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1 Beaverton Art- History and Criticism
1 Burnside Art- Themes In Art

This title in other editions

A. W. Mellon Lectures in the Fine Arts, #2: The Nude: A Study in Ideal Form

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A. W. Mellon Lectures in the Fine Arts, #2: The Nude: A Study in Ideal Form Cover

 

Synopses & Reviews

Publisher Comments:

From the art of the Greeks to that of Renoir and Moore, this work surveys the ever-changing fashions in what has constituted the ideal nude as a basis of humanist form.

Synopsis:

From the art of the Greeks to that of Renoir and Moore, this work surveys the ever-changing fashions in what has constituted the ideal nude as a basis of humanist form.

Product Details

ISBN:
9780691017884
Author:
Clark, Kenneth
Publisher:
Princeton University Press
Location:
Princeton, N.J.
Subject:
General
Subject:
History - General
Subject:
Miscellaneous
Subject:
Criticism
Subject:
Nudes & Erotic
Subject:
Nude in art
Subject:
Criticism - General
Subject:
History : General
Subject:
Art and architecture
Subject:
Criticism -- Theory.
Subject:
Art-Erotic Art
Subject:
Art-Theory and Criticism
Copyright:
Edition Description:
Trade paper
Series:
A. W. Mellon Lectures in the Fine Arts,
Series Volume:
v 22, 231953 35:2
Publication Date:
October 1972
Binding:
TRADE PAPER
Grade Level:
College/higher education:
Language:
English
Illustrations:
Yes
Pages:
583
Dimensions:
9.82x7.45x1.16 in. 1.95 lbs.

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Related Subjects

Arts and Entertainment » Art » Erotic Art
Arts and Entertainment » Art » General
Arts and Entertainment » Art » History and Criticism
Arts and Entertainment » Art » Themes In Art
Arts and Entertainment » Art » Theory and Criticism
History and Social Science » Sociology » General

A. W. Mellon Lectures in the Fine Arts, #2: The Nude: A Study in Ideal Form Used Trade Paper
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$9.95 In Stock
Product details 583 pages Bollingen - English 9780691017884 Reviews:
"Synopsis" by , From the art of the Greeks to that of Renoir and Moore, this work surveys the ever-changing fashions in what has constituted the ideal nude as a basis of humanist form.
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