Synopses & Reviews
Blues for Cannibals
continues the quest Bowden began in Blood Orchid
-to discover the headwaters of the sickness that seeps through the American soul, and to consider what it might mean to come fully alive in a time of exalted consumption, global pillage, gated communities, and wholesale destruction of the environment. Down, down he leads us, in intoxicating, nearly hallucinogenic prose-past the Yaqui, the Anasazi, and other ghosts of our collective history, past the hookers, winos, and assorted have-nots outside the prosperous circle by the fire. We meet a prisoner obsessed with painting presidents, sex offenders whose desires are not as alien as we wish, a murderer whose execution does not cure what ails us. "I wound up looking at a world where cannibalism is life," Bowden writes, "and of course, given the diet, a life without a future." He mourns a young artist who couldn't find a reason to keep living and tends a mesquite tree that won't die. And down among its metaphoric roots, he reacquaints us with the appetites-fierce, flawed, human-that might save us too. Blues for Cannibals
is scripture for an age when bushes no longer burn.
"A wild-eyed ride through the psyche of one of America's most incandescent writers." (Outside)
About the Author
is a journalist whose work appears regularly in Harper's, Esquire
, and other national publications. He is the author of several previous books of nonfiction. He lives in Tucson.