Synopses & Reviews
This groundbreaking work of scholarship explores convergences between performance and science through an investigation of new technologies that drive computer-mediated, interactive art. Wide-ranging and richly illustrated essays uncover shifts that have occurred globally in the aesthetic understanding of performance within computer-augmented virtual and networked environments.
Synopsis
The author's writings are widely known in the United States and Europe.
About the Author
Johannes Birringer is a choreographer and media artist. He directs the Center for Contemporary and Digital Performance at Brunel University, West London. He is author of "Theatre, Theory, Postmodernism;" "Media and Performance;" and "Performance on the Edge." He is co-editor of "Dance and Cognition."