Synopses & Reviews
‘Whore and rogue they call husband and wife:
All professions be-rogue one another'
The tale of Peachum, thief-taker and informer, conspiring to send the dashing and promiscuous highwayman Macheath to the gallows, became the theatrical sensation of the eighteenth century. In The Beggar’s Opera, John Gay turned conventions of Italian opera riotously upside-down, instead using traditional popular ballads and street tunes, while also indulging in political satire at the expense of the Prime Minister, Sir Robert Walpole. Gay’s highly original depiction of the thieves, informers, prostitutes and highwaymen thronging the slums and prisons of the corrupt London underworld proved brilliantly successful in exposing the dark side of a corrupt and jaded society.
Bryan Loughrey and T. O. Treadwell’s introduction examines the eighteenth-century background of musical theatre and opera, the changing cityscape of London and the corruption of the legal system. This edition also includes a note on the music in The Beggar’s Opera and suggestions for further reading.
First played in 1728, "the Beggar's Opera" is a mock-pastoral ballad opera largely set in Newgate Prison. In telling the story of Macheath the highwayman, John Gay overturned convention, using traditional ballads and street tunes and satirizing leading politicians of the time.
About the Author
Born in Devon in 1685, John Gay was apprentice to a silk mercer in London for a short time but returned to his family and began to write verse. The Shepherd's Week
(1714) was the first to demonstrate his ability. He became known to Alexander Pope and the Scriblerus circle then forming, and with Pope and Arbuthnot wrote the satire Three Hours after Marriage
, first performed in 1717. With the income from his Poems
he invested in the South Sea and lost a great deal of money, but in 1727 he published Fables
, which were very popular and fifty editions of them appeared by 1800, assuring his reputation as a poet. Seeking a regular income, Gay became secreatry to the Duchess of Monmouth in 1712 and was helped by various patrons, becoming an inmate in the household of the Duke of Queensberry, whose wife was his particular champion. His real success came in 1728 with The Beggar's Opera
, a political satire and a serious statement about human nature. This was followed by Polly
, which was banned by Walpole and became a financial success for Gay. Gay also wrote librettos for Handel's Acis and Galatea
. A popular and genial man, Gay was always beset by financial difficulties and died in 1732. He is buried in Westminster Abbey beneath his own epitaph:
Life is a jest and all things show it,
I thought it once, and now I know it.