Synopses & Reviews
This is the first comprehensive critical study of Anthony Asquith. Ryall sets the director's work in the context of British cinema from the silent period to the 1960s, examining the artistic and cultural influences which shaped his films. Asquith's silent films were compared favorably to those of his eminent contemporary Alfred Hitchcock, but his career faltered during the 1930s. However, the success of Pygmalion (1938) and French Without Tears (1939), based on plays by George Bernard Shaw and Terence Rattigan, together with his significant contributions to wartime British cinema, re-established him as a leading British film maker. Asquith's post-war career includes several pictures in collaboration with Terence Rattigan, and the definitive adaptation of Oscar Wilde's The Importance of Being Earnest (1951), but his versatility is demonstrated in a number of modest genre films including The Woman in Question (1950), The Young Lovers (1954) and Orders to Kill (1958).
Review
"Tom Ryall's illuminating book has helped to raise the curtain a little, allowing other writers in other books to peer more closely inside." --David Lancaster, The University of Leeds, Film and History, Documentaries Part II. Volume 38.2
Synopsis
A study of Anthony Asquith, which sets his work in the context of the history of British cinema from the silent period to the 1960s, and examines the artistic and cultural influences within which his films can be understood.
About the Author
Tom Ryall is Emeritus Professor of Film History at Sheffield Hallam University.
Table of Contents
SERIES EDITORS FOREWORD * ACKNOWLEDGEMENTS * Introduction * The formative years * The 1930s * Wartime British cinema * Post-war films 1 - genre and British cinema * Post-war films 2 - adaptation and the theatre * The ‘International film * Asquith and the British cinema * FILMOGRAPHY * SELECT BIBLIOGRAPHY * INDEX