Synopses & Reviews
In this distinguished work, which Hilton Kramer in The New York Times Book Review
called "surely the best book ever written on the subject," Barbara Novak illuminates what is essentially American about American art. She highlights not only those aspects that appear indigenously in our art works, but also those features that consistently reappear over time. Novak examines the paintings of Washington Allston, Thomas Cole, Asher B. Durand, Fitz H. Lane, William Sidney Mount, Winslow Homer, Thomas Eakins, and Albert Pinkham Ryder. She draws provocative and original conclusions about the role in American art of spiritualism and mathematics, conceptualism and the object, and Transcendentalism and the fact. She analyzes not only the paintings but nineteenth-century aesthetics as well, achieving a unique synthesis of art and literature.
Now available with a new preface and an updated bibliography, this lavishly illustrated volume--featuring more than one hundred black-and-white illustrations and sixteen full-color plates--remains one of the seminal works in American art history.
"The best book ever written on the subject."--Hilton Kramer, The New York Times Book Review
"Possibly the most important work on American art to come out in a generation. For the layman it will be stimulating reading; for the American scholar it will be essential; for both, provocative."--John Wilmerding, Antiques
"American Painting in the 19th Century established Novak as one of the chief historians of 19th century American painting, and it is partly due to her efforts that the period was resurrected at all."--Robert Hughes, Time
About the Author
is Helen Goodhart Altschul Professor of Art History Emerita at Barnard College and Columbia University. She is the acclaimed author of American Painting of the Nineteenth Century
("surely the best book ever written on the subject"-Hilton Kramer, The New York Times Book Review
) and Nature and Culture
("awesomely good"-Anatole Broyard, The New York Times
). She has been a Commissioner of the Smithsonian's National Portrait Gallery for the last twenty-five years.