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Amsterdam

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Amsterdam Cover

ISBN13: 9780385494243
ISBN10: 0385494246
Condition: Standard
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Reading Group Guide

1. Talk about the tone of this novel. Is it ironic? Humorous? Menacing?

2. Think about Clive and Vernon and your feelings about each at different stages of the novel. Did those feelings change? If so, at what key points?

3. In a relatively short novel, the author devotes many pages to Clive's creative process. What do you think of the author's description of the process itself and of his decision to give it so much space?

4. At one early point in the novel, Vernon Halliday thinks this about himself, "[H]e was infinitely diluted; he was simply the sum of all the people who had listened to him, and when he was alone, he was nothing at all." Discuss this prescient statement, in light of Vernon's fate.

5. Discuss the role of lucky (and unlucky) coincidence in the novel: Vernon's rise in his profession due to "Pategate" or the story in the Judge about euthanasia in Holland that leads Clive and Vernon there.

6. Talk about the author's skill in showing the workplace; the composer's process and studio; the newspaper editor's office.

7. This novel is funny—the Siamese twins story, the sub-editor who could not spell—talk about the role of humor in the novel.

8. At different points in the novel, both Clive and Vernon think that Clive has given more to their friendship than Vernon has. Talk about the form and course of their friendship. Can friendships ever be equal?

9. The author suggests that years and success narrow life. Is this true to your experience?

10. The author withholds information throughout the novel, offering bits that are only fully developed later (the photographs of Garmony, the importance of the "medical scandal in Holland"). Talk about the author's use of suspense.

11. How shaky is Clive's moral foundation? Should he be allowed to condemn his fellow artists who "assume the license of free artistic spirit" and renege on commitments, even as Clive ignores the plight of a woman he witnesses being attacked?

12. Vernon wants to crucify Garmony for the greater good of the republic. Is this ever a valid reason to go after a politician? Do you agree with Clive that Vernon is betraying Molly's trust? Or do you side with Vernon in his wish to stop a vile leader from gaining power?

13. Talk about the parallels between the fictional political scandal the author creates and the real one that has occupied Washington, D.C., for the past year. Is the author commenting on U.S. politics and media with this novel?

14. Is everybody in Amsterdam a hypocrite?

15. Clive thinks he's a genius. How do you define genius? Does Clive fit the definition?

16. Talk about Molly and the importance of her role in the novel. Are there other examples in literature of characters who carry great weight and importance even though they never appear?

17. At Allen Crags where Clive watches the woman and man struggle, the author writes, "Clive knew exactly what it was he had to do....He had decided at the very moment he was interrupted." Was there any question in your mind at that point about what Clive's decision was? Were you correct?

18. What do you make of the author's choice to have Clive die happy, that is, unaware that he's been poisoned, but to have Vernon grasp in his last seconds "...where he really was and what must have been in his champagne and who these visitors were."

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Megan Renehan, December 17, 2006 (view all comments by Megan Renehan)
Written In classic McEwan style, Amsterdam is a brief novel that, once read, will stay in the back of the readers' mind for years to come. The story cuts straight to the heart of the human condition; McEwan draws the reader into the lives of his characters and spares us nothing. In Clive and Vernon, we clearly see the obsession, panic, anger, jealousy, and revenge that we each have pushed down into the depths of ourselves. Amsterdam is a remarkable novel that will leave you breathless and reeling.
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Product Details

ISBN:
9780385494243
Author:
McEwan, Ian
Publisher:
Anchor Books
Location:
New York
Subject:
General
Subject:
Literary
Subject:
Great britain
Subject:
Fiction
Subject:
London
Subject:
Composers
Subject:
Suspense
Subject:
Political corruption
Subject:
Editors
Subject:
Foreign ministers
Subject:
London (england)
Subject:
Literature-A to Z
Copyright:
Edition Description:
Trade paper
Series Volume:
no. 20
Publication Date:
November 1999
Binding:
TRADE PAPER
Grade Level:
General/trade
Language:
English
Pages:
208
Dimensions:
8.05x5.15x.55 in. .43 lbs.

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Related Subjects

Featured Titles » Award Winners
Featured Titles » Man Booker Prize Winners
Fiction and Poetry » Literature » A to Z
Fiction and Poetry » Mystery » A to Z

Amsterdam Used Trade Paper
0 stars - 0 reviews
$6.95 In Stock
Product details 208 pages Anchor Publishing (MD) - English 9780385494243 Reviews:
"Review" by , "By far his best work to date...an energizing tightrope between feeling and lack of feeling, between humanity's capacity to support and save and its equally ubiquitous penchant for detachment and cruelty."
"Review" by , "Ian McEwan has proven himself to be one of Britain's most distinct voices and one of its most versatile talents....Chilling and darkly comic."
"Review" by , "Beautifully spare prose, wicked observation, and dark comic brio."
"Review" by , "A well-oiled machine....Ruthless and amusing."
"Review" by , "A dark tour de force...perfectly fashioned."
"Review" by , "McEwan writes the sort of witty repartee and scathing retort we wished we thought of in the heat of battle. On a broader scale, McEwan's portrayal of the mutually parasitic relationship between politicians and journalists is as damning as it is comic."
"Review" by , "[A] smartly written tale that devolves slowly into tricks and soapy vapors....Middle-brow fiction British style, strong on the surface, vapid at the center."
"Review" by , "[McEwan's] ingenious conte cruel possesses the lightness of touch and split-second plotting of an operetta....There is no huffing and puffing, no waste, no mess. Every sentence carries the fugue-like plot forward to the final catastrophe."
"Review" by , "[M]ordantly clever — but ultimately too clever for its own good....[W]hen...McEwan manipulates the plot to achieve a less than credible symmetry, it is obvious that, despite the Booker recognition, this is far from McEwan's best novel."
"Review" by , "Like other...McEwan novels, Amsterdam is a good thing in a small package: pungent, philosophical and beautifully written."
"Review" by , "Mr. McEwan writes a distinctively unadorned prose that speeds the reader along, but slows every so often for a layered, luxuriant image."
"Review" by , "A study of the fragility of life — with its capacity for joy, genius, loss and betrayal...a captivating pleasure."
"Synopsis" by , The wickedly comic Booker Prize winner. On a chilly February day, two old friends meet in the throng outside a crematorium to pay their last respects to the woman who had been a lover to both of them. In the days that follow the funeral, Clive and Vernon will make a pact that will have consequences that neither man could have foreseen.
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