Synopses & Reviews
In this celebration of Milton Babbitt's art, Andrew Mead explores the development of a central figure in contemporary American music. As a teacher and writer, Babbitt has influenced two generations of students, including such notable musicians as Stephen Sondheim and Donald Martino. He has helped establish the study of music theory as a serious academic pursuit, and his articles on Schoenberg, Stravinsky, and the twelve-tone system constitute a seminal body of research. But Babbitt is first and last a composer, whose works are, in Mead's words, "truly music to be heard." With Mead as a guide, we discover the strong emotional and expressive charge of Babbitt's music that is inextricably entwined with its structure.
Babbitt is a twelve-tone composer, unabashedly so, and it is precisely his profound understanding of Arnold Schoenberg's epochal insight that gives Babbitt's music its special quality. By examining the underlying principles of twelve-tone composition, Mead allows us to appreciate Babbitt's music on its own terms, as a richly varied yet unified body of work. In achieving this purpose, he provides an excellent introduction to twelve-tone music in general. Without relying on professional jargon, he lucidly and succinctly explains Babbitt's complexities. A catalog of compositions, a discography, and a bibliography complete a book that will interest performers, music theorists, and music historians, as well as other readers who are enthusiastic or curious about contemporary musical works.
Originally published in 1994.
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"This book provides a helpful introduction to twelve-tone music in general without the use of technical jargon."--Music Educators Journal
Table of Contents
|1||Milton Babbitt's Compositional World||5|
|The Twelve-Tone System||9|
|Babbitt's Pitch Structures||20|
|Babbitt's Rhythmic Structures||38|
|2||Mapping Trichordal Pathways (1947-1960)||54|
|A Wellspring of Possibilities: The Composition for Four Instruments||55|
|Realizing the Implications of the Composition for Four Instruments||76|
|Additional Compositional Strategies||105|
|3||Expansion and Consolidation (1961-1980)||124|
|Effects of All-Partition Arrays||127|
|A Brief Venture into Comparative Anatomy||162|
|Two (Short) Analyses||171|
|4||The Grand Synthesis (1981-)||204|
|Superarray Structure and Projection||209|
|Concerted Superarray Compositions||226|
|Trichordal Arrays and Superarrays||239|
|Miniatures, Pieces D'Occasion||243|
|Catalog of Compositions by Milton Babbit||267|