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The Joy of Junk

I grew up surrounded by imaginative literature. My mother read me the Brothers Grimm when I was young. Later, I found yellowed and crumbling pulp science-fiction novels in the local used bookstore. At 10 cents each, they were an easy choice for a kid on a tiny allowance. I loved horror and science-fiction movies. My mother worked with a committee that put on Shakespeare's plays in Prospect Park. Seeing a production of A Midsummer Night's Dream is one of my best memories of being a kid in Brooklyn.

Looking back at my own writing, almost everything that wasn't journalism or a review was science fiction or fantasy. It never occurred to me to write touching and heartfelt social realist fiction because I was living it.It never occurred to me to write touching and heartfelt social realist fiction because I was living it. Who wanted to read about my growing up broke and eating macaroni for days on end? Lying about other travel to other planets or underwater kingdoms was a lot more interesting.

I felt this same way up through my teens, but a funny thing happened when my stories started getting published. I began to lie about my work. Out in the adult working world, writing science fiction and fantasy felt frivolous at best and maybe even a little dimwitted. Science fiction, horror, and fantasy was kid stuff, and not something an adult should be thinking about, much less writing. Without realizing it, I'd learned what school and the straight literary world had been hinting at my whole life, that the imagination was bad and childish. Imagination was something all right for Aesop, Mary Shelley, and foreigners, but not self-respecting 20th-century American adults.Imagination was something all right for Aesop, Mary Shelley, and foreigners, but not self-respecting 20th-century American adults.

I think my attitude began to change when I learned the Japanese word gomi, which means "trash." Maybe it was the latent punk teenybopper in me, but for some reason, I connected with the word and immediately embraced it. Junk was what made up most of our lives. Rock music. Action movies. Fast food. Even the cheap army surplus clothes my friends and I wore in our 20s because it was all we could afford. Gomi was where most of us lived, and I knew it was important.

High art might be respectable, but it was also intimidating. Rock and roll, comics, and fantasy movies never intimidated anyone. I knew that if I could slip a little truth about the world in between the aliens and demons in my stories, it would fly under the radar and hit more people than if I tried to be John Updike or Steinbeck. So, I became a carnival barker instead of an auteur.

I'm still a junk merchant. For over 10 years, my corporate name has been Gomi Boy Industries. I love trash. I am trash. And I'm proud of it.

÷ ÷ ÷

Richard Kadrey has published nine novels, including Sandman Slim, Kill the Dead, Aloha from Hell, Devil Said Bang, Kill City Blues, Dead Set, Butcher Bird, Metrophage, and The Getaway God. He has been immortalized as an action figure, his short story "Goodbye Houston Street, Goodbye" was nominated for a British Science Fiction Association Award, and his novel Butcher Bird was nominated for the Prix Elbakin in France. A freelance writer and photographer, he lives in San Francisco, California.


Books mentioned in this post

  1. Sandman Slim
    Used Mass Market $4.95
  2. Kill the Dead: A Sandman Slim Novel
    New Hardcover $22.99
  3. Sandman Slim Novels #03: Aloha from Hell Used Trade Paper $8.95
  4. Sandman Slim #4: Devil Said Bang: A...
    Used Trade Paper $6.95
  5. Kill City Blues (Sandman Slim Novels) New Trade Paper $14.99
  6. Dead Set Used Hardcover $11.95
  7. Butcher Bird: A Novel of the Dominion New Trade Paper $16.95
  8. Metrophage
    New Trade Paper $14.99
  9. The Getaway God (Sandman Slim Novels #6) New Hardcover $24.99

  10. A Midsummer Night's Dream (Dover... Used Trade Paper $1.50


Richard Kadrey is the author of The Getaway God (Sandman Slim Novels #6)

2 Responses to "The Joy of Junk"

  1.  
    Pat July 29th, 2009 at 1:48 pm

    It's no use. I've read your work, I like it a lot and I'm relentlessly respectable (middle aged and responsible), and so have many of my friends. Ergo, your work is (gasp) "high trash". A few more years, a few more fans, and it will be ... respectable. Sorry.

  2.  
    donaghy August 5th, 2009 at 10:53 am

    I have to second that emotion. Sandman Slim, as well as Kadrey's Covert Culture Sourcebooks (which were a godsend in the pre-ubiquitous internet era) rock the casbah.

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