Synopses & Reviews
This revised second edition enabled the author to add a new chapter in response to the delayed release of the film
300. The book responds to new developments in the reception of Greece in contemporary popular culture. Nisbet covers many older favourites such as
Hercules Unchained,
Clash of the Titans, and
Cleopatra as well as more recent offerings such as
Troy and
Alexander.
Nisbet unpacks the ideas that continue to make Greece hot property - often too hot for Hollywood to handle. His lively explorations, which assume no prior expertise in classical or film studies, will appeal to all with an interest in ‘reception: the present days re-use and re-invention of the past.
Review
"[The book] is aimed at a popular audience, favors large ideas, and seeks to provoke questions rather than to settle them. . . . It is well suited to sparking discussion among undergraduates as well as introducing new perspectives to scholars. . . . It would be especially useful in combination with other recent studies as a stimulating introduction to the current scholarly conversation on Classics, media, and popular culture." Sean Easton
Review
"A brief but punchy account of the topic, and will be of considerable value to a wide audience. . . . Nisbet convinces us that taste and value judgments are of limited importance here when compared to the bigger questions of how receptions of Greece, and the classical past more generally, play out in the modern world, and the examples he uses to address this question turn out to be entirely apt. Bryn Mawr Classical Review
Review
"Nisbet has succeeded quite admirably with a thoughtful and insightful study of the problems that Greece presents as both a concrete and an abstract image in film and popular thought. This study is sustained by a nuanced understanding in a clear and lucid way with which even the most conservative of readers would feel comfortable. Nisbet's volume is a relatively short and succinctly written exploration. Jargon is avoided when at all possible, but he does provide an extremely helpful glossary of technical terms. One of the great strengths of his work is the effortless command he has of both the classical and modern material, whether he is discussing Socrates or Scorsese. Nisbet's volume is a thoughtful and thought-provoking work on the issues of reception that I foresee becoming a standard text for both students and scholars of classics and film."--Intertexts
"... in his entertaining book, the latest in the Bristol Phoenix press 'Greece and Rome Live' series, Gideon Nisbet draws on a range of popular media, including film, TV and comics to explore and expose the preconceptions that have for so long dictated the mise-en-scène of our imaginations."--The Anglo-Hellenic Review
"Gideon Nesbit injects his own distinctive style and an infectious sense of enthusiasm into his Ancient Greece in Film and Popular Culture. 'As a result one is forced to consider more interesting and provocative questions: not 'Why is Troy a bad film?', but rather 'Why is Greece such a hard concept for the modern world - particularly Hollywood - to think with?"--Greece and Rome
"... the time is ripe for turning scholarly (and student) attention to what Greece means in modern popular culture (and why). Gideon Nisbet's book, part of Bristol Phoenix Press's Greece and Rome Live series, serves as a brief but punchy account of the topic, and will be of considerable value to a wide audience. ... this book should be of as much interest to those working in reception study, and classics and ancient history more generally, as it is to students and teachers at whom it is notionally aimed."--Bryn Mawr Classical Review
"It is well suited to sparking discussion among undergraduates as well as introducing new perspectives to scholars. Course logistics permitting, I think it would be especially useful in combination with other recent studies as a stimulating introduction to the current scholarly conversation on Classics, media, and popular culture."--Bryn Mawr Classical Review
Synopsis
In the wake of Gladiator (2000), Hollywood studios have been rushing to revisit the ancient world. No less than seven production companies have declared their intention to turn Alexander the Great into a wide-screen hero; Brad Pitt is about to appear as Achilles. This book explores the changing fortunes of the heroes of Greek myth and history in the melting pot of popular culture. Using little known examples, classicist and film-fan Gideon Nisbet charts the hidden history of Greece in twentieth-century imagination, from film to science fiction and comics. He unpacks the baggage of ides that continue to make ancient Greece hot property -- sometimes too hot for Hollywood to handle.
Synopsis
This revised second edition enabled the author to add a new chapter in response to the delayed release of the film 300. The book responds to new developments in the reception of Greece in contemporary popular culture. Nisbet covers many older favourites such as Hercules Unchained, Clash of the Titans, and Cleopatra as well as more recent offerings such as Troyand Alexander.
Nisbet unpacks the ideas that continue to make Greece hot property - often too hot for Hollywood to handle. His lively explorations, which assume no prior expertise in classical or film studies, will appeal to all with an interest in 'reception' the present day's re-use and re-invention of the past.
Synopsis
TThis revised and expanded second edition responds to new developments in the reception of Greece in contemporary popular culture, and particularly the impact of the film "300" (2006). Why, in a century of film-making, have so few versions of the story of Alexander the Great - or that of Troy's fall - made it to the big screen? In the aftermath of "Gladiator" (2000), with Hollywood studios rushing to revisit the ancient world with "Troy" and "Alexander" (both 2004), this question takes on renewed significance. Nisbet unpacks the ideas that continue to make Greece hot property - often too hot for Hollywood to handle. His lively explorations, which assume no prior expertise in classical or film studies, will appeal to all with an interest in 'reception': the present day's re-use and re-invention of the past.
About the Author
Gideon Nisbet is a Lecturer in Classics at the Institute of Archaeology and Antiquity, University of Birmingham. He is the author of Greek Epigram in the Roman Empire: Martial's Forgotten Rivals (Oxford, 2003). He is also an ardent film-goer and observer of the Hollywood scene.
Table of Contents
List of illustrations
Preface: The Dog in the Night-time
Acknowledgements
A Note on Terminology
1 Socrates' Excellent Adventure
2 Mythconceptions
3 Wars of the Successors
4 2007: It's Raining Men
Epilogue: Radio Gaga
Glossary
Suggestions for Further Reading (and Viewing)
Index