Synopses & Reviews
Yugoslavia, Rwanda, Liberia, Somalia, Azerbaijan, El Salvador, Northern Ireland, Lebanon, Cambodia -- all provide bloody evidence that civil wars continue to have a powerful impact on the international scene. Because they tear at the very fabric of a society and pit countryman against countryman, civil wars are often the most brutal and difficult to extinguish -- witness the American Revolution.
And yet, civil wars do inevitably end. England is no longer criss-crossed by warring armies representing York and Lancaster or King and Parliament. The French no longer kill one another over the divine right of kings. Argentines seem reconciled to living in a single state, rather than several. The ideologies of the Spanish Civil War now seem largely irrelevant. And the possibility of Southern secession is an issue long-buried in the American past.
The question then begs itself: how do people who have been killing one another with considerable enthusiasm and success come together to form a common government? How can individuals and factions work together, politically and economically, with others who have killed their friends, parents, children and lovers? How are armed societies disarmed? What effect does a total military victory have on a lasting peace? In sum, how are civil societies constructed from civil violence and chaos? This is the central concern of Stopping the Killing.
In this highly original and much needed volume, a distinguished group of experts on civil wars discuss both specific conflicts and broader theoretical issues. Individual chapters examine civil wars in Colombia, the Sudan, Yemen, America, Greece, and Nigeria, and analyze the causes of peace, the relationship between the battlefield and the negotiating table, and issues of settlement. An introduction and conclusion by the editor unify the volume. Contributors include: Jonathan Hartlyn (Univ. of North Carolina), Caroline Hartzell (Univ. of California, Davis), Jane E. Holl (U.S. Military Academy), John Iatrides (Southern Connecticut State University), James O'Connell (University of Bradford), Donald Rothchild (Univ. of California, Davis), Stephen John Stedman (Johns Hopkins Univ.), Robert Harrison Wagner (Univ. of Texas, Austin), Harvey Waterman (Rutgers Univ.), Manfred Wenner (Northern Illinois Univ.), and I. William Zartman (Johns Hopkins Univ.).
Review
"Illuminates the complex politics of sex in women's everyday lives. At Home with Pornography is an important contribution to a new model of cultural studies and an exciting and valuable addition to contemporary struggles over sexual politics."-Lawrence Grossberg,
Review
"Juffer discusses how in recent years women have been more active in producing erotica for their own enjoyment and shows how this has affected the nature of erotica itself. She chronicles the rise of literary porn written by women for women, showing how books like Nancy Friday's collections of female fantasies helped pave the way . . . Juffer . . . is a sharp observer of the media." -Los Angeles Times Book Review,
Review
"A good primer on what will almost certainly be the major foreign policy problem of our time."-Contemporary Sociology,
Synopsis
Twenty-five years after the start of the feminist sex wars, pornography remains a flashpoint issue, with feminists locked in a familiar argument: Are women victims or agents? In
At Home with Pornography, Jane Juffer exposes the fruitlessness of this debate and suggests that it has prevented us from realizing women's changing relationship to erotica and porn.
Over the course of these same twenty-five years, there has been a proliferation of sexually explicit materials geared toward women, made available in increasingly mainstream venues. In asking "what is the relationship of women to pornography?" Juffer maintains that we need to stop obsessing over pornography's transgressive aspects, and start focusing on the place of porn and erotica in women's everyday lives. Where, she asks, do women routinely find it, for how much, and how is it circulated and consumed within the home? How is this circulation and consumption shaped by the different marketing categories that attempt to distinguish erotica from porn, such as women's literary erotica and sexual self-help videos for couples?
At Home with Pornography responds to these questions by viewing women's erotica within the context of governmental regulation that attempts to counterpose a "dangerous" pornography with the sanctity of the home. Juffer explorers how women's consumption of erotica and porn for their own pleasure can be empowering, while still acting to reinforce conservative ideals. She shows how, for instance, the Victoria's Secret catalog is able to function as a kind of pornography whose circulation is facilitated both by its reliance on Victorian themes of secrecy and privacy and on its appeals to the selfish pleasures of modern career women. In her pursuit to understand what women like and how they get it, Juffer delves into adult cable channels, erotic literary anthologies, sex therapy guides, cyberporn, masturbation, and sex toys, showing the varying degrees to which these materials have been domesticated for home consumption.
Representing the next generation of scholarship on pornography, At Home with Pornography will transform our understanding of women's everyday sexuality.
About the Author
Jane Juffer is an associate professor of English and women's studies at Pennsylvania State University. She is the author of At Home with Pornography: Women, Sex, and Everyday Life (also available from NYU Press).