Synopses & Reviews
In this richly detailed novel about the quest for an unknown father, Julia Glass brings new characters together with familiar figures from her first two novels, immersing readers in a panorama that stretches from suburban New Jersey to rural Vermont and ultimately to the tip of Cape Cod.
Kit Noonan is an unemployed art historian with twins to help support and a mortgage to pay — and a wife frustrated by his inertia. Raised by a strong-willed, secretive single mother, Kit has never known the identity of his father — a mystery that his wife insists he must solve to move forward with his life. Out of desperation, Kit goes to the mountain retreat of his mother’s former husband, Jasper, a take-no-prisoners outdoorsman. There, in the midst of a fierce blizzard, Kit and Jasper confront memories of the bittersweet decade when their families were joined. Reluctantly breaking a long-ago promise, Jasper connects Kit with Lucinda and Zeke Burns, who know the answer he’s looking for. Readers of Glass’s first novel, Three Junes, will recognize Lucinda as the mother of Malachy, the music critic who died of AIDS. In fact, to fully understand the secrets surrounding his paternity, Kit will travel farther still, meeting Fenno McLeod, now in his late fifties, and Fenno’s longtime companion, the gregarious Walter Kinderman.
And the Dark Sacred Night is an exquisitely memorable tale about the youthful choices that steer our destinies, the necessity of forgiveness, and the risks we take when we face down the shadows from our past.
“Winner of the National Book Award for her 2002 debut, Three Junes, Julia Glass takes another sympathetic look at the complexities of contemporary life in this novel about family secrets....Examining complicated family relationships among several families whose lives intertwine in unexpected ways, this warm and engaging story about what it means to be a father will appeal to most readers.” Library Journal
“Glass explores the pain of family secrets, the importance of identity, and the ultimate meaning of family....Although Glass borrows characters from her National Book Award–winning Three Junes, it is not necessary to have read that previous book to enjoy this lovely, highly readable, and thought-provoking novel.” Booklist, starred review
Kit Noonan is an unemployed art historian with twins to support, a mortgage to pay, and a frustrated wife who insists that, to move forward, Kit must first confront a crucial mystery about his past. Born to a single teenage mother, he has never known the identity of his biological father.
Kit’s search begins with his onetime stepfather, Jasper, a take-no-prisoners Vermont outdoorsman, and ultimately leads him to Fenno McLeod, the beloved protagonist of Glass's award-winning novel Three Junes. Immersing readers in a panorama that stretches from Vermont to the tip of Cape Cod, And the Dark Sacred Night is an unforgettable novel about the youthful choices that steer our destinies, the necessity of forgiveness, and the risks we take when we face down the shadows of our past.
About the Author
Julia Glass is the author of Three Junes, winner of the 2002 National Book Award for Fiction; The Whole World Over; I See You Everywhere, winner of the 2009 Binghamton University John Gardner Book Award; and The Widower’s Tale. Her essays have been widely anthologized. A recipient of fellowships from the National Endowment for the Arts, the New York Foundation for the Arts, and the Radcliffe Institute for Advanced Study, Glass also teaches fiction writing, most frequently at the Fine Arts Work Center in Provincetown. She lives with her family in Marblehead, Massachusetts.
Reading Group Guide
This guide is designed to enhance your reading group’s focus on some of the main concepts in this book and to enable readers to explore and share different perspectives. Forgiveness, connectedness, and the role of the truth in relationships are complicated concepts, so feel free to wander in your discussion, and use this as a guideline only!
1. Kit’s wife, Sandra, tells him, “I think you need to move, I mean pry yourself free from a place that’s become so familiar you simply can’t see it” (p. 22). Have you ever come to a place in your life where you felt stuck? How did you resolve this?
2. Why do you think Daphne insists on keeping the name of Kit’s father a secret? Whom is she protecting?
3. Daphne tells Kits that he “does not get to know everything” just because he wants to. Do you think Daphne owes Kit the name of his father?
4. If you were Kit, do you think you could/would have waited so long to find your father? Do you think men and women have different attitudes toward “finding” their lost family connections?
5. Describe Kit and Daphne’s relationship. How does this change throughout the book?
6. Do you see any parallels between Kit’s relationship with Daphne and Malachy’s relationship with Lucinda? If you read Three Junes, what do you bring from that book about the latter relationship? Knowing what you know from this book, do you think you’d feel differently about either of those characters if you went back to reread Three Junes?
7. Daphne accepted Lucinda’s help with Kit for the first few years of his life. What do you think about her cutting off that connection so abruptly? Can you empathize with her reasons for doing so?
8. Lucinda has yearned for decades to reconnect with Kit. Do you think she should have done that on her own, without waiting for him to take the initiative? Or do you think the initiative always has to come from the child/grandchild?
9. “Things that make sense don’t always make sense” (p. 40). Jasper says this to Daphne in reference to her plan to move with Kit closer to her school. Do you think she is already planning to leave that marriage, or is Jasper missing important hints that he is already losing her?
10. What do you think about Daphne and Malachy’s relationship as teenagers at the music camp? How do you think the culture of the camp itself affects the way she feels about him?
11. Did you have a magical time or place in your life similar to that summer?
12. Malachy is a central figure in this work, but we cannot know what he felt or what he thought. How does this affect the people in the story? What do you think about his complete removal of himself from Daphne and Kit’s life—and his father’s tacit support of that distance?
13. Forgiveness is a prevalent theme. Discuss some of the characters who need to give and seek forgiveness in the book. Are some of the “crimes” they’ve committed unforgivable?
14. In your view, who has the most to forgive? Who most deserves forgiveness? Who most needs it?
15. Lucinda admits to herself that she loved Malachy more than her other children—but it’s clear they realize this. What do you think will happen, in the future, as Malachy’s “lost” son is absorbed into the family, especially after Lucinda’s death?
16. Lucinda gets mad at Zeke for hiding Malachy’s need to know of Kit, and gets mad at Jonathan for hiding his homosexuality from Malachy as well as from his parents. Do you think these secrets were justified?
17. At one point, a woman who was clearly a client of Lucinda’s at The House confronts her on the street and tells her that Lucinda ruined her life. What do you think about the work Lucinda did, inspired by her faith, to help young single mothers have and raise babies on their own in an era when they might have had other choices?
18. The Burnses’ barn, the Shed at the music camp, Jasper’s crow’s nest: All of these structures hold meaning for the characters involved. Are there places in your life that you feel as strongly about?
19. The character Fenno McLeod, the protagonist from Julia Glass’s novel Three Junes, returns as a key point of view near the end of the book. If you read that earlier novel, how does it feel to meet him again in this different context? What do you think about his changed circumstances and his relationship with Walter Kinderman (a pivotal character in Glass’s The Whole World Over)?
20. In the end, do you think Kit found what he was looking for?
21. When Daphne finally revisits the music camp, along with her second husband and Kit, do you think she is changed by facing down this fateful place in her past?
22. Similarly, do you think Fenno is changed by giving up the artifacts of Malachy that he has kept to himself, especially the box of letters and photos? How do you think Kit will respond to that gift?
23. Julia Glass fills her novels with vivid “cameo” characters, such as Loraina and Rayburn in Jasper’s part of the book, or Matthew in Lucinda’s. Do you have a favorite among these characters—or wish that some of them had been given larger roles?
24. What character in this story do you most identify with, and why?