Synopses & Reviews
From one of Granta
’s Best Young British Novelists, a stunningly insightful, emotionally powerful new novel about an outsider haunted by an inescapable past: a story of loneliness and survival, guilt and loss, and the power of forgiveness.
Jake Whyte is living on her own in an old farmhouse on a craggy British island, a place of ceaseless rain and battering wind. Her disobedient collie, Dog, and a flock of sheep are her sole companions, which is how she wants it to be. But every few nights something — or someone — picks off one of the sheep and sounds a new deep pulse of terror. There are foxes in the woods, a strange boy and a strange man, and rumors of an obscure, formidable beast. And there is also Jake’s past, hidden thousands of miles away and years ago, held in the silences about her family and the scars that stripe her back — a past that threatens to break into the present. With exceptional artistry and empathy, All the Birds, Singing reveals an isolated life in all its struggles and stubborn hopes, unexpected beauty, and hard-won redemption.
"In the searing second novel from Wyld (After the Fire, a Still Small Voice), the past takes real and imagined forms, all terrifying, in its protagonist's life. Jake Whyte, a young Englishwoman, is a sheep farmer on a desolate scrap of island very like the Isle of Wight, where the author, who was named one of the best young British novelists of 2013 by Granta, spent much of her childhood. In the present, something, or someone, is gruesomely killing Jake's sheep. Her traumatic past includes a stint as a prostitute and a relationship with the creepy Otto, who ostensibly 'rescues' Jake from the streets, only to turn her into a sex slave of sorts. Jake's current fears include a man in a suit who shows up on her property, and a shadowy beast that she heard going berserk in her cottage one night. Wyld's writing is as muscular as Jake, who, when spooked, drops to the floor to do push-ups. But Jake is troubled as well as strong, running from the many tragedies in her past, including one experience that left a nasty scar on her back. It is a testament to Wyld's vivid storytelling that readers will feel determined to drag themselves through her tale's more unsavory moments to its final revelation. Agent: Laetitia Rutherford, Watson, Little Ltd. (U.K.)" Publishers Weekly Copyright PWxyz, LLC. All rights reserved.
“Completely and utterly monumental.” BBC Radio 4
“Wyld reconfigures the conventions of storytelling with a sure-footedness and ambition which belie her age....What makes the book so outstanding is the beauty and simplicity of the writing....Second novels are notoriously difficult to pull off, especially when the first received prizes, but this one is terrific. Wyld’s two books are quite as good as Ian McEwan’s early fiction. Expect to hear her name often from now on...Evie Wyld is the real thing.” The Spectator
“Powerfully original.” Times Literary Supplement
“Extraordinarily accomplished, one of those books that tears around in your cerebellum like a dark firework, and which, upon finishing, you immediately want to pick up again....For all its darknesses All the Birds, Singing gleams with humour and kindness, moments of humanity that redeem almost everyone in the book.” Financial Times
“At once energetic and dark....Vividly drawn....When the birds do ‘sing,’ and Jake’s primal tragedy is revealed, it is clever and very unexpected indeed.” The Guardian
“Unsettling, beautiful, horrifying and moving in equal parts, I haven’t read anything quite like All the Birds, Singing for a long time....In the flawed but vulnerable character of Jake, she’s created someone you can’t help but care for, root for and desperately want the best for....There is no disputing the power of the story and the beauty of Wyld’s writing. It’s an extraordinary book.” Stylist
“Some novels are crafted with such care that it seems a shame reviewers should get to paw them before readers have the chance to admire their intricacy....Wyld keeps us guessing for the length of this ingeniously constructed narrative.” Literary Review
“For once, the hype matches the talent....Wyld’s writing seems to come from somewhere deep; somewhere a little bit unnerving and odd. [It] is precise, intense, haunting, and poetic.” Sunday Times
About the Author
Evie Wyld grew up in Australia and London, where she currently resides. She has won the John Llewellyn-Rhys prize and a Betty Trask Award, and she has been short-listed for the Orange Award for New Writers, the International IMPAC Dublin Literary Award, the Commonwealth Writers Prize, and the Costa Novel Award.
Reading Group Guide
This guide is designed to enhance your reading group’s focus on some of the main concepts in this book and to enable readers to explore and share different perspectives. Feel free to wander in your discussions, and use this as a guideline only.
1. The story opens with Jake’s present life. We learn about her past in a backwards progression. How does this affect your reading of the book?
2. Jake lives alone and away from others in a self-imposed hermitage: from fear, for protection, out of habit. What is the difference between being alone and being lonely? Do you think Jake is lonely?
3. Jake has run away from home, family, and safety to escape something terrible she has done. What do you think the consequences would have been if she had stayed?
4. Have you ever kept an experience in your past a secret from people you know? What does keeping secrets do to a person?
5. Is Jake’s terror of being caught in proportion to what she has done? Does the fear get bigger the farther away she goes? Will it ever go away?
6. The crows calling over the mangled sheep on the island, the carrier pigeon that Jake squeezes just a bit too hard, and, of course, the birds from the final passage of Jake’s revealed past: within this work, birds are often associated with death. What other symbols do you find in this story?
7. Describe Jake’s relationship with Karen. Who is stronger? Who is saving whom?
8. How did Jake end up with Otto? When/why/how does he change?
9. Why does Jake stay with Otto for so long? What do you think would happen if he ever did find her, and do you think he’s actively looking?
10. While at the sheep ranch, Jake finds temporary safety with Greg. What makes him different from the men she’s known to that point? Why does she leave him?
11. On the island, Jake visits some of the local places. There’s the small shop to buy oranges, the teahouse for a Devon cream: What does Jake get from these places? Do you think it makes a difference that these shopkeepers are women?
12. While Jake is on the ranch in Australia, one of the rams is killed by an animal, and Jake later sees a dark shape dart into her room. It is doglike, and she immediately thinks of Otto’s dog, Kelly. How does this fear follow her to England?
13. While Jake is in England, something is killing her sheep. The reader never finds out what it is, but in the end, Lloyd sees it, too. Is it real? What do you think it is?
14. One of the shearers kills a dying ram: “One second horribly wounded, feeling flies lay their eggs in your flesh and watching the currawong circle, and the next, in a flash, all is safe. I will learn to fire a gun, I think, they are the answer” (p. 25). In what other ways does Jake try to find safety?
15. Discuss the character of Lloyd. Who is he and what does he want? How does he affect Jake?
16. Why does Jake let Lloyd stay with her?
17. The hammer under the bed, the axe by the refrigerator, the gun in the cupboard, the walking stick by the door. Can these things protect Jake from what she fears?
18. When all is revealed at the end, from the truth behind her scars to her own responsibility in the affair, how does that fit in with the Jake you know already?
19. What is Jake most afraid of? The past? Otto? Guilt? Herself?
20. What do you think Jake is ultimately looking for?