Synopses & Reviews
It was the most expensive bottle of wine ever sold.
In 1985, at a heated auction by Christies of London, a 1787 bottle of Château Lafite Bordeaux—one of a cache of bottles unearthed in a bricked-up Paris cellar and supposedly owned by Thomas Jefferson—went for $156,000 to a member of the Forbes family. The discoverer of the bottle was pop-band manager turned wine collector Hardy Rodenstock, who had a knack for finding extremely old and exquisite wines. But rumors about the bottle soon arose. Why wouldnt Rodenstock reveal the exact location where it had been found? Was it part of a smuggled Nazi hoard? Or did his reticence conceal an even darker secret?
It would take more than two decades for those questions to be answered and involve a gallery of intriguing players—among them Michael Broadbent, the bicycle-riding British auctioneer who speaks of wines as if they are women and staked his reputation on the record-setting sale; Serena Sutcliffe, Broadbents elegant archrival, whose palate is covered by a hefty insurance policy; and Bill Koch, the extravagant Florida tycoon bent on exposing the truth about Rodenstock.
Pursuing the story from Monticello to London to Zurich to Munich and beyond, Benjamin Wallace also offers a mesmerizing history of wine, complete with vivid accounts of subterranean European laboratories where old vintages are dated and of Jeffersons colorful, wine-soaked days in France, where he literally drank up the culture.
Suspenseful, witty, and thrillingly strange, The Billionaires Vinegar is the vintage tale of what could be the most elaborate con since the Hitler diaries. It is also the debut of an exceptionally powerful new voice in narrative non-fiction.
"The titular bottle, from a cache of allegedly fine, allegedly French wine, allegedly owned by Thomas Jefferson in the 1780s, set a record price when auctioned in 1985. The subsequent brouhaha over the cache's authenticity takes wine journalist Wallace on a piquant journey into the mirage-like world of rare wines. At its center are Hardy Rodenstock, an enigmatic German collector with a suspicious knack for unearthing implausibly old and drinkable wines, and Michael Broadbent, a Christie's wine expert, who auctioned Rodenstock's lucrative finds. The argument over the Jefferson bottles and other rarities aged for decades, flummoxed a wine establishment desperate to keep the cork in a controversy that might deflate the market for antique vintages. (In the author's telling, a 2006 lawsuit almost settles the issue.) Wallace sips the story slowly, taking leisurely digressions into techniques for faking wine and detecting same with everything from Monticello scholarship to nuclear physics. He paints a colorful backdrop of eccentric oenophiles, decadent tastings and overripe flavor rhetoric (Broadbent describes one wine as redolent of chocolate and 'schoolgirls' uniforms'). Investigating wines so old and rare they could taste like anything, he playfully questions the very foundations of connoisseurship." Publishers Weekly (Copyright Reed Business Information, Inc.)
Suspenseful, witty, and thrillingly strange, this work delivers the vintage tale of what could be the most elaborate con since the Hitler diaries.
In recent years, several of Americaand#8217;s leading art museums have voluntarily given up their finest pieces of classical art to the governments of Italy and Greece. The monetary value is estimated at over half a billion dollars. Why would they be moved to such unheard-of generosity?and#160;
The answer lies at the Getty, one of the worldand#8217;s richest and most troubled museums, and scandalous revelations that it had been buying looted antiquities for decades. Drawing on a trove of confidential museum records and frank interviews, Felch and Frammolino give us a fly-on-the-wall account of the inner workings of a world-class museum and tell the story of the Gettyand#8217;s dealings in the illegal antiquities trade. The outlandish characters and bad behavior could come straight from the pages of a thrillerand#8212;the wealthy recluse founder, the cagey Italian art investigator, the playboy curator, the narcissist CEOand#8212;but their chilling effects on the rest of the art world have been all too real, as the authors show in novelistic detail.and#160;
Fast-paced and compelling, Chasing Aphrodite exposes the layer of dirt beneath the polished faand#231;ade of the museum business.
Two investigative reporters for the Los Angelesand#160;Times explore the looted antiquities scandal at the Getty Museum.
About the Author
JASONandnbsp;FELCH is an investigative reporter with the Los Angeles Times
. In 2006 he was a finalist for the Pulitzer Prize in Investigative Reporting for exposing the role of the J. Paul Getty Museum and other American museums in the black market for looted antiquities. His work has also been honored by Investigative Reporters and Editors, the Education Writers Association, the National Association of Science Writers, and the Society for Environmental Journalism. He lives in Pasadena, California, with his wife and son.
RALPH FRAMMOLINO reported for nearly 25 years at the Los Angeles Times, where he and former colleague Jason Felch were finalists for the 2006 Pulitzer Prize for Investigative Reporting for their articles about the J. Paul Getty Museum and looted antiquities. His work has also appeared in the New York Times and the Columbia Journalism Review. Frammolino is now a media consultant for various aid projects in Bangladesh, Nepal, and Sri Lanka, where he trains working journalists on investigative reporting techniques and right to information laws.