Synopses & Reviews
andlt;Pandgt;Growing up with the twentieth century, Alfred Barr (1902-1981), founding director of the Museum of Modern Art, harnessed the cataclysm that was modernism. In this book -- part intellectual biography, part institutional history -- Sybil Gordon Kantor tells the story of the rise of modern art in America and of the man responsible for its triumph. Following the trajectory of Barr's career from the 1920s through the 1940s, Kantor penetrates the myths, both positive and negative, that surround Barr and his achievements.Barr fervently believed in an aesthetic based on the intrinsic traits of a work of art and the materials and techniques involved in its creation. Kantor shows how this formalist approach was expressed in the organizational structure of the multidepartmental museum itself, whose collections, exhibitions, and publications all expressed Barr's vision. At the same time, she shows how Barr's ability to reconcile classical objectivity and mythic irrationality allowed him to perceive modernism as an open-ended phenomenon that expanded beyond purist abstract modernism to include surrealist, nationalist, realist, and expressionist art.Drawing on interviews with Barr's contemporaries as well as on Barr's extensive correspondence, Kantor also paints vivid portraits of, among others, Jere Abbott, Katherine Dreier, Henry-Russell Hitchcock, Philip Johnson, Lincoln Kirstein, Agnes Mongan, J. B. Neumann, and Paul Sachs.andlt;/Pandgt;
Review
Alfred Hamilton Barr Jr. remains a figure of fascination and contention. The MIT Press
Review
"It is to the intellectual history of modern art that [this book] makes an indispensible contribution." Hilton Kramer The New Criterion The MIT Press
Review
"This truly significant book is at times as compulsively readable as a novel. Yet the spell that the author casts does not come at the expense of rigorous argument backed up by exhaustive primary documentation and pertinent secondary references."--Helen E. Searing, Alice Pratt Brown Professor of Art, Smith College The MIT Press
Review
"A worthy contribution to the literature. Kantor's book is the most detailed and revelatory account of Barr's approach to modern art ever published."--Francis M. Naumann, author of Marcel Duchamp: The Art of Making Art in the Age of Mechanical Reproduction (1999) The MIT Press
Review
"At last, Alfred Barr's towering stature as scholarly art historian, evangelical educator, and visionary museum director has been given its due. Meticulously documented, Kantor's study recreates not only the formation, step by step, of Barr's unique genius but also the audacious intellectual milieu of the 1920's that nurtured it."--Robert Rosenblum, Professor of Fine Arts, New York University The MIT Press
Review
An important contribution to the historiography of twentieth-century American art... intellectual and biographical history at its most rigorous. The MIT Press
Review
andlt;Pandgt;"Alfred Hamilton Barr Jr. remains a figure of fascination and contention." The New York Review of Books Michael Kimmelmanandlt;/Pandgt; The MIT Press The MIT Press
Review
andlt;Pandgt;"An important contribution to the historiography of twentieth-century American art... intellectual and biographical history at its most rigorous." Daniel A. Siedell College Art Association Reviewsandlt;/Pandgt; The MIT Press
Review
It is to the intellectual history of modern art that [this book] makes an indispensible contribution. Michael Kimmelman - The New York Review of Books
Review
This truly significant book is at times as compulsively readable as a novel. Yet the spell that the author casts does not come at the expense of rigorous argument backed up by exhaustive primary documentation and pertinent secondary references. Hilton Kramer - The New Criterion
Synopsis
Growing up with the twentieth century, Alfred Barr (1902-1981), founding director of the Museum of Modern Art, harnessed the cataclysm that was modernism. In this book -- part intellectual biography, part institutional history -- Sybil Gordon Kantor tells the story of the rise of modern art in America and of the man responsible for its triumph. Following the trajectory of Barr's career from the 1920s through the 1940s, Kantor penetrates the myths, both positive and negative, that surround Barr and his achievements.
Barr fervently believed in an aesthetic based on the intrinsic traits of a work of art and the materials and techniques involved in its creation. Kantor shows how this formalist approach was expressed in the organizational structure of the multidepartmental museum itself, whose collections, exhibitions, and publications all expressed Barr's vision. At the same time, she shows how Barr's ability to reconcile classical objectivity and mythic irrationality allowed him to perceive modernism as an open-ended phenomenon that expanded beyond purist abstract modernism to include surrealist, nationalist, realist, and expressionist art.
Drawing on interviews with Barr's contemporaries as well as on Barr's extensive correspondence, Kantor also paints vivid portraits of, among others, Jere Abbott, Katherine Dreier, Henry-Russell Hitchcock, Philip Johnson, Lincoln Kirstein, Agnes Mongan, J. B. Neumann, and Paul Sachs.
Synopsis
An intellectual biography of Alfred H. Barr, Jr. founding director of the Museum of Modern Art.
Growing up with the twentieth century, Alfred Barr (1902-1981), founding director of the Museum of Modern Art, harnessed the cataclysm that was modernism. In this book -- part intellectual biography, part institutional history -- Sybil Gordon Kantor tells the story of the rise of modern art in America and of the man responsible for its triumph. Following the trajectory of Barr's career from the 1920s through the 1940s, Kantor penetrates the myths, both positive and negative, that surround Barr and his achievements.
Barr fervently believed in an aesthetic based on the intrinsic traits of a work of art and the materials and techniques involved in its creation. Kantor shows how this formalist approach was expressed in the organizational structure of the multidepartmental museum itself, whose collections, exhibitions, and publications all expressed Barr's vision. At the same time, she shows how Barr's ability to reconcile classical objectivity and mythic irrationality allowed him to perceive modernism as an open-ended phenomenon that expanded beyond purist abstract modernism to include surrealist, nationalist, realist, and expressionist art.
Drawing on interviews with Barr's contemporaries as well as on Barr's extensive correspondence, Kantor also paints vivid portraits of, among others, Jere Abbott, Katherine Dreier, Henry-Russell Hitchcock, Philip Johnson, Lincoln Kirstein, Agnes Mongan, J. B. Neumann, and Paul Sachs.
Synopsis
An intellectual biography of Alfred H. Barr, Jr., founding director of the Museum of Modern Art.
Synopsis
Growing up with the twentieth century, Alfred Barr (1902-1981), founding director of the Museum of Modern Art, harnessed the cataclysm that was modernism. In this book--part intellectual biography, part institutional history--Sybil Gordon Kantor tells the story of the rise of modern art in America and of the man responsible for its triumph. Following the trajectory of Barr's career from the 1920s through the 1940s, Kantor penetrates the myths, both positive and negative, that surround Barr and his achievements.
About the Author
Sybil Gordon Kantor is an independent scholar living in Columbus, Ohio, and Lugano, Switzerland.