Synopses & Reviews
A new map of the territory of poetry, an array of known and unknown contemporary classics, "American Poetry Since 1950" is filled with strange texts and startling procedures, histories and natural histories, high lyricism, and extended meditations--extraordinary works that challenge our notions of what a poem should be. Lightning Print On Demand Title
"American Poetry Since 1950" is a new map of the territory, an array of known and unknown contemporary classics. It is full of strange texts and startling procedures, histories and natural histories, high lyricism and extended meditations-- extraordinary works that challenge our notions of what a poem ought to be.
Since Whitman and Dickinson, most of the major poetry in the United States has been written against the literary establishments and prevailing canons of taste, and often far from the cultural centers. This is the first anthology in many years to gather the work from this continuing tradition of innovators and outsiders, presenting poets and poems that are still excluded from the academic collections.
Opening with the last poems of the Modernist masters Ezra Pound, William Carlos Williams, and H.D., the book follows through four generations of writers who have been the primary figures of the new poetries and poetics since 1950. With a historical afterword, complete bibliographies, and generous selections from each of the thirty-five poets, this anthology is the only available introduction to the poets connected with such groups and movements as the Objectivists, the Beats, Black Mountain, the New York School, the San Francisco Renaissance, and ethnopoetics.
Includes bibliographical references (p. -430).