Synopses & Reviews
This second volume of Brahms studies contains twelve contributions by leading international authorities on various music. Like the preceding volume of the same title (edited by Robert Pascall), Michael Musgraveâs volume aims to provide original scholarly material on different facets of a major composer still inadequately discussed in book form and employs more precise methods of analysis and more critical approaches to materials then generally available in writings on Brahms in English. Half of the volume takes the music itself as focus, though from very different vantage points. There are two studies of a single opus (the two String Quartets Op. 51 Nos, 1 and 2), discussions of the Fourth Symphony and the motet âWarumâ, and a view of Brahmsâs harmony. The underlying historical theme emerges more openly in an account of Brahmsâs interest in German Renaissance music. The remaining essays give details of the state of Brahmsâs unpublished compositions and arrangements at his death and the problematic disposal of his possessions (including musical ones), explore his own attitude to his historical position, and outline the reception of his music in Germany and, to begin with, in England.
Synopsis
This second volume of Brahms studies contains twelve contributions by leading international authorities on various music. Like the preceding volume of the same title (edited by Robert Pascall), Michael Musgraveâs volume aims to provide original scholarly material on different facets of a major composer still inadequately discussed in book form and employs more precise methods of analysis and more critical approaches to materials then generally available in writings on Brahms in English.
Table of Contents
List of illustrations; Preface; 1. Brahms and England Michael Musgrave; 2. The establishment of a Brahms repertoire 1980 1902 Siegfried Kross; 3. New light on the Brahms Nachlass Otto Biba; 4. Brahmsâs âWayâ: a composerâs self-view Imogen Fellinger; 5. Brahmsâs posthumous compositions and arrangements: editorial problems and questions of authenticity George S. Bozarth; 6. Brahmsâs links with German Renaissance music: a discussion of selected choral works Virginia Hancock; 7. Brahmsâs Missa canonica and its recomposition in his Motet âWarumâOp. 74 No. 1 Robert Pascall; 8. The String Quartets Op. 51 No. 1 in C minor and No. 2 in A minor: a preface Michael Musgrave and Robert Pascall; 9. Two of a kind? Brahmsâs Op. 51 finales Arnold Whittall; 10. Motivic design and structural levels in the first movement of Brahmsâs String Quartet in C minor Allen Forte; 11. The âSceptred Pallâ: Brahmâs progressive harmony Christopher Wintle; 12. Brahms the indecisive: notes on the first movement of the Fourth Symphony Louise Litterick; Appendix: exhibition handlist Nigel Simeone; Index.