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The Imperfectionists

by

The Imperfectionists Cover

ISBN13: 9780385343671
ISBN10: 0385343671
Condition: Standard
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Excerpt

"Bush Slumps to New Low in Polls" 

Paris Correspondent-Lloyd Burko  

Lloyd shoves off the bedcovers and hurries to the front door in white underwear and black socks. He steadies himself on the knob and shuts his eyes. Chill air rushes under the door; he curls his toes. But the hallway is silent. Only high-heeled clicks from the floor above. A shutter squeaking on the other side of the courtyard. His own breath, whistling in his nostrils, whistling out.  

Faintly, a woman's voice drifts in. He clenches his eyelids tighter, as if to drive up the volume, but makes out only murmurs, a breakfast exchange between the woman and the man in the apartment across the hall. Until, abruptly, their door opens: her voice grows louder, the hallway floorboards creak-she is approaching. Lloyd hustles back, unlatches the window above the courtyard, and takes up a position there, gazing out over his corner of Paris.   She taps on his front door.  

"Come in," he says. "No need to knock." And his wife enters their apartment for the first time since the night before.   He does not turn from the window to face Eileen, only presses his bald knees harder into the iron guardrail. She smoothes down the back of his gray hair. He flinches, surprised to be touched.  

"Only me," she says.  

He smiles, eyes crinkling, lips parting, inhaling as if to speak. But he has no reply. She lets go.  

He turns finally to find her seated before the drawer where they keep old photographs. A kitchen towel hangs from her shoulder and she wipes off her fingers, damp from peeled potatoes, dishwashing liquid, diced onions, scented from mothballed blankets, soil from the window boxes-Eileen is a woman who touches everything, tastes all, digs in. She slips on her reading glasses.  

"What are you hunting for in there?" he asks.  

"Just a picture of me in Vermont when I was little. To show Didier." She rises, taking a photo album with her, and stands by the front door. "You have plans for dinner, right?" 

"Mm." He nods at the album. "Bit by bit," he says.

"What's that mean?" 

  "You're shifting across the hall." 

  "No."  

 "You're allowed to."  

He hasn't resisted her friendship with Didier, the man across the hall. She is not finished with that part of her life, with sex, as Lloyd is. She is eighteen years younger, a gap that incited him once but that, now he is seventy, separates them like a lake. He blows her a kiss and returns to the window.  

The floorboards in the hallway creak. Didier's front door opens and shuts-Eileen doesn't knock over there, just goes in.   Lloyd glances at the phone. It has been weeks since he sold an article and he needs money. He dials the paper in Rome.  

An intern transfers him to the news editor, Craig Menzies, a balding worrier who decides much of what appears in each edition. No matter the time of day, Menzies is at his desk. The man has nothing in his life but news.  

"Good time for a pitch?" Lloyd asks.  

"I'm a tad busy, actually. Could you zing me an e-mail?" 

"Can't. Problem with my computer." The problem is that he doesn't own one; Lloyd still uses a word processor, vintage 1993. "I can print something and fax it over."

"Tell me by phone. But please, if possible, could you get your computer working?"  

"Yes: get computer fixed. Duly noted." He scratches his finger across the notepad, as if to tease out a better idea than the one scrawled there. "You folks interested in a feature on the ortolan? It's this French delicacy, a bird-a sort of finch, I think-that's illegal to sell here. They stick it in a cage, poke out its eyes so it can't tell day from night, then feed it round the clock. When it's full up, they drown it in Cognac and cook it. Mitterrand ate one for his last meal."   "Uh-huh," Menzies responds circumspectly. "But sorry, where's the news?" 

"No news. Just a feature."  

"You have anything else?"  

 Lloyd scratches at his pad again. "How about a business piece on wine: sales of rosé outstripping white for the first time in France." 

"Is that true?"  

"I think so. I still have to double-check."  

"Do you have anything more timely?"  

"You don't want the ortolan?" 

"I don't think we have space for it. It's a tight day-four pages in news."  

All the other publications Lloyd freelanced for have dumped him. Now he suspects that the paper-his final string, his last employer-is looking to send him away, too.  

"You know our money problems, Lloyd. We're only buying freelance stuff that's jaw-dropping these days. Which isn't saying yours isn't good. I just mean Kathleen only wants enterprise now. Terrorism, nuclear Iran, resurgent Russia-that kind of thing. Anything else we basically take from the wires. It's a money thing, not about you." 

Lloyd hangs up and returns to the window, gazing out at Sixth Arrondissement apartment buildings, white walls dirtied where rain drizzled and drainpipes leaked, the paint peeling, shutters closed tight, courtyards below where residents' bicycles huddle, handlebars and pedals and spokes jammed into each other, zinc roofs overhead, capped chimney pipes streaking white smoke across white sky. 

He walks over to the closed front door and stands still, listening. She might come back from Didier's unbidden. This is their home, for Christ's sake.  

When the dinner hour arrives, he bangs about as clamorously as possible, crashing the door into the coatrack, simulating a coughing fit on his way out, all to ensure that Eileen across the hall hears him leaving for his supposed dinner plans, although no such plans exist. He simply will not sit down for another charity meal with her and Didier.  He wanders down Boulevard du Montparnasse to kill time, buys a box of calissons to give to his daughter Charlotte, and returns home, as stealthy now as he was noisy before. When he enters the apartment, he raises the front door on its hinges to dull the squeak, clicks it gently shut. He doesn't turn on the main light-Eileen might see it under the door-and fumbles in the kitchen, leaving the fridge ajar for illumination. He opens a can of chickpeas and digs straight in with a fork, catching sight of his right hand, which is mottled with age spots. He switches the fork to his left hand, the decrepit right thrust deep in his trouser pocket, hugging a thin leather wallet.

Been broke plenty of times. Always spent better than he saved. On tailored shirts from Jermyn Street. Cases of Château Gloria 1971. Shares in a racehorse that almost landed in the money. Impromptu vacations to Brazil with impromptu women. Taxis everywhere. He takes another fork of chickpeas. Salt. Needs salt. He drops a pinch into the can. 

At dawn, he lies under layers of blankets and bedcovers-he doesn't use the heating anymore unless Eileen is here. He'll visit Charlotte today, but doesn't relish it. He turns on his other side, as if to flip from her to his son, Jérôme. Sweet kid. Lloyd flips again. So awake, so weary. Lazy-he's become lazy. How did that happen?  

He forces off the covers and, shivering in his underwear and socks, makes for his desk. He pores over old phone numbers-hundreds of scraps of paper, stapled, taped, glued in place. Too early to call anyone. He grins at names of former colleagues: the editor who cursed him out for missing the first Paris riots in '68 because he had been drunk in the bathtub with a lady friend. Or the bureau chief who flew him to Lisbon to cover the coup in '74, even though he couldn't speak a word of Portuguese. Or the reporter who got the giggles with Lloyd at a Giscard d'Estaing presser until they were flung out and upbraided by the press secretary. How many of these ancient numbers still work?  

The living-room curtains brighten gradually from behind. He parts them. The sun is not visible, nor clouds-only buildings. At least Eileen doesn't realize his money situation. If she found out, she'd try to help. And then what would he have left?   He opens the window, breathes in, presses his knees into the guardrail. The grandeur of Paris-its tallness and broadness and hardness and softness, its perfect symmetry, human will imposed on stone, on razored lawns, on the disobedient rosebushes-that Paris resides elsewhere. His own is smaller, containing himself, this window, the floorboards that creak across the hall.  

By 9 a.m., he is trooping north through the Luxembourg Gardens. By the Palais de Justice, he rests. Flagging already? Lazy bastard. He forces himself onward, over the Seine, up Rue Montorgueil, past the Grands Boulevards.  

Charlotte's shop is on Rue Rochechouart-not too high up the hill, thankfully. The store isn't open yet, so he wanders toward a café, then changes his mind at the door-no money to waste on luxuries. He gazes in the window of his daughter's shop, which is full of handmade hats, designed by Charlotte and produced by a team of young women in high-waisted linen aprons and mobcaps, like eighteenth-century maids.   She arrives later than the posted opening time. "Oui?" she says upon seeing her father-she only talks to him in French.  

"I was admiring your window," he says. "It's beautifully arranged."

She unlocks the shop and enters. "Why are you wearing a tie? Do you have somewhere to go?"  

"Here-I was coming here to see you." He hands her the box of candies. "Some calissons."  

"I don't eat those."

"I thought you loved them."  

"Not me. Brigitte does." This is her mother, the second of Lloyd's ex-wives.  

"Could you give them to her?"  

"She won't want anything from you."

"You're so angry with me, Charlie."  

She marches to the other side of the shop, tidying as if it were combat. A customer enters and Charlotte puts on a smile. Lloyd removes himself to a corner. The customer leaves and Charlotte resumes her pugilistic dusting.   "Did I do something wrong?" he asks.  

"My God-you are so egocentric."  

He peers into the back of the shop.  

"They're not here yet," she snaps.  

"Who aren't?"  

"The girls."  

"Your workers? Why are you telling me that?"  

"You got here too early. Bad timing." Charlotte claims that Lloyd has pursued every woman she ever introduced him to, starting with her best friend at lycée, Nathalie, who came along for a vacation to Antibes once and lost her bikini top in the waves. Charlotte caught Lloyd watching. Thankfully, she never learned that matters eventually went much further between her father and Nathalie.

But all that is over. Finished, finally. So senseless in retrospect-such effort wasted. Libido: it has been the tyrant of his times, hurling him from comfortable America all those years ago to sinful Europe for adventure and conquest, marrying him four times, tripping him up a hundred more, distracting and degrading and nearly ruining him. Yet now it is mercifully done with, desire having dwindled these past years, as mysterious in departure as it was on arrival. For the first time since age twelve, Lloyd witnesses the world without motive. And he is quite lost. 

"You really don't like the candies?" he says.

"I didn't ask for them."

"No, you didn't." He smiles sadly. "Is there something I could do for you, though?"  

"What for?" 

"To help."  

"I don't want your help."  

"All right," he says. "All right, then." He nods, sighs, and turns for the door.  

She comes out after him. He reaches to touch her arm, but she pulls away. She hands back the box of calissons. "I'm not going to use these."  

Back home, he runs through his contact numbers and ends up calling an old reporter buddy, Ken Lazzarino, now working at a magazine in Manhattan. They exchange news and get nostalgic for a few minutes, but an undercurrent runs through the conversation: both men know that Lloyd needs a favor, but he can't bring himself to ask. Finally, he forces it out. "What if I wanted to pitch something?"  

"You never wrote for us, Lloyd." 

"I know, I'm just wondering if."  

"I do online strategy now-I don't have a say in content anymore."  

"Is there someone you could get me in touch with?"  

After listening to several variations of no, Lloyd puts down the phone.  

He eats another can of chickpeas and tries Menzies again at the paper. "What about me doing the European business roundup today?"  

"Hardy Benjamin handles that now."  

"I know it's a pain for you guys that I don't have this email stuff working. I can fax it, though. It won't make a difference."  

"It does, actually. But look, I'll call if we need something out of Paris. Or give me a ring if you have something newsy."  

Lloyd opens a French current-affairs magazine in hopes of stealing a story idea. He flips the pages impatiently-he doesn't recognize half the names. Who the hell is that guy in the photo? He used to know everything going on in this country. At press conferences, he was front-row, arm raised, rushing up afterward to pitch questions from the sidelines. At embassy cocktail parties, he sidled up to the ambassadors with a grin, notebook emerging from his hip pocket. Nowadays, if he attends press conferences at all, he's back-row, doodling, dozing. Embossed invitations pile up on his coffee table. Scoops, big and little, pass him by. He still has smarts enough to produce the obvious pieces-those he can do drunk, eyelids closed, in his underwear at the word processor.

He tosses the current-affairs magazine onto a chair. What's the point in trying? He calls his son's mobile. "Am I waking you?" he asks in French, the language they use together.

Jérôme covers the phone and coughs. 

"I was hoping to buy you lunch later," Lloyd says. "Shouldn't you be down at the ministry at this hour?"  

But Jérôme has the day off, so they agree to meet at a bistro around Place de Clichy, which is near where the young man lives, though the precise location of Jérôme's home is as much a mystery to Lloyd as are the details of the young man's job at the French foreign ministry. The boy is secretive.  

Lloyd arrives at the bistro early to check the prices on the menu. He opens his wallet to count the cash, then takes a table. 

When Jérôme walks in, Lloyd stands and smiles. "I'd almost forgotten how fond I am of you."

Jérôme sits quickly, as if caught out in musical chairs. "You're strange."  

"Yes. It's true."  

Jérôme flaps out the napkin and runs a hand through his floppy locks, leaving tangled tents of hair. His mother, Françoise, a tobacco-fingered stage actress, had the same hair-mussing habit and it made her even more attractive until years later, when she had no work, and it made her disheveled. Jérôme, at twenty-eight, is tattered already, dressed as if by a vintage shop, in a velvet blazer whose sleeves stop halfway up his forearms and an over-tight pin-striped shirt, cigarette rolling papers visible through a rip in the breast pocket.  

"Let me buy you a shirt," Lloyd says impulsively. "You need a proper shirt. We'll go down to Hilditch & Key, down on Rivoli. We'll take a taxi. Come on." He speaks rashly-he couldn't afford a new shirt. But Jérôme declines.

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Teresa Borden, October 25, 2011 (view all comments by Teresa Borden)
I was quickly drawn in to each character's story in the chapters of this chronicle of a newspaper in Rome. Figuring out how they were all interconnected was fascinating, though I was a bit puzzled at first by the backstory in italics. I could not stop reading this book and was a bit disappointed by the last chapter but would recommend it highly to anyone interested in journalism and the human beings who inhabit the newspaper world.
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reading4years, September 30, 2011 (view all comments by reading4years)
"The Imperfectionists" portrays several people who work at an English-language international newspaper based in Rome. Each chapter features a different person. The portraits are intense, some with jaw-dropping denouements. It also chronicles the changes in the fate of printed news over the past 50 years. An excellent book!
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(1 of 1 readers found this comment helpful)
lissi, September 6, 2011 (view all comments by lissi)
Totally enjoyed this story of the life of a newspaper and those who made it happen. I can say from my own experience, he got it right, from the top to the bottom.
A crazy, quirky group of characters with largely unresolved stories carry you through this paper's history and keep the pages turning.
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(1 of 2 readers found this comment helpful)
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Product Details

ISBN:
9780385343671
Author:
Rachman, Tom
Publisher:
Dial Press
Subject:
Literary
Subject:
General
Subject:
Literature-A to Z
Subject:
fiction;rome;journalism;italy;newspapers;newspaper;novel;journalists;contemporary fiction;literature;short stories;relationships;american;europe;literary fiction;contemporary;21st century;media;publishing;canadian;paris;literary;expats;characters;vignette
Subject:
fiction;rome;journalism;italy;newspapers;newspaper;novel;journalists;contemporary fiction;short stories;literature;relationships;american;literary fiction;contemporary;europe;21st century;expats;publishing;media;paris;characters;literary;canadian;vignette
Copyright:
Edition Description:
Trade paper
Publication Date:
20110131
Binding:
TRADE PAPER
Grade Level:
General/trade
Language:
English
Pages:
304
Dimensions:
8 x 5.2 x 0.65 in 0.5 lb

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The Imperfectionists Used Trade Paper
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$6.95 In Stock
Product details 304 pages Dial Press Trade Paperback - English 9780385343671 Reviews:
"Staff Pick" by ,

It really is as good as you've heard it is, and if you haven't heard someone raving about it, let me be that person. A member of that burgeoning category of book that declines to be easily identifiable as either a novel or book of short stories, The Imperfectionists blurs the two forms into something wonderful. Centered around the rise and fall of an English-language daily paper based out of Rome and started on a whim by a wealthy businessman, each chapter of The Imperfectionists focuses on a different character associated with the paper. It's a hard trick to pull off, but the revolving door of protagonists introduces a cast that is fully realized and wholly human, despite the slim page-count devoted to each one. That they drift in and out of one another's stories only serves to add depth to our perception of them. Interspersed with the often hilarious, sometimes gut-wrenching glimpses into the crew's personal lives is the story of how the paper came to be — a story about an inscrutable millionaire of whom Tom Rachman gives us only a hauntingly peripheral view. With its sucker-punch of an ending and it's fizzy blend of humor, despair, love, and hate, The Imperfectionists reads like riding a Vespa top speed through Rome: glimpses of a bigger picture that add up to something beautiful.

"Staff Pick" by ,

Nobody's perfect, but Tom Rachman comes pretty damn close with his debut novel, The Imperfectionists. Through the lives of the eleven main characters (each with their own chapter), Rachman chronicles the rise and fall of a Rome-based international newspaper, which bears a striking resemblance to his former employer, the International Herald Tribune. Gossipy and fun, yet poignant and timely, The Imperfectionists marks the arrival of a wonderful new literary talent.

"Review" by , "Marvelous...a rich, thrilling book...a splendid original, filled with wit and structured so ingeniously that figuring out where the author is headed is half the reader's fun."
"Review" by , "Deftly written and sharply observed....Even if you've never set foot in a newsroom, The Imperfectionists proves a delight....It's impossible not to like — this is masterful stuff."
"Review" by , "Each chapter is so finely wrought that it could stand alone as a memorable short story. Slowly, the separate strands become entwined and the line characters have drawn between their work and home lives is erased....Funny, poignant, occasionally breathtaking."
"Review" by , "The first novel by Tom Rachman...is so good I had to read it twice simply to figure out how he pulled it off....[H]ilarious and heart-wrenching."
"Review" by , "This acute debut portrays the world of neurotic journalists....Rachman...paints the characters' small dramas and private disappointments with humanity and humor."
"Review" by , "Charming....The print newspaper may be an endangered species, but the newsroom — with its deadlines, quirky characters and investigative crusades — still makes for a good story."
"Review" by , "The Imperfectionists will make you laugh and cry. It's the rare novel that can shift emotional tone effortlessly....Magnificent."
"Review" by , "Laced with humor, irony and compassion....[S]ome of the chapters are absolute gems."
"Review" by , "A very strong debut. Funny, humane and artful."
"Synopsis" by , One of most acclaimed books of the year, Tom Rachman's debut novel follows the topsy-turvy private lives of the reporters and editors of an English-language newspaper in Rome.
"Synopsis" by , One of most acclaimed books of the year, Tom Rachman's debut novel follows the topsy-turvy private lives of the reporters and editors of an English-language newspaper in Rome.
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