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Original Essays | September 17, 2014

Merritt Tierce: IMG Has My Husband Read It?

My first novel, Love Me Back, was published on September 16. Writing the book took seven years, and along the way three chapters were published in... Continue »
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    Love Me Back

    Merritt Tierce 9780385538077

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The Russia House


The Russia House Cover




Chapter One

In a broad Moscow street not two hundred yards from the Leningrad station, on the upper floor of an ornate and hideous hotel built by Stalin in the style known to Muscovites as Empire During the Plague, the British Council's first ever audio fair for the teaching of the English language and the spread of British culture was grinding to its excruciating end. The time was half past five, the summer weather erratic. After fierce rain showers all day long, a false sunlight was blazing in the puddles and raising vapour from the pavements. Of the passers-by, the younger ones wore jeans and sneakers, but their elders were still huddled in their warms.

The room the Council had rented was not expensive but neither was it appropriate to the occasion. I have seen it. Not long ago, in Moscow on quite another mission, I tiptoed up the great empty staircase and, with a diplomatic passport in my pocket, stood in the eternal dusk that shrouds old ballrooms when they are asleep. With its plump brown pillars and gilded mirrors, it was better suited to the last hours of a sinking liner than the launch of a great initiative. On the ceiling, snarling Russians in proletarian caps shook their fists at Lenin. Their vigour contrasted unhelpfully with the chipped green racks of sound cassettes along the walls, featuring Winnie-the-Pooh and Advanced Computer English in Three Hours. The sackcloth sound-booths, locally procured and lacking many of their promised features, had the sadness of deck chairs on a rainy beach. The exhibitors' stands, crammed under the shadow of an overhanging gallery, seemed as blasphemous as betting shops in a tabernacle.

Nevertheless a fair of sorts had taken place. People had come, as Moscow people do, provided they have the documents and status to satisfy the hard-eyed boys in leather jackets at the door. Out of politeness. Out of curiosity. To talk to Westerners. Because it is there. And now on the fifth and final evening the great farewell cocktail party of exhibitors and invited guests was getting into its stride. A handful of the small nomenklatura of the Soviet cultural bureaucracy was gathering under the chandelier, the ladies in their beehive hairstyles and flowered frocks designed for slenderer frames, the gentlemen slimmed by the shiny French-tailored suits that signified access to the special clothing stores. Only their British hosts, in despondent shades of grey, observed the monotone of Socialist austerity. The hubbub rose, a brigade of pinafored governesses distributed the curling salami sandwiches and warm white wine. A senior British diplomat who was not quite the Ambassador shook the better hands and said he was delighted.

Only Niki Landau among them had withheld himself from the celebrations. He was stooped over the table in his empty stand, totting up his last orders and checking his dockets against expenses, for it was a maxim of Landau's never to go out and play until he had wrapped up his day's business.

And in the corner of his eye — an anxious blue blur was all that she amounted to — this Soviet woman he was deliberately ignoring. Trouble, he was thinking as he laboured. Avoid.

The air of festivity had not communicated itself to Landau, festive by temperament though he was. For one thing, he had a lifelong aversion to British officialdom, ever since his father had been forcibly returned to Poland. The British themselves, he told me later, he would hear no wrong of them. He was one of them by adoption and he had the poker-backed reverence of the convert. But the Foreign Office flunkies were another matter. And the loftier they were, and the more they twitched and smirked and raised their stupid eyebrows at him, the more he hated them and thought about his dad. For another thing, if he had been left to himself, he would never have come to the audio fair in the first place. He'd have been tucked up in Brighton with a nice new little friend he had, called Lydia, in a nice little private hotel he knew for taking little friends.

"Better to keep our powder dry till the Moscow book fair in September," Landau had advised his clients at their headquarters on the Western by-pass. "The Russkies love a book, you see, Bernard, but the audio market scares them and they aren't geared for it. Go in with the book fair, we'll clean up. Go in with the audio fair, we're dead."

But Landau's clients were young and rich and did not believe in death. "Niki boy," said Bernard, walking round behind him and putting a hand on his shoulder, which Landau didn't like, "in the world today, we've got to show the flag. We're patriots, see, Niki? Like you. That's why we're an offshore company. With the glasnost today, the Soviet Union, it's the Mount Everest of the recording business. And you're going to put us on the top, Niki. Because if you're not, we'll find somebody who will. Somebody younger, Niki, right? Somebody with the drive and the class."

The drive Landau had still. But the class, as he himself was the first to tell you, the class, forget it. He was a card, that's what he liked to be. A pushy, short-arsed Polish card and proud of it. He was Old Nik the cheeky chappie of the Eastward-facing reps, capable, he liked to boast, of selling filthy pictures to a Georgian convent or hair tonic to a Roumanian billiard ball. He was Landau the undersized bedroom athlete, who wore raised heels to give his Slav body the English scale he admired, and ritzy suits that whistled "here I am." When Old Nik set up his stand, his travelling colleagues assured our unattributable enquirers, you could hear the tinkle of the handbell on his Polish vendor's barrow.

And little Landau shared the joke with them, he played their game. "Boys, I'm the Pole you wouldn't touch with a barge," he would declare proudly as he ordered up another round. Which was his way of getting them to laugh with him. Instead of at him. And then most likely, to demonstrate his point, he would whip a comb from his top pocket and drop into a crouch. And with the aid of a picture on the wall, or any other polished surface, he'd sweep back his too black hair in preparation for fresh conquest, using both his little hands to coax it into manliness. "Who's that comely one I'm looking at over there in the corner then?" he'd ask, in his godless blend of ghetto Polish and East End cockney. "Hullo there, sweetheart! Why are we suffering all alone tonight?" And once out of five times he'd score, which in Landau's book was an acceptable rate of return, always provided you kept asking.

But this evening Landau wasn't thinking of scoring or even asking. He was thinking that yet again he had worked his heart out all week for a pittance — or, as he put it more graphically to me, a tart's kiss. And that every fair these days, whether it was a book fair or an audio fair or any other kind of fair, took a little more out of him than he liked to admit to himself, just as every woman did. And gave him a fraction too little in return. And that tomorrow's plane back to London couldn't come too soon. And that if this Russian bird in blue didn't stop insinuating herself into his attention when he was trying to close his books and put on his party smile and join the jubilant throng, he would very likely say something to her in her own language that both of them would live to regret.

That she was Russian went without saying. Only a Russian woman would have a plastic perhaps-bag dangling from her arm in readiness for the chance purchase that is the triumph of everyday life, even if most perhaps-bags were of string. Only a Russian would be so nosy as to stand close enough to check a man's arithmetic. And only a Russian would preface her interruption with one of those fastidious grunts, which in a man always reminded Landau of his father doing up his shoe laces, and in a woman, Harry, bed.

"Excuse me, sir. Are you the gentleman from Abercrombie & Blair?" she asked.

"Not here, dear," said Landau without lifting his head. She had spoken English, so he had spoken English in return, which was the way he played it always.

"Mr. Barley?"

"Not Barley, dear. Landau."

"But this is Mr. Barley's stand."

"This is not Barley's stand. This is my stand. Abercrombie & Blair are next door."

Still without looking up, Landau jabbed his pencil-end to the left, towards the empty stand on the other side of the partition, where a green-and-gold board proclaimed the ancient publishing house of Abercrombie & Blair of Norfolk Street, Strand.

"But that stand is empty. No one is there," the woman objected. "It was empty yesterday also."

"Correct. Right on," Landau retorted in a tone that was final enough for anybody. And he ostentatiously lowered himself further into his account book, waiting for the blue blur to remove itself. Which was rude of him, he knew, and her continuing presence made him feel ruder.

"But where is Scott Blair? Where is the man they call Barley? I must speak to him. It is very urgent."

Landau was by now hating the woman with unreasoning ferocity.

"Mr. Scott Blair," he began as he snapped up his head and stared at her full on, "more commonly known to his intimates as Barley, is awol, madam. That means absent without leave. His company booked a stand — yes. And Mr. Scott Blair is chairman, president, governor-general and for all I know lifetime dictator of that company. However, he did not occupy his stand — " But here, having caught her eye, he began to lose his footing. "Listen, dear, I happen to be trying to make a living here, right? I am not making it for Mr. Barley Scott Blair, love him as I may."

Then he stopped, as a chivalrous concern replaced his momentary anger. The woman was trembling. Not only with the hands that held her brown perhaps-bag but also at the neck, for her prim blue dress was finished with a collar of old lace and Landau could see how it shook against her skin and how her skin was actually whiter than the lace. Yet her mouth and jaw were set with determination and her expression commanded him.

"Please, sir, you must be very kind and help me," she said as if there were no choice.

Now Landau prided himself on knowing women. It was another of his irksome boasts but it was not without foundation. "Women, they're my hobby, my life's study and my consuming passion, Harry," he confided to me, and the conviction in his voice was as solemn as a Mason's pledge. He could no longer tell you how many he had had, but he was pleased to say that the figure ran into the hundreds and there was not one of them who had cause to regret the experience. "I play straight, I choose wisely, Harry," he assured me, tapping one side of his nose with his forefinger. "No cut wrists, no broken marriages, no harsh words afterwards." How true this was nobody would ever know, myself included, but there can be no doubt that the instincts that had guided him through his philanderings came rushing to his assistance as he formed his judgments about the woman.

She was earnest. She was intelligent. She was determined. She was scared, even though her dark eyes were lit with humour. And she had that rare quality which Landau in his flowery way liked to call the Class That Only Nature Can Bestow. In other words, she had quality as well as strength. And since in moments of crisis our thoughts do not run consecutively but rather sweep over us in waves of intuition and experience, he sensed all these things at once and was on terms with them by the time she spoke to him again.

"A Soviet friend of mine has written a creative and important work of literature," she said after taking a deep breath. "It is a novel. A great novel. Its message is important for all mankind."

She had dried up.

"A novel," Landau prompted. And then, for no reason he could afterwards think of, "What's its title, dear?"

The strength in her, he decided, came neither from bravado nor insanity but from conviction.

"What's its message then, if it hasn't got a title?"

"It concerns actions before words. It rejects the gradualism of the perestroika. It demands action and rejects all cosmetic change."

"Nice," said Landau, impressed.

She spoke like my mother used to, Harry: chin up and straight into your face.

"In spite of glasnost and the supposed liberalism of the new guidelines, my friend's novel cannot yet be published in the Soviet Union," she continued. "Mr. Scott Blair has undertaken to publish it with discretion."

"Lady," said Landau kindly, his face now close to hers. "If your friend's novel is published by the great house of Abercrombie & Blair, believe me, you can be assured of total secrecy."

He said this partly as a joke he couldn't resist and partly because his instincts told him to take the stiffness out of their conversation and make it less conspicuous to anybody watching. And whether she understood the joke or not, the woman smiled also, a swift warm smile of self-encouragement that was like a victory over her fears.

"Then, Mr. Landau, if you love peace please take this manuscript with you back to England and give it immediately to Mr. Scott Blair. Only to Mr. Scott Blair. It is a gift of trust."

What happened next happened quickly, a street-corner transaction, willing seller to willing buyer. The first thing Landau did was look behind her, past her shoulder. He did that for his own preservation as well as hers. It was his experience that when the Russkies wanted to get up to a piece of mischief, they always had other people close by. But his end of the assembly room was empty, the area beneath the gallery where the stands were was dark and the party at the centre of the room was by now in full cry. The three boys in leather jackets at the front door were talking stodgily among themselves.

His survey completed, he read the girl's plastic name badge on her lapel, which was something he would normally have done earlier but her black-brown eyes had distracted him. Yekaterina Orlova, he read. And underneath, the word "October," given in both English and Russian, this being the name of one of Moscow's smaller State publishing houses specialising in translations of Soviet books for export, mainly to other Socialist countries, which I am afraid condemned it to a certain dowdiness.

Next he told her what to do, or perhaps he was already telling her by the time he read her badge. Landau was a street kid, up to all the tricks. The woman might be as brave as six lions and by the look of her probably was. But she was no conspirator. Therefore he took her unhesitatingly into his protection. And in doing so he spoke to her as he would to any woman who needed his basic counsel, such as where to find his hotel bedroom or what to tell her hubby when she got home.

"Got it with you then, have you, dear?" he asked, peering down at the perhaps-bag and smiling like a friend.


"In there, is it?"


"Then give me the whole bag normally," Landau said, talking her through her act. "That's the way. Now give me a friendly Russian kiss. The formal sort. Nice. You've brought me an official farewell gift on the last evening of the fair, you see. Something that will cement Anglo-Soviet relations and make me overweight on the flight home unless I dump it in the dustbin at the airport. Very normal transaction. I must have received half a dozen such gifts today already."

Part of this was spoken while he crouched with his back to her. For, reaching into the bag, he had already slipped out the brown-paper parcel that was inside it and was dropping it deftly into his briefcase, which was of the home filing variety, very compendious, with compartments that opened in a fan.

"Married, are we, Katya?"

No answer. Maybe she hadn't heard. Or she was too busy watching him.

"Is it your husband who's written the novel, then?" said Landau, undeterred by her silence.

"It is dangerous for you," she whispered. "You must believe in what you are doing. Then everything is clear."

As if he had not heard this warning at all, Landau selected, from a pile of samples that he had kept to give away tonight, a four-pack of the Royal Shakespeare Company's specially commissioned reading of A Midsummer Night's Dream, which he placed ostentatiously on the table and signed for her on the plastic casing with a felt-tip pen: "From Niki to Katya, Peace," and the date. Then he put the four-pack ceremoniously into the perhaps-bag for her, and gathered the handles of the bag together and pressed them into her hand, because she was becoming lifeless and he was worried she might break down or cease to function. Only then did he give her the reassurance that she seemed to be asking for, while he continued to hold her hand, which was cold, he told me, but nice.

"All of us have got to do something risky now and then, haven't we, dear?" Landau said lightly. "Going to adorn the party, are we?"


"Like a nice dinner out somewhere?"

"It is not convenient."

"You want me to take you to the door?"

"It doesn't matter."

"I think we've got to smile, dear," he said, still in English as he walked her across the room, chatting to her like the good salesman he had once again become.

Reaching the great landing, he shook her hand. "See you at the book fair, then? September. And thanks for warning me, okay? I'll bear it in mind. Still, the main thing is, we've got a deal. Which is always nice. Right?"

She took his hand and seemed to draw courage from it, for she smiled again and her smile was dazed but grateful, and almost irresistibly warm.

"My friend has made a great gesture," she explained as she pushed back an unruly lock of hair. "Please be sure that Mr. Barley is aware of this."

"I'll tell him. Don't you worry," said Landau jauntily.

He would have liked another smile just for himself, but she had lost interest in him. She was delving in her bag for her card, which he knew she had forgotten till this moment. "ORLOVA, Yekaterina Borisovna," it read, in Cyrillic one side and Roman the other, again with the name "October" in both renderings. She gave it to him, then walked stiffly down the pompous staircase, head up and one hand on the broad marble balustrade, the other hand trailing the perhaps-bag. The boys in leather jackets watched her all the way down to the hall. And Landau, while he popped the card into his top pocket with the half-dozen others he'd collected in the last two hours, saw them watch her and gave the boys a wink. And the boys after due reflection winked back at him, because this was the new season of openness when a pair of good Russian hips could be acknowledged for what they were, even to a foreigner.

For the fifty minutes of revelry that remained, Niki Landau threw his heart into the party. Sang and danced for a grim-faced Scottish librarian in pearls. Recited a witty political anecdote about Mrs. Thatcher for a pair of pale listeners from the State Copyright Agency, VAAP, till they suddenly emitted wild laughter. Buttered up three ladies from Progress Publishers and, in a series of nimble journeys to his briefcase, presented each with a memento of his stay, for Landau was a natural giver and remembered names and promises, just as he remembered so many other things, with the directness of an unencumbered mind. But all the while he kept the briefcase unobtrusively in view, and even before the guests had left, he was holding it in his spare hand while he made his farewells. And when he boarded the private bus that was waiting to take the reps back to their hotel, he sat with it on his knees while he joined in a tuneful unison of rugby songs, led as usual by Spikey Morgan.

"Ladies present now, boys," Landau warned and, standing up, commanded silence at the passages that he considered too broad. But even when he was playing the great conductor he contrived to keep a firm grip on the briefcase.

At the hotel entrance the usual gaggle of pimps, drug-pushers and currency dealers hung around and, together with their KGB minders, watched the group enter. But Landau saw nothing in their behaviour to concern him, whether over-watchful or over-casual. The crippled old warrior who guarded the passageway to the lifts demanded as usual to see his hotel pass, but when Landau, who had already presented him with a hundred Marlboros, asked him accusingly in Russian why he wasn't out flirting with his girlfriend tonight, he gave a rasping laugh and punched him on the shoulder in goodfellowship.

"If they're trying to frame me, I thought, they'd better be quick about it or the trail will be cold, Harry," he told me, taking the part of the opposition rather than his own. "When you frame, Harry, you've got to move in fast while the evidence is still planted on the victim," he explained, as if he had been framing people all his life.

"Bar of the National, nine o'clock then," Spikey Morgan said to him wearily when they had fought their way out at the fourth floor.

"Could be, could be not, Spikey," Landau replied. "I'm not quite myself, to be honest."

"Thank God for that," said Spikey through a yawn, and plodded off into his own dark corridor watched by the evil-eyed floor concierge in her horsebox.

Reaching his bedroom door Landau braced himself before putting the key into the lock. They'd do it now, he thought. Here and now would be the best time to snatch me and the manuscript.

But when he stepped inside, the room was empty and undisturbed and he felt foolish for having suspected it of being any different. Still alive, he thought, and set the briefcase on the bed.

Then he pulled the handkerchief-sized curtains as close as they would go, which was halfway, and hung the useless "Do Not Disturb" notice on the door, which he then locked. He emptied the pockets of his suit, including the pocket where he stored incoming business cards, pulled off his jacket and tie, his metal armbands, finally his shirt. From the fridge he poured himself half an inch of lemon vodka and took a sip. Landau was not a drinker really, he explained to me, but when in Moscow he did like a nice lemon vodka to end his day. Taking his glass to the bathroom, he stood before the mirror and for a good ten minutes anxiously examined the roots of his hair for signs of white, touching out offending spots with the aid of a new formula that was working wonders. Having completed this labour to his satisfaction, he bound his skull with an elaborate rubber turban like a bathing cap and showered, while he sang "I am the very model of a modern major-general" rather well. Then he towelled himself, vigorously for the sake of his muscle-tone, slipped into a bold flowered bathrobe and marched back to the bedroom still singing.

And he did these things partly because he always did them and needed the steadying familiarity of his own routines, but partly also because he was proud of having thrown caution to the winds for once and not found twenty-five sound reasons for doing nothing, which these days he might have done.

She was a lady, she was afraid, she needed help, Harry. When did Niki Landau ever refuse a lady? And if he was wrong about her, well then she'd made a crying fool of him and he might as well pack up his toothbrush and report himself at the front door of the Lubyanka for five years' study of their excellent graffiti without the option. Because he'd rather be made a fool of twenty times over than turn away that woman without a reason. And so saying, if only in his mind, for he was always alert to the possibility of microphones, Landau drew her parcel from the briefcase and with a certain shyness set to work untying the string but not cutting it, just the way he had been taught by his sainted mother, whose photograph at this moment nestled faithfully in his wallet. They've got the same glow, he thought in pleasant recognition as he worried patiently at the knot. It's the Slav skin. It's the Slav eyes, the smile. Two nice Slav girls together. The only difference was that Katya hadn't finished up in Treblinka.

The knot finally yielded. Landau coiled up the string and laid it on the bed. I have to know, you see, dear, he explained to the woman Yekaterina Borisovna in his mind. I don't want to pry, I'm not the nosy one, but if I've got to con my way through Moscow customs, I'd better know what I'm conning them out of, because it helps.

Delicately so as not to tear it, using both hands, Landau parted the brown paper. He did not see himself as any sort of a hero, or not yet. What was a danger to a Moscow beauty might not be a danger to him. He had grown up hard, it was true. The East End of London had been no rest cure for a ten-year-old Polish immigrant, and Landau had taken his share of split lips, broken noses, smashed knuckles and hunger. But if you had asked him now or at any time in the last thirty years what his definition of a hero was, he would have replied without a second's thought that a hero was the first man out of the back door when they started yelling for volunteers.

One thing he did know as he stared at the contents of that brown-paper parcel: he had the buzz on him. Why he had it was something he could sort out later when there weren't better things to do. But if dodgy work needed to be done tonight, Niki Landau was your man. Because when Niki has the buzz, Harry, no one buzzes better, as the girls all know.

The first thing he saw was the envelope. He registered the three notebooks underneath it and saw that the envelope and notebooks were joined with a thick elastic band, the kind he always saved but never found a use for. But it was the envelope that held him because it had her writing on it — a strict copybook kind of writing that confirmed his pure image of her. One square brown envelope, glued rather messily and addressed "Personal for Mr. Bartholomew Scott Blair, urgent."

Slipping it free of the elastic band, Landau held it to the light but it was opaque and revealed no shadow. He explored it with his finger and thumb. One sheet of thin paper inside, two at most. Mr. Scott Blair has undertaken to publish it with discretion, he remembered. Mr. Landau, if you love peace...give it immediately to Mr. Scott Blair. Only to Mr. Scott is a gift of trust.

She trusts me too, he thought. He turned the envelope over. The back was blank.

Copyright © 1989 by David Cornwell

Product Details

le Carré, John
Scribner Book Company
John le Carre
Le Carre, John
New York
Publishers and publishing
Love stories
Spy stories
Intelligence officers
General Fiction
General Fiction
Popular Fiction-Technothrillers
spy fiction, thriller; espionage; MI6; spies; Smiley; David Cornwell; spycraft; Sean Connery; Michelle Pfeiffer; British intelligence; Soviet Union; KGB; Cold War; Moscow; CIA; international thriller; George Smiley; The Perfect Spy; The Spy Who Came in fr
spy fiction, thriller; espionage; MI6; spies; Smiley; David Cornwell; spycraft; Sean Connery; Michelle Pfeiffer; British intelligence; Soviet Union; KGB; Cold War; Moscow; CIA; international thriller; George Smiley; The Perfect Spy; The Spy Who Came in fr
Edition Description:
Publication Date:
January 2004
Grade Level:
8.44 x 5.5 in 10.71 oz

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The Russia House Used Trade Paper
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Product details 368 pages Scribner Book Company - English 9780743464666 Reviews:
"Review" by , "The portraits of American and British intelligence agents are, as always, wonderfully acute, and the plot is a dazzling creation....[W]ritten at the height of le Carré's powers..."
"Review" by , "As always with le Carré, this is a compelling spy story, a marvelous entertainment that is also as intelligent, witty, and brooding as many more self-consciously and less satisfying literary novels."
"Review" by , "Le Carré is simply the world's greatest fictional spymaster."
"Review" by , "An exciting spy story....A well-informed political"
"Review" by , "A plot of commanding suspense....The Russia House is both afire and thought provoking, a thriller that demands a second reading."
"Review" by , "Gripping...articulate...absorbing....Thrilling in every imaginable way."
"Synopsis" by , In this riveting thriller, John le Carré weaves an unforgettable tale of espionage and romance during the turbulent third summer of perestroika.
"Synopsis" by , John le Carré has earned worldwide acclaim with extraordinary spy novels, including The Russia House, an unequivocal classic. Navigating readers through the shadow worlds of international espionage with critical knowledge culled from his years in British Intelligence, le Carré tracks the dark and devastating trail of a document that could profoundly alter the course of world events.

In Moscow, a sheaf of military secrets changes hands. If it arrives at its destination, and if its import is understood, the consequences could be cataclysmic. Along the way it has an explosive impact on the lives of three people: a Soviet physicist burdened with secrets; a beautiful young Russian woman to whom the papers are entrusted; and Barley Blair, a bewildered English publisher pressed into service by British Intelligence to ferret out the document's source. A magnificent story of love, betrayal, and courage, The Russia House catches history in the act. For as the Iron Curtain begins to rust and crumble, Blair is left to sound a battle cry that may fall on deaf ears.

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