those Schlitz bottles out from under the seat and put them in the bucket. Then I bring the bucket to the groove in the bank that Louie cut out, leaving a little ditch so the water fills up the hole some. I put water in the pail and I set the pail in that little ditch.

While I do this, Floyd and John are getting some wood for the little fire that Jimmy's leaning over, huffing into the thick smoke to get the flames sparking.

When we get everything all set up perfect-like, Jimmy hands me a spear, reminding me to stay on them flat rocks in the shallow part. Jimmy knows I can't swim for shit. The guys head upstream, laughing as they slosh through the water, their arms pumping, each of 'em taking turns bitching about how cold the water is.

The water looks like silver coins swirling in beer foam. I steady myself on a rock and stare real hard through them swirls. I wait for a dark shadow to come along, 'cause that would be one of them suckers. Suckers are ugly critters if I ever see'd one, with scales big as fingernails, and round mouths that move like an asshole trying to squeeze out a turd. Them suckers are mighty ugly, but after Louie sets 'em up in his smokehouse for a time, they end up tasting mighty damn good.

I see one, not far from my feet, and I stab my spear as hard as I can. It don't go into the fish, though. It just bangs against the rock I'm standing on, then skids sideways. I do a little dance to keep that spearhead from kicking up against my foot. Upstream, I can hear the guys and I can tell from their yelling that they're gonna come back with their creels stuffed.

I get real busy then, listening to some noise in the brush, hoping it ain't no bear. I'm scared shitless of bears 'cause I know if one starts wailing on me, there's gonna be lots of blood. And while I'm watching for bears, I'm jabbing my spear into the water any which way, and it keeps clanking against the rocks. Then, about the time Floyd calls out that it's time for a beer break before they all freeze their balls off, I stab my spear into the water and it hits something tender. That handle starts dancing all over in my hands, and I can feel that I got a pissed-off sucker stuck at the other end. "Jimmy! Jimmy!" I shout, real loud.

"You got one, Earwig?" Jimmy shouts back, all excited.

I can't talk, 'cause I'm excited as shit. I don't know what to do, so I don't do nothing 'cept keep dancing on that rock and hanging tight to the spear that's still bucking in my hands.

Jimmy kicks water up on me as he jumps to the rock I'm standing on. "Jesus Christ, Earwig, you gonna stand there pissing yourself, or are you gonna pull it up?"

I ain't gonna piss, but Louie is. He's in the water, his pecker out, and he's about to start pissing. Excited or not, I know I don't want Louie's piss getting on my fish, so I lift that spear up. And there it is, a big-ass sucker, wiggling and squirming 'cause he's got two tines stuck through his back. Even though it's mostly dark, I can see blood, black and shiny, running down the sides of that poor fish.

Product Details

ISBN:
9780385338134
Author:
Kring, Sandra
Publisher:
Delta
Subject:
General
Subject:
Domestic fiction
Subject:
Historical fiction
Subject:
General Fiction
Subject:
Literature-A to Z
Subject:
Family saga
Subject:
fiction;wwii
Copyright:
Edition Description:
Trade paper
Publication Date:
20041231
Binding:
TRADE PAPER
Grade Level:
General/trade
Language:
English
Pages:
288
Dimensions:
8.20x5.30x.59 in. .46 lbs.

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Related Subjects

Fiction and Poetry » Literature » A to Z

Carry Me Home Used Trade Paper
0 stars - 0 reviews
$3.95 In Stock
Product details 288 pages Delta - English 9780385338134 Reviews:
"Publishers Weekly Review" by , "Earnestly narrated by brain-damaged 16-year-old Earl 'Earwig' Gunderman ('Ma said that after the fever was gone, my brain was like meat cooked too long, and it just fell apart whenever I tried to learn something new'), Kring's heartfelt debut explores the effects of WWII on a smalltown Wisconsin family. Earwig, whose intellectual difficulties are balanced by his sharp emotional intelligence, gets a significant assist in the growing-up process from his older brother, Jimmy. But after enlisting in the National Guard on a drunken whim, Jimmy is shipped out with one of the first ill-equipped units to be sent to the Philippines. When his unit is overrun in Bataan, his fate is assumed to be grim. At home, Earwig sighs about rationing, discovers a dark family secret and hopes for Jimmy's safe return. And Jimmy does come home, but, shell-shocked after years as a POW, he drowns his sorrows in drink. It takes Earwig's devotion and a tender new relationship with young widow Eva Leigh to turn him around. Kring's narrative is familiar at first, but hits its stride after Jimmy's homecoming, capturing family tensions and the divisive town dynamics when Jimmy and his fellow soldiers criticize the government for abandoning them in Bataan. Strong characters, a clear community portrait and a memorable protagonist whose poignant fumblings cloak an innocent wisdom demonstrate Kring's promise. Agent, Catherine Fowler. (On sale Dec. 28)" Publishers Weekly (Copyright 2004 Reed Business Information, Inc.)
"Synopsis" by , When Earl "Earwig" Gunderman, a simple-minded teenager from Willowridge, Wisconsin, isn't working in his family's grocery store, he sneaks out with his older brother Jimmy and Jimmy's friends to fish and drink and talk about life. His understanding of the world may be limited in some ways, but profound — and uproarious — in others. Then the country is thrust into war, and Jimmy is sent to the Pacific. Earwig must cope without the protection of his revered older brother, and cope he does, though in the shadow of a wrenching family secret and agonized by Jimmy's undetermined fate. Then Jimmy comes home. Three years have passed, years he spent as a prisoner of war, and when he returns he is a shadow of the confident, heroic young man he used to be. Earwig is thrust into a role he never could have imagined — of protector to someone who protected him all his young life. His struggle to bring his family together, and to right the wrongs visited upon Jimmy by war, women, and life, are at once riotously funny and brimming with tenderness and warmth.
"Synopsis" by , US
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