Synopses & Reviews
This strikingly unusual and beautifully illustrated book represents a turning point in African art history. The authors draw on personal memories, interviews, and oral narratives to present twelve "case histories" of objects--or clusters of objects--in the Seattle Art Museum's renowned collection of African art. Each case history is enriched by comments from artists, art historians, writers, community members, and patrons who guide readers back into the markets, palaces, ceremonies, shrines, and streets where African art originated.
Often sitting still and silent in a museum display case, African art is frozen in an alien frame. Vibrant music, movement, debate, and cryptic voices are among the missing elements that once surrounded the mask, sculpture, ring, or stool. Reframing the objects, Art from Africa proposes looking at what was once done with them while also listening carefully to what was once said in their presence. As the case histories reveal, the gross mislabeling of objects as "fetishes," "idols," and "devil masks" dissolves as art becomes better known as medicine, philosophy, personality correctives, and blessings for the future.
Known for his scintillating analyses of African art, Robert Farris Thompson devotes his opening essay to introducing the missing dimension of motion, exploring the meaning of postures and gestures in various African cultures. A curator dedicated to telling the stories behind such art, Pamela McClusky explores subjects ranging from royal art of the Kom and Asante kingdoms, masquerades from the Yoruba, Dan, and Mende cultures, hunters' shirts from the Mande empire, sculpture from the Kongo kingdom, Mercedes-Benz coffins from the streets of Ghana, photographs from Mali, and Maasai body ornaments. This book accompanies a special exhibition of the museum's collection, but, as all art lovers who look beyond museum walls will appreciate, it is much more than an exhibition catalogue.
EXHIBITION SCHEDULE
http://www.philamuseum.org/exhibitions/ Philadelphia Museum of Art
October 2, 2004 - January 2, 2005.
Review
A solid and personable book.
Review
Winner of the Washington State Book Award
Review
"A solid and personable book."
--Holland Cotter, The New York Times
Synopsis
"This innovative work allows the objects it covers to breathe as living things. McClusky has evolved what appears to be a new way of writing a catalogue on African art. The writing is interesting, the stories surrounding the objects often fascinating. Thompson's essay is wonderfully composed. This is a work that can be enjoyed by the non-specialist reader for the tales it tells alone. Further, the objects are impressive, often spectacular."--Simon Ottenberg, University of Washington
Synopsis
A dynamic look at the potential of disguise seen in masks, installations, and performances by contemporary artists of African descentand#160;
Synopsis
This dynamic look at contemporary African art that reinvents masking practices and disguise features interviews with ten artists working around the globe.
Synopsis
While masks are a major art form in many parts of Africa, their use has taken new turns in the 21st century.
Disguise: Masks and Global African Art explores how themes related to masking and disguise in the past are now transitioning into new platforms around the world. The authors examine the influence of masks residing in the Seattle Art Museumandrsquo;s renowned collection, investigating the longevity of masquerades, and how they offer ways to disrupt and reimagine reality.
and#160;
In todayandrsquo;s global and digital world, artists are engaging with disguise through photography, video, and interactive platforms. Ten contemporary artists interviewed for this catalogue create work that conceals, layers, and reinvents identities. They include Jacolby Satterwhite, who creates extravagantly choreographed videos; Brendan Fernandes, whose performance-based works show how dance embodies disguise; and Zino Sara-Wiwa, a video artist and filmmaker who has examined the status of traditional Ogoni masks in the midst of Nigeriaandrsquo;s destructive oil trade. They are joined by numerous others from around the globe who address the intersection of disguise, identity, ritual, and contemporary life.
About the Author
Pamela McClusky founded the Seattle Art Museum's Department of the Arts of Africa, Oceania, and the Americas in 1980, and she is currently Curator of African and Oceanic Art there. She has published African Masks and Muses: Selections of African Art in the Seattle Art Museum. Robert Farris Thompson is Professor of African and African American Art History at Yale University. His publications include The Four Moments of the Sun: Kongo Art in Two Worlds and Flash of the Spirit: African and Afro-American Art and Philosophy (Random House).
Table of Contents
Preface by Mimi Gardner Gates 6
Acknowledgments 9
Introduction by Pamela McClusky 13
African Art in Motion by Robert Farris Thompson 17
Case Histories: Art Steps from Africa to America by Pamela McClusky
Heroes Go Solitary Walking: Hunters' Shirts 63
An Art of Persuasion: Regalia from the Asante Kingdom 79
Assembling a Royal Stage: Art from the Kom Kingdom 115
The Fetish and the Imagination of Europe: Sacred Medicines of the Kongo 143
A Sculpture Hungry for Aggression: Ivwri Figure 169
Forest Spirits Far from Home: Dan Masks 179
Beauty Stripped of Human Flaws: Sowei Masks 197
"God's Medicine" against Witchcraft: Costume for Basinjom 215
The Ultimate Spectacle for Powerful Mothers: Gelede Masks 227
Riding into the Next Life: A Mercedes-Benz Coffin 245
"Negatives That Breathe Like You and Me": Photographs from Bamako 253
Collecting Beads and Wishes for the Future: Ornaments for a Maasai Bride 261
Appendix: Sande Society Stories 279
Index 295