Bloodroot Mountain is not a setting in Amy Greene's debut novel, it's a larger-than-life character: It has presence and life and story. Set in the Tennessee mountains during the Depression, Bloodroot tells the story of four generations of Lamb family women, who are rumored to be witches. Themes of love, truth, and beauty are pivotal, and they are explored with grace and hope, but there is also rage, wickedness, and hate. I raced through Bloodroot — read it in one sitting — because I absolutely could not put it down. Recommended By Dianah H., Powells.com
Synopses & Reviews
Named for a flower whose blood-red sap possesses the power both to heal and poison, Bloodroot
is a stunning fiction debut about the legacies of magic and madness, faith and secrets, passion and loss that haunt one family across the generations, from the Great Depression to today.
The novel is told in a kaleidoscope of seamlessly woven voices and centers around an incendiary romance that consumes everyone in its path: Myra Lamb, a wild young girl with mysterious, haint blue eyes who grows up on remote Bloodroot Mountain; her grandmother Byrdie Lamb, who protects Myra fiercely and passes down “the touch” that bewitches people and animals alike; the neighbor boy who longs for Myra yet is destined never to have her; the twin children Myra is forced to abandon but who never forget their mother's deep love; and John Odom, the man who tries to tame Myra and meets with shocking, violent disaster. Against the backdrop of a beautiful but often unforgiving country, these lives come together only to be torn apart as a dark, riveting mystery unfolds.
With grace and unflinching verisimilitude, Amy Greene brings her native Appalachia and the faith and fury of its people to rich and vivid life. Here is a spellbinding tour de force that announces a dazzlingly fresh, natural-born storyteller in our midst.
"Masterful....A fascinating and authentic look at a rural world full of love and life, dreams and disappointment." The Boston Globe
"If Wuthering Heights had been set in southern Appalachia, it might have taken place on Bloodroot Mountain....Brooding, dark and beautifully imagined." The Atlanta Journal-Constitution
"That rare sort of family story that feels intimate instead of epic....Alluring and wonderful." Louisville Courier-Journal
"Greene's prose will cast a spell on you." Glamour
"Amy Greene's Bloodroot can stand proudly beside Alice Walker's The Color Purple and Jeannette Walls's The Glass Castle, two works which likewise examine the isometric push of the human spirit against the immovable forces of tyranny and poverty. Greene's novel has everything I savor in fiction: flawed but sympathetic characters, a narrative as unpredictable as it is engaging, and a setting rendered with such a vivid palette of local color detail that you'd swear you were there." Wally Lamb, author of The Hour I First Believed
"Reminiscent of McCarthy's early Appalachian fiction....Hard to put down....What consistently remains is Greene's spot-on account of a land and its people — with its old-fashioned Scots-Irish dialect and its close-knit communities, its homespun Christianity and its folk remedies." Milwaukee Journal Sentinel
"Bloodroot takes place in Appalachia and, yes, Greene lovingly describes its mountains and hollows, its waters filled with bluegills....But this story is really about the fraught, sometimes dangerous, bonds between children and their mothers." The New York Times Book Review
"Haunting....Woven into [Bloodroot] is mountain magic, family history, rural poverty and each generation's effort to make things better for their children." Knoxville News-Sentinel
"Stirring....The wild beauty of Appalachia is...entrancing....The novel's charm comes from its hints of magical realism. Women with 'gifts' — to heal, make love potions and put curses on their enemies." USA Today
"Bloodroot spins a web of tragic history, mountain lore, and forbidden love amid the beauty of east Tennessee's hill country....Will steal your heart." The Madison County Herald
"One of those warm, wise novels that turns into a word-of-mouth sensation....[Bloodroot's] weird swirl of Southern Gothic and bleak domestic drama keeps the pages turning....Greene has a vivid sense of her mountain and its surrounding communities and that sense of a natural wonderland slowly coming unhinged gives the book [its] soul." The Onion's A.V. Club
"Bloodroot is a marvel of a first novel, its world deftly conjured, with a mood and magic all its own. I don't know what captivated me more, the vividness of its voices or its evocation of a corner of the American landscape both foreign and familiar — but I was riveted from start to finish." Arthur Golden, author of Memoirs of a Geisha
"Romantic, riveting, and beautiful: Bloodroot demonstrates how the soul of one woman can possess the spirit of many....Reminiscent of Toni Morrison....Filled with passion and poetry, Bloodroot is an exciting beginning for a literary career." Sacramento News and Review
"A magical story, a story of passion, madness, a mystery, and a wild and tempestuous place." Hudson Valley News
"[Bloodroot's] power is awesome, peeling away layers of the human experience like an onion until it reaches a message of redemption. Greene proves herself a newcomer to watch." The Star-News
"Amy Greene is a born storyteller who depicts the voices and folkways of Appalachia with both eloquence and verisimilitude. A striking debut by a gifted writer." Ron Rash, author of Serena
"Creates indelible, endearing images of the mountains, the small towns, and the townsfolk [of Eastern Tennessee]." Pittsburgh Tribune-Review
Myra Lamb is a wild girl with mysterious, haint blue eyes who grows up on remote Bloodroot Mountain. Her grandmother, Byrdie, protects her fiercely and passes down “the touch” that bewitches people and animals alike. But when John Odom tries to tame Myra, it sparks a shocking disaster, ripping lives apart. Bloodroot is the dark and riveting story of the legacies — of magic and madness, faith and secrets, passion and loss — that haunt one family across the generations.
About the Author
Amy Greene was born and raised in the foothills of East Tennessee’s Smoky Mountains, where she lives with her husband and two children.
Reading Group Guide
The introduction, questions, and suggestions for further reading that follow are designed to enhance your reading group’s discussion of Amy Greene’s compelling debut novel, Bloodroot—a sweeping, multigenerational story set in the hardscrabble hollows of eastern Tennessee.
1. Rather than relying on a single narrator to tell this moving, complex story that takes us from the Great Depression to today, Amy Greene uses the voices of six characters in different time periods to share their memories, their family histories, their connections to one another, and the circumstances that have enriched their lives or led to unintended sorrow. Why do you think she chose to tell the story this way? How do the characters’ voices differ from one another—their language, dialect, and colloquialisms—both between and within the generations?
2. Byrdie, for all the losses and heartbreak she’s experienced, remains resilient, selfless, and loving. Why do you think Greene chose to begin Myra’s story by going back into Byrdie’s sometimes painful history? How does Byrdie foreshadow what’s to come for Myra, both in her dreams and premonitions about John Odom, and also through her own experiences—namely her romance with Macon and the loss of her own children? What does Myra learn from Byrdie, and what lessons does she forget too easily?
3. Magic plays an important role in this story, just as it has in the real lives of generations of Appalachian families. Byrdie is the niece of “granny women” who believe that a curse on her family will be lifted when a baby with “haint blue” eyes is born, yet Myra’s birth seems to lead to even more trouble for the Lambs. Why doesn’t Myra’s birth break the curse? Do you think the curse even existed in the first place? Why do tradition and superstition exert such a strong hold on the family, even on an educated character like Ford Hendrix?
4. Appalachia is depicted as an often bleak place in this novel, where poverty, abuse, and violence are endemic. Yet it is also described as a place of great beauty. All of the female characters marry and have babies at a young age, which at times makes their lives more difficult—their husbands can be unreliable, even cruel—but some of their relationships are shown to be warm and loving. How do these contrasts create tension in the story? What social, political, and economic questions do you think the novel raises?
5. In Doug’s narrative, he speaks of the allure of Bloodroot Mountain and the important role the natural world plays in his boyhood relationship with Myra. What does the mountain represent to Doug and Myra, and to the other families who live there? How does their isolation from the rest of the world cause problems, and how does it occasionally benefit them? Why do you think Myra has “itchy feet,” and how does she pass that restlessness on to her children?
6. Wild Rose is an untamable horse with whom Myra seems to have a special, even primal, connection. What does Wild Rose represent for Myra? For Doug?
7. Byrdie passes the blood red ring she stole on to Myra, who in turn gives it to Johnny and Laura. Beyond its material value, why is the ring so important to each of them? What else does Myra pass on to her children—what less tangible legacies does she leave with each of them?
8. Why do you think Myra loves Wordsworth’s “Tintern Abbey”? How does poetry provide both her and Johnny with a means of escaping reality in some of their worst moments? How does Johnny’s own writing help him get past all the hardship he’s experienced?
9. What life-changing insights does Johnny gain while serving time in jail? What does he mean about becoming empowered and learning to use his anger in more productive ways?
10. How do you view Johnny’s chance meeting with Ford Hendrix? Is it coincidence, or is something more powerful at work? What do Johnny and Myra find appealing in Ford? Do you think Ford’s visions are real, or are they, along with his tales of how he lost his finger, part of his storytelling gifts?
11. What draws Johnny and Ford to Carolina? In addition to her healing gifts, how is she different from other women? How does the experience of living with Ford and Carolina in the idyll they’ve created in the woods—and the way this experience ends—change Johnny?
12. Why is Laura attracted to Clint? What do they have in common? Does Clint share any of Macon’s qualities, and does Laura share any of Byrdie’s? Why does Clint begin to withdraw after their marriage? Why can’t Clint tell Laura what’s troubling him? Do you think he drowns on purpose—is it a suicide or an accident? Why would he want to kill himself?
13. What does the patronizing attitude of Laura’s doctor say about the attitude of the outside world toward the people of rural Appalachia? How does the representative of Children’s Services confirm that attitude? Knowing Laura as you do, do you think it’s possible that she would kill her baby rather than give him up?
14. At the end of Laura’s and Johnny’s narratives, what changes have they undergone that enable them to stop believing in curses and to visit their mother for the first time? How has their relationship—and the fact that they are twins—evolved to come full circle in some ways?
15. At the beginning of the section Myra narrates, we can tell that something is not right with her, and we learn later that she is living in a mental hospital. Do you think Myra is mad, or haunted? Is her institutionalization is unjust? How does her encounter with Hollis affect her? Why do you think she doesn’t want to leave the hospital? Is she really content there?
16. Myra believes she has succeeded in bewitching John Odom into falling in love with her by swallowing a chicken heart; she also comes to believe she too is culpable in the disintegration of their marriage. Do you think Myra shares in the blame, or is John entirely at fault for the brutality that ends their relationship? Or is it in their bloodlines—could they have inherited legacies of violence from their parents? What role does fate play in what happens between them?
17. How does the magic that brings Myra to Ford—if it is magic—differ from that which brings Myra and John together? Compare Myra’s first meeting with Ford to the first time she sees John: do her feelings for Ford provide a counterbalance for her other relationships with men? Does Myra’s time with Ford help her find the courage to leave John, or is it John’s brutality that gives her the power to break down what has kept her prisoner?
18. Why does Myra not seem to care whether Ford or John is the father of her children? Who do you imagine is the father, and does it matter to you either way? Would knowing change the meaning of the novel for you?
19. Is it surprising that John is alive and living up north or that he has long since forgiven Myra, even though his body bears the evidence of her revenge? Do you believe him when he says he still loves Myra? Do you think that, as the product of an abusive father and an alcoholic mother, John has the capacity to be redeemed?
20. Were you surprised, along with John, to see Doug reappear in the story? Do you agree with Doug’s idea that loving Myra has cursed both men?
21. Why did John visit Myra back in 1996? What did he realize about her resilience in spite of her long years in an institution? Is the ending of the book an unexpected coincidence? Or is it perhaps one last magical act, giving John the capacity to change his life? And does he?
22. Thinking about Johnny, Laura, and Sunny at the novel’s conclusion, John Odom says, “I used to think I was born worthless, considering the people I come from. But when I saw that blue-eyed baby years ago, it made me wonder” (pages 364–65). How do Myra and Johnny wrestle with similar questions of their own? What do you think the novel is trying to say about inheritance and destiny?
23. The bloodroot flower has the power to poison and to heal, and while the lives of the characters in Bloodroot often seem bleak, the novel seems to end on a hopeful note. Amy Greene told one interviewer that “the discovery in the novel is that it is possible to take what’s good from the life you’ve lived and move forward, and leave the rest behind.” Do you agree? If so, which characters in the novel do you think illustrate this statement best?
(For a complete list of available reading group guides, and to sign up for the Reading Group Center enewsletter, visit www.readinggroupcenter.com)