Female Trouble is Antonya Nelson's first story collection since being selected as one of The New Yorker's twenty best writers for the twenty-first century. Author of three previous collections and three novels, Nelson has consistently been praised for her precise and energetic prose, her wry, offbeat humor, and the vividness with which she evokes her characters' inner lives. All of these qualities are in evidence in Female Trouble, whose thirteen stories explore the vagaries of marriage and romance, the difficulties of family, and the revelations of female life.
"Every woman is a rebel, and usually in wild revolt against herself." Antonya Nelson opens the book with this epigraph, a quote from Oscar Wilde. Discuss the ways in which the women in these stories act out, both against external expectations and against themselves. What effect does rebellion have on their lives? Consider especially the teenage girls in "Incognito," Lynnie in "Loose Cannon," and Andrea in "Happy Hour."
"Loneliness never stopped stunning her; it was a lesson to learn again and again" (p. 52). This description of Ellen in "Stitches" could easily apply to a number of characters in the collection. How do these people — from Ellen to the narrator of "Palisades" to the young widow in "One Dog Is People" — respond to their feelings of solitude, and what do we learn about the characters from those responses?
Infidelity plays a central role in "Palisades," "The Unified Front," and "Female Trouble," and it makes appearances elsewhere in the collection as well. Often, though, Nelson seems less interested in the act of sexual betrayal than in the various kinds of unfaithfulness that can create, accompany, or grow out of the act itself. Discuss the many forms that dishonesty and infidelity take in these stories.
In "Incognito," the narrator's return to Wichita causes her to recall her adolescence "with a ghastly clarity," whereas Greg Schweda's disabled daughter has difficulty remembering what she did five minutes ago. Discuss the role of memories — accurate and otherwise — in the story, and how they function as
"Stitches" centers on young Tracy's ambiguous and painful first sexual experience, and the way she relates the story over the phone to her mother, Ellen. But it also obliquely explores the relationship between Ellen and her husband, though we barely see the two interact. How does Tracy and Ellen's conversation shed light on Ellen's relationship with her husband?
"The Lonely Doll," about Edith's one-day affair with a neighbor she meets at a yard sale, begins and ends with Edith's recollection of a sex toy she found in her grandfather's bedside table when she was young. What is the function of this memory within the story? How are Edith's complex feelings about sex revealed in the course of the narrative?
In "Palisades," the narrator spends almost all of her time with two people — Sarah and Joel — who talk mostly about themselves and seem to care little about her. And yet, along the way, she comes to some insight about her husband and her life. How does her role as listener and confidante lead to new understanding of her own situation?
In "Loose Cannon," John Gamble finds himself becoming "the responsible one" when his deeply depressed sister, Lynnie, comes to stay with him. Discuss how John, Lynnie, and Kit bring out different aspects of one another's personalities.
In "The Unified Front," Jacob and Cece have withstood a number of hardships together (as the title implies) in their quest to have a child. But Jacob harbors some secrets — about his former student Crystal and about his true feelings. What effect do his secrets seem to have on their relationship?
"One Dog Is People" contains very little action and almost no dialogue, and yet its protagonist, a young widow, comes vividly alive. What techniques does the author use to draw us into the character and her story?
In "Female Trouble," McBride is involved with three very different women. What does his attraction to each one — Daisy, Martha, Claire — reveal about his personality? Which one do you think affects him the most, and why? What do the events of the story suggest about the differences between men and women?
Michael Chabon calls Antonya Nelson "absolutely one of my favorites among story writers today, " and David Foster Wallace declared, "I read her newest collection so fast the pages are singed." The Village Voice has also sung her praises, writing "Nelson's great gift is her ability to create characters so lovable — even in the face of their many flaws."
The stories in Female Trouble shine with Nelson's characteristic sense of humor, her clean, powerful prose, and her skill at bringing to life the emotional undercurrents that shape lives and relationships. In one story, a husband must deal with his wife's decision to steal a baby during a visit to a famous theme park; in another, a thirty-year-old man is romantically involved with three women and unable to commit to any of them. And in "Loose Cannon, " Nelson uses the revolving relationship of an adult brother and sister to explore the idea that sometimes we create disasters so that others can be heroes.
The stories in "Female Trouble" shine with Nelson's characteristic sense of humor, her clean, powerful prose, and her skill at bringing to life the emotional undercurrents that shape lives and relationships.
by Simon and Schuster,
Female Trouble features thirteen wise, funny, and startlingly perceptive stories about the vagaries and revelations of womanhood. Named by The New Yorker as one of the twenty best writers of her generation, Antonya Nelson explores the broad notion of family from myriad angles in Female Trouble. Set in the vividly rendered Midwest, these moving stories are dark and honest portraits of people in moral quandaries, gray areas, unclear circumstances — from the three-timing thirty-year-old man of the title story to the divorced mother of a turbulent teen in "Incognito" to the sexually adventurous daughter of an adulterous mother in "Stitches." With Female Trouble, Nelson has created a cast of memorable characters who reveal us to ourselves with disturbing clarity and conscience.
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