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3 Burnside Literature- A to Z

Cold Mountain


Cold Mountain Cover

ISBN13: 9781400077823
ISBN10: 1400077826
Condition: Standard
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the shadow of a crow

At the first gesture of morning, flies began stirring. Inman's eyes and the long wound at his neck drew them, and the sound of their wings and the touch of their feet were soon more potent than a yardful of roosters in rousing a man to wake. So he came to yet one more day in the hospital ward. He flapped the flies away with his hands and looked across the foot of his bed to an open triple-hung window. Ordinarily he could see to the red road and the oak tree and the low brick wall. And beyond them to a sweep of fields and flat piney woods that stretched to the western horizon. The view was a long one for the flatlands, the hospital having been built on the only swell within eyeshot. But it was too early yet for a vista. The window might as well have been painted grey.

Had it not been too dim, Inman would have read to pass the time until breakfast, for the book he was reading had the effect of settling his mind. But he had burned up the last of his own candles reading to bring sleep the night before, and lamp oil was too scarce to be striking the hospital's lights for mere diversion. So he rose and dressed and sat in a ladderback chair, putting the gloomy room of beds and their broken occupants behind him. He flapped again at the flies and looked out the window at the first smear of foggy dawn and waited for the world to begin shaping up outside.

The window was tall as a door, and he had imagined many times that it would open onto some other place and let him walk through and be there. During his first weeks in the hospital, he had been hardly able to move his head, and all that kept his mind occupied had been watching out the window and picturing the old green places he recollected from home. Childhood places. The damp creek bank where Indian pipes grew. The corner of a meadow favored by brown-and-black caterpillars in the fall. A hickory limb that overhung the lane, and from which he often watched his father driving cows down to the barn at dusk. They would pass underneath him, and then he would close his eyes and listen as the cupping sound of their hooves in the dirt grew fainter and fainter until it vanished into the calls of katydids and peepers. The window apparently wanted only to take his thoughts back. Which was fine with him, for he had seen the metal face of the age and had been so stunned by it that when he thought into the future, all he could vision was a world from which everything he counted important had been banished or had willingly fled.

By now he had stared at the window all through a late summer so hot and wet that the air both day and night felt like breathing through a dishrag, so damp it caused fresh sheets to sour under him and tiny black mushrooms to grow overnight from the limp pages of the book on his bedside table. Inman suspected that after such long examination, the grey window had finally said about all it had to say. That morning, though, it surprised him, for it brought to mind a lost memory of sitting in school, a similar tall window beside him framing a scene of pastures and low green ridges terracing up to the vast hump of Cold Mountain. It was September. The hayfield beyond the beaten dirt of the school playground stood pant-waist high, and the heads of grasses were turning yellow from need of cutting. The teacher was a round little man, hairless and pink of face. He owned but one rusty black suit of clothes and a pair of old overlarge dress boots that curled up at the toes and were so worn down that the heels were wedgelike. He stood at the front of the room rocking on the points. He talked at length through the morning about history, teaching the older students of grand wars fought in ancient England.

After a time of actively not listening, the young Inman had taken his hat from under the desk and held it by its brim. He flipped his wrist, and the hat skimmed out the window and caught an updraft and soared. It landed far out across the playground at the edge of the hayfield and rested there black as the shadow of a crow squatted on the ground. The teacher saw what Inman had done and told him to go get it and to come back and take his whipping. The man had a big paddleboard with holes augered in it, and he liked to use it. Inman never did know what seized him at that moment, but he stepped out the door and set the hat on his head at a dapper rake and walked away, never to return.

The memory passed on as the light from the window rose toward day. The man in the bed next to Inman's sat and drew his crutches to him. As he did every morning, the man went to the window and spit repeatedly and with great effort until his clogged lungs were clear. He ran a comb through his black hair, which hung lank below his jaw and was cut square around. He tucked the long front pieces of hair behind his ears and put on his spectacles of smoked glass, which he wore even in the dim of morning, his eyes apparently too weak for the warmest form of light. Then, still in his nightshirt, he went to his table and began working at a pile of papers. He seldom spoke more than a word or two at a time, and Inman had learned little more of him than that his name was Balis and that before the war he had been to school at Chapel Hill, where he had attempted to master Greek. All his waking time was now spent trying to render ancient scribble from a fat little book into plain writing anyone could read. He sat hunched at his table with his face inches from his work and squirmed in his chair, looking to find a comfortable position for his leg. His right foot had been taken off by grape at Cold Harbor, and the stub seemed not to want to heal and had rotted inch by inch from the ankle up. His amputations had now proceeded past the knee, and he smelled all the time like last year's ham.

For a while there was only the sound of Balis's pen scratching, pages turning. Then others in the room began to stir and cough, a few to moan. Eventually the light swelled so that all the lines of the varnished beadboard walls stood clear, and Inman could cock back on the chair's hind legs and count the flies on the ceiling. He made it to be sixty-three.

As Inman's view through the window solidified, the dark trunks of the oak trees showed themselves first, then the patchy lawn, and finally the red road. He was waiting for the blind man to come. He had attended to the man's movements for some weeks, and now that he had healed enough to be numbered among the walking, Inman was determined to go out to the cart and speak to the man, for Inman figured him to have been living with a wound for a long time.

Inman had taken his own during the fighting outside Petersburg. When his two nearest companions pulled away his clothes and looked at his neck, they had said him a solemn farewell in expectation of his death. We'll meet again in a better world, they said. But he lived as far as the field hospital, and there the doctors had taken a similar attitude. He was classed among the dying and put aside on a cot to do so. But he failed at it. After two days, space being short, they sent him on to a regular hospital in his own state. All through the mess of the field hospital and the long grim train ride south in a boxcar filled with wounded, he had agreed with his friends and the doctors. He thought he would die. About all he could remember of the trip was the heat and the odors of blood and of shit, for many of the wounded had the flux. Those with the strength to do so had knocked holes in the sides of the wood boxcars with the butts of rifles and rode with their heads thrust out like crated poultry to catch the breeze.

At the hospital, the doctors looked at him and said there was not much they could do. He might live or he might not. They gave him but a grey rag and a little basin to clean his own wound. Those first few days, when he broke consciousness enough to do it, he wiped at his neck with the rag until the water in the basin was the color of the comb on a turkey-cock. But mainly the wound had wanted to clean itself. Before it started scabbing, it spit out a number of things: a collar button and a piece of wool collar from the shirt he had been wearing when he was hit, a shard of soft grey metal as big as a quarter dollar piece, and, unaccountably, something that closely resembled a peach pit. That last he set on the nightstand and studied for some days. He could never settle his mind on whether it was a part of him or not. He finally threw it out the window but then had troubling dreams that it had taken root and grown, like Jack's bean, into something monstrous.

His neck had eventually decided to heal. But during the weeks when he could neither turn his head nor hold up a book to read, Inman had lain every day watching the blind man. The man would arrive alone shortly after dawn, pushing his cart up the road, doing it about as well as any man who could see. He would set up his business under an oak tree across the road, lighting a fire in a ring of stones and boiling peanuts over it in an iron pot. He would sit all day on a stool with his back to the brick wall, selling peanuts and newspapers to those at the hospital whole enough to walk. Unless someone came to buy something, he rested as still as a stuffed man with his hands together in his lap.

That summer, Inman had viewed the world as if it were a picture framed by the molding around the window. Long stretches of time often passed when, for all the change in the scene, it might as well have been an old painting of a road, a wall, a tree, a cart, a blind man. Inman had sometimes counted off slow numbers in his head to see how long it would be before anything of significance altered. It was a game and he had rules for it. A bird flying by did not count. Someone walking down the road did. Major weather changes did-the sun coming out, fresh rain-but shadows of passing clouds did not. Some days he'd get up in the thousands before there was any allowable alteration in the elements of the picture. He believed the scene would never leave his mind-wall, blind man, tree, cart, road-no matter how far on he lived. He imagined himself an old man thinking about it. Those pieces together seemed to offer some meaning, though he did not know what and suspected he never would.

Inman watched the window as he ate his breakfast of boiled oats and butter, and shortly he saw the blind man come trudging up the road, his back humped against the weight of the cart he pushed, little twin clouds of dust rising from beneath the turning cartwheels. When the blind man had his fire going and his peanuts boiling, Inman put his plate on the windowsill and went outside and with the shuffling step of an old man crossed the lawn to the road.

The blind man was square and solid in shoulder and hip, and his britches were cinched at the waist with a great leather belt, wide as a razor strop. He went hatless, even in the heat, and his cropped hair was thick and grey, coarse-textured as the bristles to a hemp brush. He sat with his head tipped down and appeared to be somewhat in a muse, but he raised up as Inman approached, like he was really looking. His eyelids, though, were dead as shoe leather and were sunken into puckered cups where his eyeballs had been.

Without pausing even for salutation Inman said, Who put out your pair of eyes?

The blind man had a friendly smile on his face and he said, Nobody. I never had any.

That took Inman aback, for his imagination had worked in the belief that they had been plucked out in some desperate and bloody dispute, some brute fraction. Every vile deed he had witnessed lately had been at the hand of a human agent, so he had about forgot that there was a whole other order of misfortune.

-Why did you never have any? Inman said.

-Just happened that way.

-Well, Inman said. You're mighty calm. Especially for a man that most would say has taken the little end of the horn all his life.

The blind man said, It might have been worse had I ever been given a glimpse of the world and then lost it.

-Maybe, Inman said. Though what would you pay right now to have your eyeballs back for ten minutes? Plenty, I bet.

The man studied on the question. He worked his tongue around the corner of his mouth. He said, I'd not give an Indianhead cent. I fear it might turn me hateful.

-It's done it to me, Inman said. There's plenty I wish I'd never seen.

-That's not the way I meant it. You said ten minutes. It's having a thing and the loss I'm talking about.

The blind man twisted a square of newsprint up into a cone and then dipped with a riddly spoon into the pot and filled the cone with wet peanuts. He handed it to Inman and said, Come on, cite me one instance where you wished you were blind.

Where to begin? Inman wondered. Malvern Hill. Sharpsburg. Petersburg. Any would do admirably as example of unwelcome visions. But Fredericksburg was a day particularly lodged in his mind. So he sat with his back to the oak and halved the wet peanut shells and thumbed the meats out into his mouth and told the blind man his tale, beginning with how the fog had lifted that morning to reveal a vast army marching uphill toward a stone wall, a sunken road. Inman's regiment was called to join the men already behind the wall, and they had quickly formed up alongside the big white house at the top of Maryes Heights. Lee and Longstreet and befeathered Stuart stood right there on the lawn before the porch, taking turns glassing the far side of the river and talking. Longstreet had a grey shawl of wool draped about his shoulders. Compared to the other two men, Longstreet looked like a stout hog drover. But from what Inman had seen of Lee's way of thinking, he'd any day rather have Longstreet backing him in a fight. Dull as Longstreet looked, he had a mind that constantly sought ground configured so a man could hunker down and do a world of killing from a position of relative safety. And that day at Fredericksburg was all in the form of fighting that Lee mistrusted and that Longstreet welcomed.Copyright © 1998 by Charles Frazier

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Pineconebrownie, May 3, 2010 (view all comments by Pineconebrownie)
The book, Cold Mountain by Charles Frazier, contains a beautifully written plot, but the investment does not pay off in the end. The plot builds, yet the climax does not match the perceived ending. If looked at solely as a piece of literature with no entertainment ties, it is fabulously written. Frazier does a wonderful job of depicting the impact of a war, both the impact on the individual and society. Although extremely well written, the book’s conclusion is brief and sudden for how much has accumulated to get there. This leaves a feeling of disappointment, and makes the book as a whole an unworthy investment of reading.
Cold Mountain takes place in the gorgeous Virginia countryside during the Civil War. It is about two lovers who have parted because of the war. Inman, along with thousands of other men, is required to go and fight for the South. Ada, Inman’s lover, takes up the family farm after her father passes. The story dives into their daily adventures that take place while they are apart separated. They are both trying to survive the difficult time they are living in. The story is set up in episodes that go back and forth from Ada’s and Inman’s perspective. Inman is on a great journey back to Ada that contains numerous obstacles and acquaintances. Ada maintains her father’s farm to survive with the help of a young girl named Ruby. Their stories give vision of what life was like in America during the nineteenth-century, specifically during the Civil War. The Civil War aspect of the book depicts the detrimental effects of war on individuals and a society.
At the time, the Civil War impacted everyone in the United States. Frazier reveals what life was like during that time through Inman’s and Ada’s eyes. Inman actually fought and was wounded during the war. The book begins with his neck injury in the hospital, and continues as he makes his way back to Ada. His physical wound symbolizes his emotional wound from the ward. The wound on his neck stays with him throughout the book, as does his mental distraught from the war. “He had grown so used to seeing death, walking among the dead, sleeping among them, numbering himself calmly as among the near-dead, that it seemed no longer dark and mysterious”(180). After seeing all the carnage and violence, he will never be the same. As for Ada she had to fend for herself in order to survive. The war affected Ada financially, leaving her with nothing but the farm. “It discussed as if at arm’s length the war, the embargo, the various other expressions of hard times, ant their effect on Ada’s income, which would be reduced, in fact, to approximately nothing, at least until the war’s successful conclusion”(46). Not only did she have no money, but she had no idea how to maintain a farm. She needed help, which was a problem because all of the men fit for the job were off fighting. Luckily she got Ruby, who knew what she was doing. Along with individuals, war affects societies as a whole.
War has a huge impact on the countries involved, and often times it impacts the rest of the world in some form. The Civil War divided the United States of America into two separate regions, the North and the South. Both sides had their opinions of the other side, and were fighting for their way of life. “Inman put the paper down and thought about Cherokee boys scalping Federals. It was humorous in a way, those pale mill workers coming down so confident to steal land and yet losing the tops of their heads out in the woods”(13). Along with dividing a country, war also costs lots of money and lives. Often times countries and its citizens experience hardship during a time of war. Cold Mountain displays this very well. Ada portrays the side of being without a man and without money due to war. Inman portrays war itself, and the violence that is a part of it. All throughout the book, he recollects all the death he witnessed, which he himself almost fell victim to. “The Federals were thick on the ground, lying all about in bloody heaps, bodies disassembled in every style the mind could imagine”(9). Details about the Civil War continue throughout the novel, and these details highlight what war can do to individuals and societies.
As beautiful as Cold Mountain was, I think the plot ruins the book. The plot is built up through the novel and when it reaches its climax, the novel disappoints. The whole book is each character’s experiences which do not have anything to do with their reuniting love. The book is about Ada and Inman getting back together, and the fashion in which it happens makes the first three hundred pages of the book worthless. Overall, the book is not worth the time invested to read it. However, it was very beautifully written. The imagery that Frazier creates of the south is astounding. He also depicts the devastating effects of war very well. I like how the book was structured in episodes which rotated back and forth from Inman to Ada. I would recommend this book to Charles Frazier fans and teachers. I say teachers because of all the literary devices within the book. Other than those two groups of people I would not recommend the 356 pages that make up Cold Mountain.
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JL, January 11, 2010 (view all comments by JL)
This story is about a Confederate soldier, walking home to the woman he loves. Both have faced hardships and discover unsuspecting truths about themselves.
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(1 of 1 readers found this comment helpful)
JimCollins, January 4, 2010 (view all comments by JimCollins)
Character, place and time each vividly drawn. A compelling story of the best and worst of humanity artfully told.
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(1 of 2 readers found this comment helpful)
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Product Details

Frazier, Charles
Random House
Frazier, Charles
Historical - General
War & Military
Edition Number:
Movie Tie-in ed.
Publication Date:
November 25, 2003
7.98x5.30x.98 in. .73 lbs.

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Cold Mountain Used Trade Paper
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$4.95 In Stock
Product details 449 pages Vintage Books USA - English 9781400077823 Reviews:
"Staff Pick" by ,

This heartbreaking story of a Confederate soldier is absolutely riveting. Although Inman is gravely wounded, he deserts the army and heads back home on foot, keenly aware that he has the slimmest chance of making it alive. Trying to elude bounty hunters, starvation, and fear, Inman's journey is both harrowing and beautiful.

"Review" by , "Novelists are never in short supply. Natural-born storytellers come along only rarely. Charles Frazier joins the ranks of that elite cadre on the first page of his astonishing debut."
"Review" by , "Charles Frazier's first novel is a rare and extraordinary book, a Civil War novel concerned less with battlefields than with the landscape of the human soul."
"Review" by , "Rich in evocative physical detail and timeless human insight....In a leisurely, literate narrative, Frazier shows how lives of soldiers and of civilians alike deepen and are transformed as a direct consequence of the war's tragedy."
"Review" by , "Charles Frazier has taken on a daunting task — and has done extraordinarily well by it....A Whitmanesque foray into America; into its hugeness, its freshness, its scope and its soul....Such a memorable book."
"Review" by , "Charles Frazier may be picking the coins out of Cormac McCarthy's pockets, but my God what a novel he has made from them....Despite its stylistic echoes, Cold Mountain is an intensely moving novel, a spare but eloquent exegesis on love and war. The story of Inman and Ada will remain with you long after the oil lamp is extinguished."
"Review" by , "A great read — a stirring Civil War tale told with...epic sweep...loaded with vivid historical detail."
"Review" by , "Cold Mountain is a heartbreakingly beautiful story, elegantly told and utterly convincing down to the last haunting detail."
"Review" by , "A heightened, thrilling love story....Perhaps the most eloquent writing about the awful drudgery and desperation of the Civil War since Thomas Keneally's Confederates....A great read."
"Review" by , "A grim story...somewhat submerged by the weight of lyrical detail piled on the tale, and by the slow pace of the telling....A promising but overlong, uneven debut."
"Review" by , "Cold Mountain is the best Civil War novel since Michael Shaara's The Killer Angels. Written in a style equal to that of Shelby Foote, this novel deserves any and all prizes that might be lying about."
"Review" by , "This novel is so magnificent — in every conceivable aspect, and others previously unimagined — that it has occurred to me that the shadow of this book, and the joy I received in reading it, will fall over every other book I ever read. It seems even possible to never want to read another book, so wonderful is this one. Cold Mountain is one of the great accomplishments in American literature."
"Review" by , "Charles Frazier's novel is at once spare and eloquent, a panorama that the author stills long enough to make a portrait — a very evocative portrait of Inman, a soldier who is trying to escape a ruined world. Interspersed with so many moments of sadness, the many moments of compassion seem entirely convincing and are very affecting..."
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