Baseball, perhaps more than any other sport, can appear deceptively simple to the outsider or casual fan. It is, however, a richly nuanced game governed for more than a century as much by the written rulebook as by a constantly evolving tacit philosophy referred to as "the code." The code concerns itself with nearly every aspect of the game and can be considered baseball's moral compass, in place to engender loyalty not only to one's teammates, but also to the game itself.
The Baseball Codes, written by Jason Turbow (with Michael Duca), is an anecdotal glimpse into the game's unwritten rules. Intimidation, retaliation, cheating, and general etiquette are all covered at length, and even the most devout fan will learn something new. The many unbelievable stories employed to illustrate a particular tenet of the code make this book a must-read for any sports lover who has ever spent the long winter pining for the month of April to come again. In an age of sports media often dominated by tales of performance-enhancing drugs, multi-million dollar contracts, off-the-field improprieties, and superstar diva personalities, it's refreshing to read about the game beyond all of the sensationalized headlines. While The Baseball Codes is at times too repetitious, it's hard not to get caught up in the authors' obvious enthusiasm. The book, at its core, is a collection of unforgettable moments that help to define the often misunderstood principles underlying the greatest game ever played. Recommended By Jeremy G., Powells.com
Synopses & Reviews
Don’t Show Players Up
It was a simple question. From the batter’s box at Candlestick Park, Willie Mays looked at Yankees pitcher Whitey Ford and, pointing toward Mickey Mantle in center field, asked, “What’s that crazy b**tard clapping about?”
What that crazy b**tard was clapping about only tangentially concerned Mays, but the Giants superstar didn’t know that at the time. It was the 1961 All-Star Game, and Ford had just struck Mays out, looking, to end the first inning. The question was posed when Ford passed by Mays as the American League defense returned to the dugout—most notably among them Mantle, hopping and applauding every step of the way, as if his team had just won the World Series. There was a good story behind it, but that didn’t much matter in the moment. Willie Mays was being shown up in front of a national baseball audience.
Under ordinary circumstances there is no acceptable reason for a player to embarrass one of his colleagues on the field. It’s the concept at the core of the unwritten rules, helping dictate when it is and isn’t appropriate to steal a base, how one should act in the batter’s box after hitting a home run, and what a player should or shouldn’t say to the media. Nobody likes to be shown up, and baseball’s Code identifies the notion in virtually all its permutations. Mantle’s display should never have happened, and Mays knew it.
Mantle had been joyous for a number of reasons. There was the strikeout itself, which was impressive because to that point Mays had hit Ford like he was playing slow-pitch softball—6-for-6 lifetime, with two homers, a triple, and an astounding 2.167 slugging percentage, all in All- Star competition. Also, Ford and Mantle had spent the previous night painting the town in San Francisco in their own inimitable way, and Ford, still feeling the effects of overindulgence, was hoping simply to survive the confrontation. Realizing that he had no idea how to approach a Mays at-bat, the left-hander opened with a curveball; Mays responded by pummeling the pitch well over four hundred feet, just foul. Ford, bleary and already half beaten, didn’t see a downside to more of the same, and went back to the curve. This time Mays hit it nearly five hundred feet, but again foul. It became clear to the pitcher that he couldn’t win this battle straight up—so he dipped into his bag of tricks.
Though Ford has admitted to doctoring baseballs in later years, at that point in his career he wasn’t well practiced in the art. Still, he was ahead in the count, it was an exhibition game, and Mays was entitled to at least one more pitch. Without much to lose, Ford spat on his throwing hand, then pretended to wipe it off on his shirt. When he released the ball, it slid rotation-free from between his fingers and sailed directly at Mays’s head, before dropping, said Ford, “from his chin to his knees” through the strike zone. Mays could do nothing but gape and wait for umpire Stan Landes to shoot up his right hand and call strike three.
To this point in the story, nobody has been shown up at all. Ford may have violated baseball’s actual rules by loading up a spitter, but cheating is fairly well tolerated within the Code. Mays’s reaction to the extreme break of the pitch may have made him look bad, but that was hardly Ford’s fault. But then came Mantle, jumping and clapping like a kid who’d just been handed tickets to the circus. It didn’t much matter that the spectacle was directed not at Mays but at Giants owner Horace Stoneham, who immediately understood the motivation behind Mantle’s antics.
Stoneham had gone out of his way to make Mantle and Ford feel at home upon their arrival in town a day earlier, using his connections at the exclusive Olympic Club to arrange a round of golf for the duo, and went so far as to enlist his son Peter as their chauffeur. Because the pair of Yankees had failed to bring golf equipment, their first stop was the pro shop, for shoes, gloves, sweaters, and rental clubs. The total came to four hundred dollars, but the club didn’t accept cash. Instead, they charged everything to Stoneham, intending to pay him back at the ballpark the following day.
That night, however, the three met at a party at the chic Mark Hopkins Hotel. Ford attempted to settle his tab on the spot, but Stoneham’s response wasn’t quite what he anticipated: The owner told him to keep his money . . . for the moment. Stoneham then proposed a wager: If Ford retired Mays the first time they faced each other the following afternoon, he owed nothing. Should the center fielder hit safely, however, Ford and Mantle would owe Stoneham eight hundred dollars, double their original debt. Ordinarily, this sort of bet would be weighted heavily in favor of the pitcher, since even the best hitters connect only three times out of ten, but Ford was aware of his track record against Mays. Nonetheless, the lefty loved a challenge even more than he loved a drink, and quickly accepted Stoneham’s terms.
Mantle, however, wasn’t so cavalier, telling Ford frankly just how bad a deal it was. “I hated to lose a sucker bet,” he said later, “and this was one of them.”
That didn’t keep Ford from sweet-talking him into accepting Stoneham’s terms. In center field the next day, Mantle found himself significantly more concerned about the potential four-hundred-dollar hole in his pocket than he was about the baseball ramifications of the Ford-Mays showdown. So, when the Giants’ star was called out on the decisive spitter, it was all Mantle could do to keep from pirouetting across the field. Said Ford, “Here it was only the end of the first inning in the All-Star Game, and he was going crazy all the way into the dugout.”
“It didn’t dawn on me right away how it must have looked to Willie and the crowd,” said Mantle. “It looked as if I was all tickled about Mays striking out because of the big rivalry [over who was the game’s pre-eminent center fielder], and in the dugout when Whitey mentioned my reaction I slapped my forehead and sputtered, ‘Aw, no . . . I didn’t . . . how could I . . . what a dumb thing.’ ”
That Mantle got away with it was largely due to the fact that Ford later explained the entire affair to Mays, much to May’s amusement. In this regard, Mantle was luckier than most players, who usually learn of their indiscretions from well-placed fastballs, not from conversation. For example, stepping out of the batter’s box once a pitcher comes set isn’t something that inspires retribution in most pitchers, but it did for Goose Gossage—in a spring-training game, no less. And Randy Johnson drilled a player in a B-squad game for swinging too hard. New York Mets closer Billy Wagner considered hitting a spring-scrimmage opponent from the University of Michigan who had the nerve to bunt on him. (“Play to win against Villanova,” the pitcher said afterward.) Nolan Ryan felt similarly when major-leaguers laid down bunts against him, and Don Drysdale and Bob Gibson were likely to knock down any opponent who dug in. All these pitchers felt justified in meting out justice for infractions that the majority of their colleagues barely noticed.
Several code violations, however, are universally abhorred. At or near the top of any pitcher’s peeves is the home-run pimp, a hitter who lingers in the batter’s box as the ball soars over the wall. The first great player to fit this bill was Minnesota’s Hall of Fame slugger Harmon Killebrew, by nature a quiet man who happened to take delight throughout the 1960s in watching his big flies leave the yard. “Killebrew was the first one I saw (do it),” said Frank Robinson. “He would stand there and watch them. But heck, he hit the ball so high, he could watch them.” Reggie Jackson, widely credited with bringing the practice to prominence in the 1970s, credits Killebrew with providing inspiration.
Jackson, of course, added panache and self-absorption to the act, combined with a thirst for attention that Killebrew never knew. During Jackson’s days with the Yankees, he went so far as to claim the final slot in batting practice because it afforded him the largest audience before which to perform. This became known as “Reggie Time,” and the slugger saw fit to bestow it upon some lucky teammate if he was unable to take that slot on a particular day.
Barry Bonds eventually became the torchbearer for home-run pimping, not only watching but twirling in the batter’s box as a matter of follow-through. David Halberstam wrote of Bonds’s mid-career antics for ESPN.com: “The pause at this moment, as we have all come to learn, is very long, plenty of time for the invisible but zen-like moment of appreciation when Barry Bonds psychically high-fives Barry Bonds and reassures him once again that there’s no one quite like him in baseball.”
Admiring one’s own longball isn’t all that sets pitchers off. When Phillies rookie Jimmy Rollins flipped his bat after hitting a home run off St. Louis reliever Steve Kline in 2001, the Cardinals pitcher went ballistic, screaming as he followed Rollins around the bases. “I called him every name in the book, tried to get him to fight,” said Kline. The pitcher stopped only upon reaching Philadelphia third baseman Scott Rolen, who was moving into the on-deck circle and alleviated the situation by assuring him that members of the Phillies would take care of it internally.
“That’s f**king Little League s**t,” said Kline after the game. “If you’re going to flip the bat, I’m going to flip your helmet next time. You’re a rookie, you respect this game for a while. . . . There’s a code. He should know better than that.”
"Nearly as long as baseball has existed in its current form, so too have unofficial rules that professional players have strictly adhered to. Yet as Turnbow demonstrates in this highly entertaining read, every rule of the code has certain variations. Most casual baseball fans are keenly aware of many topics that Turnbow broaches, and some are universally agreed upon hitters admiring home runs is severely frowned on, as is arguing with one's manager in public view and being caught stealing signs. But other rules are less cut-and-dried. On the subject of retaliating for a teammate being hit by a pitch: some believe the pitcher should be plunked in his next at-bat, while others say it should be a player with corresponding talent to the hit batter. Turnbow has an example for nearly every conceivable situation, and with quotes from dozens of former major league players, managers, and broadcasters, the reader can better understand the actions that can set off even the most even-tempered ball player. It's a comprehensive, sometimes hilarious guide to perhaps a misunderstood aspect of our national pastime, and will come in handy should one ever be involved in a beanball war. (Mar.) " Publishers Weekly (Copyright Reed Business Information, Inc.)
"As he chronicles his unique relationship with his father (a fan of any team playing the Yankees), learning to appreciate the wisdom of Yankee announcer Phil Rizzuto while listening to games with his grandmother, pursuing the love of his life and commiserating with a comedic stable of Yankee-loving (and Yankee-hating) pals, genuine moments of pathos, heart and happiness emerge."
"Seely...weaves his life as a Yankees fan with instructions on how to apply the rules in a fast-paced, hilarious fashion—at times touching, but never dull...This rollicking exposition unveils a rabid fan who claims to have a 'Jekyll/Hyde' complex with respect to the Yankees. There is no Jekyll or Hyde—there is only Seely, a true fan."
--Publishers Weekly "Hart Seelys use of 'juju rules' in support of the Yankees is not only curious, hilarious and excessive but also familiar! His 'off the wall' tennis ball game (played at home to spur a Yankees rally) was also a backyard passion of my own. Clearly Hart comes to the classic fanatic level, and this chronicle of his life as a devoted fan is entertaining - and universal."
- Tony LaRussa, former major league manager "Part George Bailey, part Yoda, part screaming superfan, Hart Seely has written a hilarious memoir that gives fans everywhere the mystical tools they need to win games from hundreds of miles away."
-James Finn Garner, bestselling author of The Politically Correct Bedtime Stories Trilogy "A heart-warming, hilarious story about being a Yankee fan? It must be a joke, right? And yet, here it is. The Juju Rules is a wonderfully-told story that reminded me why I fell in love with baseball in the first place. You don't have to root for the Yankees to enjoy this book, but it certainly helps. Hey, Red Sox fans: I'd like to see you top this!"
--Jonathan Eig, author of Luckiest Man: The Life and Death of Lou Gehrig "I kept waiting for Hart Seelys The Juju Rules to stop being funny, but it never did. Seely tells the story of all of us who have ever sat in a favorite chair knowing that if we got up to go to the bathroom at the wrong time it could doom our team to defeat and maybe even cost us a pennant."
--Glenn Stout, author of Fenway 1912 and series editor of Best American Sports Writing "I used to think Iwas a crazy Yankees fan, but Hart Seely has me beat by a grand slam. The Juju Rules is in a league of its own - a self-help book for baseball addicts, a story with hilarious jokes and zingy one liners, a satirical look at sports and popular culture, and a truly poignant memoir. The scene in which the author watches a Yankees game while his wife is in labor is now my go-to image whenever I need a laugh. No fan should even consider following the 2012 season without arming himself with this book first."
--Jane Heller, bestselling novelist and author of Confessions of a She-Fan
Hilarious, surprising, and vastly entertaining, The Baseball Codes uncovers the hidden rules of baseball.
Everyone knows that baseball is a game of complicated rules, but it turns out to be even more complex than we realize. In The Baseball Codes, Jason Turbow and Michael Duca take us behind the scenes of the great American pastime. Players talk about the game as they never have before, breaking the code of secrecy that surrounds so much of baseball, both on the field and in the clubhouse.
We learn why pitchers sometimes do retaliate when one of their teammates is hit by a pitch and other times let it go. We hear about the subtle forms of payback that occur when a player violates the rules out of ignorance instead of disrespect. We find out why cheating is acceptable (but getting caught at cheating is not), and how off-field tensions can get worked out on the diamond.
These tacit rules are illuminated with oftenincredible stories about everyone from national heroes Mickey Mantle and Willie Mays to notorious headhunters Bob Gibson and Don Drysdale to true eccentrics like Rickey Henderson and Dock Ellis (who once pitched a no-hitter while on LSD).
The Baseball Codes is an absolute must for every fan of the game.
Everyone knows that baseball is a game of intricate regulations, but it turns out to be even more complicated than we realize. What truly governs the Major League game is a set of unwritten rules, some of which are openly discussed (don’t steal a base with a big lead late in the game), and some of which only a minority of players are even aware of (don’t cross between the catcher and the pitcher on the way to the batter’s box). In The Baseball Codes
, old-timers and all-time greats share their insights into the game’s most hallowed—and least known—traditions. For the learned and the casual baseball fan alike, the result is illuminating and thoroughly entertaining.
At the heart of this book are incredible and often hilarious stories involving national heroes (like Mickey Mantle and Willie Mays) and notorious headhunters (like Bob Gibson and Don Drysdale) in a century-long series of confrontations over respect, honor, and the soul of the game. With The Baseball Codes, we see for the first time the game as it’s actually played, through the eyes of the players on the field.
With rollicking stories from the past and new perspectives on baseball’s informal rulebook, The Baseball Codes is a must for every fan.
Learn the secret of juju from Hart Seely, a man who wins games for the New York Yankees in his living room by harnessing juju energy, in this hilarious, unforgettable fan confessional from an award-winning humorist.
From an award-winning humorist, a touching memoir and manifesto that reveals the deep secrets of fan jinxes, hexes, and charms
Did you know there is a secret to winning ballgames? Its not the players, managers, money, or luck. Its juju, and no one knows it better than Hart Seely. Seely has spent a lifetime practicing the art of juju from his living room. And winning ballgames for the New York Yankees. He paces floors. He yells at defenseless TVs. He rallies the team like Churchill addressing the collective British soul. But what he is really doing is harnessing juju energy to influence the outcome of games. And it works.
In this uproarious, unforgettable fan confessional, Seely shares the basics of juju for the beginner—“Setting the Table,” asking for a called strike instead of a walk-off homer—to advanced juju—“Bringing the Neg,” predicting bad events to keep them from actually happening—to the deepest, darkest formulas of this age-old art. Along the way readers come to know Hart and his hilarious band of fellow juju practitioners, a secret club of friends whose fandom bonds them across decades, not to mention won/loss columns.
Nostalgic, heartwarming, and laugh-out-loud funny, The Juju Rules is a memoir of a life well-lived in service to ones team that shows how love can be a powerful passion in the best way.
About the Author
has written for The New York Times, The Wall Street Journal
, SportsIllustrated.com, and Slam
magazine. He is a regular contributor to Giants Magazine
, and for three years served as content director for “Giants Today,” a full-page supplement in the San Francisco Chronicle
that was published in conjunction with every Giants home game. He lives in the San Francisco Bay Area with his wife and two children.
Michael Duca was the first chairman of the board of Bill James’s Project Scoresheet, was a contributor to and editor of The Great American Baseball Stats Book, and has written for SportsTicker, “Giants Today” in the San Francisco Chronicle, and the Associated Press. He covers the San Jose Sharks for Examiner.com and works for the Office of the Commissioner as an official scorer and for MLB.com. He lives in the San Francisco Bay Area.
Table of Contents
Prologue: When Ari Met Seely xi
Opening Day 1
Off the Wall 10
Swept Away 17
The Dice of God 24
Bobby, Mickey, and the Duke 30
The Two-Second Threshold 37
Rudy May Not 47
Yankee Love 55
The Yankee Crier 69
The Hoosier Show Lounge Massacre 79
George Brett 98
The Ultimate Yankee Fan 108
Damned Fool 117
New Hampshire 132
Touching the Stone 140
The Knot 160
“George Steinbrenner Must Die” 170
Frank Crosetti 180
The Trip 193
The Rizzutonic Verses 202
Yankee Incentive Rewards 218
Bringing the Neg 227
Epilogue: The Yard 267