Synopses & Reviews
andldquo;The fate of our times is characterized by rationalization and intellectualization and, above all, by andlsquo;the disenchantment of the world.andrsquo;andrdquo; Max Weberandrsquo;s statement remains a dominant interpretation of the modern condition: the increasing capabilities of knowledge and science have banished mysteries, leaving a world that can be mastered technically and intellectually. And though this idea seems empowering, many people have become disenchanted with modern disenchantment. Using intimate encounters with works of art to explore disenchantment and the possibilities of re-enchantment, Arts of Wonder addresses questions about the nature of humanity, the world, and God in the wake of Weberandrsquo;s diagnosis of modernity.and#160;Jeffrey L. Kosky focuses on a handful of artistsandmdash;Walter De Maria, Diller + Scofidio, James Turrell, and Andy Goldworthyandmdash;to show how they introduce spaces hospitable to mystery and wonder, redemption and revelation, and transcendence and creation. What might be thought of as religious longings, he argues, are crucial aspects of enchanting secularity when developed through encounters with these works of art. Developing a model of religion that might be significant to secular culture, Kosky shows how this model can be employed to deepen interpretation of the art we usually view as representing secular modernity. A thoughtful dialogue between philosophy and art, Arts of Wonder will catch the eye of readers of art and religion, philosophy of religion, and art criticism.
Review
andldquo;Bringing together personal stories, historical analysis, and religious reflection, Arts of Wonder weaves a narrative that reveals traces of gods in a world they long ago seemed to have fled. During a period when discussions of religion usually amount to little more than noisy banter between true believers and naandiuml;ve unbelievers, Jeffrey L. Kosky turns to quiet works by subtle artists for spiritual insight and even wisdom.and#160; This is a timely book that suggests different ways of being religious today.andrdquo;
Review
andldquo;Welcome to the new, strange writing on art. Just as affect, plenary presence, and immersive experience flow into art writing, there is a resurgence of interest on the part of religious scholars in bridging the gap between religious meanings and modern art. Jeffrey L. Kosky returns repeatedly, unapologetically, to a single frontispiece from a book by the Enlightenment philosopher Christian Wolff, showing a smiling sun breaking through clouds; he contrasts it with each of his artists, with electric light, with lightning, and with natural light: it is a charming, unlikely leading image for his argument that religious considerations, planted in the secularized discourse of modern art, are andlsquo;the best criteria art writing could adopt.andrsquo; Kosky writes for those who andlsquo;feel the absence of charm and wonder as deeply enervating,andrsquo; and although the artists he chooses may be the exceptions that prove the rule of modernismandrsquo;s distance from religious meaning, a andlsquo;theology of modern disenchantmentandrsquo; promises to show a way across the divide.andrdquo;
Review
andldquo;Jeffrey L. Koskyandrsquo;s Arts of Wonder is an original work in at least three respects: in its mode of exploration, which is a back-and-forth dialogue between art and philosophy; in its choice of a particular set of artworks that gives the book a clear and coherent story arc; and in its exploration of the religiosity of secularism vis-andagrave;-vis these artworks. Kosky is well versed in the pertinent philosophical discourses, and he demonstrates thoughtful and critical engagement with contemporary scholarship. Stimulating and provocative, Arts of Wonder is an academic page-turner that represents an emerging intellectual movement and will be influential to scholars drawn to this area of inquiry.andrdquo;
Review
Best Books of 2012
Synopsis
The fate of our times is characterized by rationalization and intellectualization and, above all, by the disenchantment of the world. Max Weber s statement remains a dominant interpretation of the modern condition: the increasing capabilities of knowledge and science have banished mysteries, leaving a world that can be mastered technically and intellectually. And though this idea seems empowering, many people have become disenchanted with modern disenchantment. Using intimate encounters with works of art to explore disenchantment and the possibilities of re-enchantment, Arts of Wonder addresses questions about the nature of humanity, the world, and God in the wake of Weber s diagnosis of modernity.Jeffrey L. Kosky focuses on a handful of artists Walter De Maria, Diller + Scofidio, James Turrell, and Andy Goldsworthy to show how they introduce spaces hospitable to mystery and wonder, redemption and revelation, and transcendence and creation. What might be thought of as religious longings, he argues, are crucial aspects of enchanting secularity when developed through encounters with these works of art. Developing a model of religion that might be significant to secular culture, Kosky shows how this model can be employed to deepen interpretation of the art we usually view as representing secular modernity. A thoughtful dialogue between philosophy and art, Arts of Wonder will catch the eye of readers of art and religion, philosophy of religion, and art criticism."
About the Author
Jeffrey L. Kosky is professor and head of the Department of Religion at Washington and Lee University in Virginia.
Table of Contents
List of Figures
Preface
Acknowledgments
(In Place of an) Introduction: A Picture of Modern Disenchantment
Oneand#160;Walter De Maria, The Lightning Field: Seeing a Flickering Light
Twoand#160;Diller + Scofidio, Blur: The Cloud That Does Not Part When We See the Light
Threeand#160;James Turrell, Works with Light: Seeing the Light That Does Not Illuminate
Fourand#160;James Turrell, Skyspaces: Opening an Eye to the Sky
Fiveand#160;Andy Goldsworthy, Works: To Dwell Creatively with Earth and Sky, Wind and Water
Conclusions
Notes
Works Cited
Index