Synopses & Reviews
From the author hailed by the New York Times Book Review
for his "drive-by brilliance" and dubbed by the New York Times Magazine
as "one of the country's most eloquent and acid-tongued critics" comes a ruthless challenge to the conventional wisdom about the most consequential cultural development of our time: the Internet.
Of course the Internet is not one thing or another; if anything, its boosters claim, the Web is everything at once. It's become not only our primary medium for communication and information but also the place we go to shop, to play, to debate, to find love. Lee Siegel argues that our ever-deepening immersion in life online doesn't just reshape the ordinary rhythms of our days; it also reshapes our minds and culture, in ways with which we haven't yet reckoned. The web and its cultural correlatives and by-products such as the dominance of reality television and the rise of the "bourgeois bohemian" have turned privacy into performance, play into commerce, and confused "self-expression" with art. And even as technology gurus ply their trade using the language of freedom and democracy, we cede more and more control of our freedom and individuality to the needs of the machine that confluence of business and technology whose boundaries now stretch to encompass almost all human activity.
Siegel's argument isn't a Luddite intervention against the Internet itself but rather a bracing appeal for us to contend with how it is transforming us all. Dazzlingly erudite, full of startlingly original insights, and buoyed by sharp wit, Against the Machine will force you to see our culture for better and worse in an entirely new way.
"Siegel, a controversial former NewRepublic.com blogger and past Slate.com art critic, provides a fascinating look at how the Internet is reshaping the way we think about ourselves and the world. Siegel explores how the Internet affects culture and social life, particularly the psychological, emotional and social cost of high-tech solitude. Arguing that the Internet's widespread anonymity eliminates boundaries, Siegel discusses the half-fantasy, half-realism of online personas. Internet pornography, Siegel intones, collapses public and private, transforming others into the instrument of the viewer's will. By experiencing virtual selves rather than other individuals, a danger arises: people run the risk of being reduced to personas that other Internet users manipulate toward their own ends. Insightful and well written with convincing evidence to support Siegel's polemic, this book is a welcome addition to the debate on the personal ramifications of living in a wired world." Publishers Weekly (Copyright Reed Business Information, Inc.)
"What makes Siegel's book so thought-provoking is the way he delineates the economic forces behind the Web." USA Today
"One of the improbable virtues of Against the Machine is that it presents a rigorously sane, fair and illuminating incarnation of its more often hotheaded author." Janet Maslin, New York Times
"[An] intelligent and tautly written challenge to online's conventional wisdom." Houston Chronicle
"[A] healthy dose of iconoclasm on a service that so many accept as crucial." Pittsburgh Post-Gazette
In the manner of great works of criticism like Susan Sontag's On Photography, Siegel forces readers to radically rethink a familiar medium. Like On Bullshit and Letter to a Christian Nation, Against the Machine offers a bracingly original perspective to an essential ongoing debate.
A trenchant examination of an iconic American figure that explores the cultural and psychological roots of his comic genius
Born Julius Marx in 1890, the brilliant comic actor who would later be known as Groucho was the most verbal of the famed comedy team, the Marx Brothers, his broad slapstick portrayals elevated by ingenious wordplay and double entendre. In his spirited biography of this beloved American iconoclast, Lee Siegel views the life of Groucho through the lens of his work on stage, screen, and television. The author uncovers the roots of the performerandrsquo;s outrageous intellectual acuity and hilarious insolence toward convention and authority in Grouchoandrsquo;s early upbringing and Marx family dynamics.
The first critical biography of Groucho Marx to approach his work analytically, this fascinating study draws unique connections between Grouchoandrsquo;s comedy and his life, concentrating primarily on the brothersandrsquo; classic films as a means of understanding and appreciating Julius the man. Unlike previous uncritical and mostly reverential biographies, Siegelandrsquo;s andldquo;bio-commentaryandrdquo; makes a distinctive contribution to the field of Groucho studies by attempting to tell the story of his life in terms of his work, and vice versa.
About the Author
Lee Siegel is the author of the essay collections Falling Upwards and Not Remotely Controlled. In 2002 he received the National Magazine Award for Reviews and Criticism. He lives in Brooklyn with his wife and son.