Synopses & Reviews
In Black Empire
, Michelle Ann Stephens examines the ideal of andldquo;transnational blacknessandrdquo; that emerged in the work of radical black intellectuals from the British West Indies in the early twentieth century. Focusing on the writings of Marcus Garvey, Claude McKay, and C. L. R. James, Stephens shows how these thinkers developed ideas of a worldwide racial movement and federated global black political community that transcended the boundaries of nation-states. Stephens highlights key geopolitical and historical events that gave rise to these writersandrsquo; intellectual investment in new modes of black political self-determination. She describes their engagement with the fate of African Americans within the burgeoning U.S. empire, their disillusionment with the potential of postandndash;World War I international organizations such as the League of Nations to acknowledge, let alone improve, the material conditions of people of color around the world, and the inspiration they took from the Bolshevik Revolution, which offered models of revolution and community not based on nationality.
Stephens argues that the global black political consciousness she identifies was constituted by both radical and reactionary impulses. On the one hand, Garvey, McKay, and James saw freedom of movement as the basis of black transnationalism. The Caribbean archipelagoandmdash;a geographic space ideally suited to the free movement of black subjects across national boundariesandmdash;became the metaphoric heart of their vision. On the other hand, these three writers were deeply influenced by the ideas of militarism, empire, and male sovereignty that shaped global political discourse in the early twentieth century. As such, their vision of transnational blackness excluded womenandrsquo;s political subjectivities. Drawing together insights from American, African American, Caribbean, and gender studies, Black Empire is a major contribution to ongoing conversations about nation and diaspora.
Expores the writings of Marcus Garvey, Claude McKay and C.L.R. James and argues that these black transnationals articulated a novel conception of black identity that reconfigures the meaning of American nationality.
About the Author
Michelle Ann Stephens is Associate Professor of English, American Studies, and African American Studies at Mount Holyoke College.
Table of Contents
Introduction: The Isles and Empire 1
Part I: Blackness and Empire: The World War I Moment 33
1. The New Worldly Negro: Sovereignty, Revolutionary Masculinity, and American Internationalism 35
2. The Women of Color and the Literature of a New Black World 56
3. Marcus Garvey, Black Emperor 74
4. The Black Star Line and the Negro Ship of State 102
Part II: Mapping New Geographies of History 127
5. Claude McKay and Harlem, Black Belt of the Metropolis 129
6. andquot;Nationality Doubtfulandquot; and Banjo's Crew in Marseilles 167
7. C. L. R. James and the Fugitive Slave in American Civilization 204
8. America is One Island Only: The Caribbean and American Studies 241
Conclusion: Dark Waters: Shadow Narratives of U. S. Imperialism 269