Synopses & Reviews
Sonny is wired. All the way to the fight, he's jamming his headset on and yanking it off, drumming the dashboard with his bad hand, grunting at trees. When I tell him to get some sleep, he glares.
It's usually a good sign, Sonny on edge. Means his reflexes are hair-trigger; he's ready to rock. But this feels different. He's cranky, off his rhythm. After two years with a boxer you can read his moods like a weather map. He's got a lot shaking around inside his head. His mom is on his teeth is a wet brown shred. He's in pain. That's the only reason he let me drive his van. Long trips are tough on what's left of his spine.
"They're out to rattle you, Sonny," says Jake. "They're afraid of you."'
"This is futile," says Sonny.
"Fu-tile,"mocks Alfred. "Martin teach you a new word?"
"Shut up," says Alfred. "Scared, Sonny?"
"That don't work no more," says Sonny. "Wake up. Elston Hubbard's fighting in Vegas for a title shot and I'm here in Woptown."
"Portuguese Americans," says Jake, "and that kind of talk. . ."
going nowhere." don't get us anywhere," says Jake.
"Got to keep pushing," says Alfred.
"Why?" asks Sonny.
"Cause you got the goods to be champ."
"Of this?" Sonny jerks a thumb out at the arena, a gray cinder-block box that looks ready to crumble into the pitted black tarmac of the parking lot. Old fishing boats, paint peeling, masts cracked, bob in the harbor. We're in some coast town I've never heard of I make a mental note to get the correct spelling of the town's name. For my book. Especially if this is where it all ends. What a pissant place to closedown the story. But fitting. Ironical. And then I feel ashamed -- I'm thinking about my book. This is Sonny's life.
After a while, Alfred asks, What else you gonna do?"
"You mean what else you gonna do," snaps Sonny.
"I got my pension," says Alfred. "I can watch you play Indian for the tourists, sell your momma's made-in-China tomahawks."
In the rearview, I see Jake's wrinkled old face twist into a scowl. Sonny's mom is his niece, but he hates what she's doing more than anyone.
"Can't be worse than this," says Sonny. "Time to hang it up. It's never gonna get any better."
"Warriors welcome their fears', "says Jake. "The Creator gives them fear to make their senses sharp."
"Not about being afraid," says Sonny. "About wasting time. For nothing."
"Let the Hawk find the way," says Jake.
"Later on the redskin crap," says Sonny.
"Let's just get on with it," says Alfred, "and then we'll all sit down and figure out what's next. Promoter booked us into a nice motel with free movies. Let's win the fight, relax, and tomorrow we'll have a big breakfast and make some plans."
"You been saying that for two years," says Sonny.
Alfred opens the window and spits out the brown shreds. "What do you say, Martin?"
"Nobody's been punching at me," I say. I keep my eyes on the road, but I can imagine Sonny's sidelong glance. I know how to get his attention. "I'm not going to tell Sonny what to do."
It's sly but it works. You can't order Sonny around, even if you're right, but if you are, he'll come around. You just have to cut him slack.
"Don't count on me making any more plans after tonight," grumbles Sonny.
Back in the rearview, Alfred and Jake roll their eyes in relief. I letthe air out slowly, through my nose.
We have to lift Alfred's wheelchair up the front steps of the arena. It's hard on someone who used to be a tough cop to be dependent, but for once Alfred says nothing. One wrong word and Sonny blows. Never seen this weirdness before.
The arena is cold and shabby, wooden planks over the hockey ice and a crummy old ring. The ancient canvas is stained with dinosaur blood. .The ropes are frayed, sagging. The ring is surrounded by folding chairs, another bad sign. Crowd doesn't like a decision, those chairs fly.
The promoter is waiting for us in his office. Typical small-town boxing sleazebag, cheap toupee and gold chains. "Tickets just ain't moving. Times are bad. The new TV shows. You know how they hate Indians around here. I didn't want to cut your percentage, so I moved you to a cheaper motel."
"Hadda do it for TV. They're shooting a documentary on Iron Pete."
"Why him?" growls Alfred.
"Who knows? Something about ethnic box
"What do you think Sonny is?"I say. "Native
Americans are the original ethnics." You talk to them, kid. I got my own problems
The dressing room is chilly, damp. Rusted hooks in crumbly concrete. No hangers, no lockers. The toilets haven't been flushed in weeks. No hot water. All the other fighters except Iron Pete, the local hero, dress in the same room with us. They're mostly white guys with dumb tattoos', eagles and skulls, skinny kids who washed out of the Marines or fat truck drivers who don't have good-cnough personalities to be bouncers. They're getting their hands taped by theirolder cousins, fatter truck drivers with cigarettes dripping ash. Everybody gawks at us, two black guys, one in a wheelchair, an old Indian and a mixedblood fighter.
"Someday, Sonny," says Alfred, packing extra gauze over the bad knuckle,
“Dramatic doings, terse and thrilling language, and deftly sketched characters produce a heart-pounding read.” Publishers Weekly (starred review)
“Pulse-pounding action scenes… Memorable sports fiction.” Kirkus Reviews
“Engrossing and involving, the story has action, character development, humor, and a strong, satisfying finish.” ALA Booklist
Robert Lipsyte's award-winning boxing saga follows the careers of Alfred Brooks and his protege Sonny Bear as they fight their way toward the top and learn that before any man can be champion, he has to be a contender. To coincide with the hardcover of Warrior Angel, the long-awaited fourth volume, the first three books now have a stunning new look in paperback.
On the verge of having a shot at the heavyweight boxing championship, nineteen-year-old Sonny Bear finds himself with conflicting loyalties when trouble erupts on his reservation over the construction of a new gambling casino. Sequel to "The Brave"
A fight for his people.
Sonny Bear, the Tomahawk Kid, has a championship left hook. But his boxing career's going nowhere, and he's ready to hang it up.
Then his manager, tough ex-cop Alfred Brooks, and his "writer," college boy Martin Malcolm Witherspoon, scheme Sonny into a glitzy Las Vegas match. Suddenly he's everybody's darling and headed for Hollywood stardom.
But fame isn't all it's cracked up to be, and Sonny needs to make the fight of his life to decide where he really belongs.
About the Author
Robert Lipsyte's list of publications for young people isn't especially lengthy when compared to those of other authors who have been writing for the same length of time. But that's because writing books for and about teenagers isn't the only kind of writing he does, or the only kind of work he does, for that matter. Among other things, Robert Lipsyte has been a highly respected columnist and a prize-winning sports reporter for the New York Times, a correspondent for the CBS television program Sunday Morning with Charles Kuralt, the host of his own award-winning television interview program, The Eleventh Hour, on New York City's public television station, and author of a television documentary series about sports. Most importantly, he is the author of The Contender, one of the very first realistic novels about contemporary teenagers and a book that has been required reading in many American schools for the past three decades. Recognizing the importance of that book as well as his other works, the American Library Association honored Robert Lipsyte with the Margaret A. Edwards Award in 2001. Mr. Lipsyte lives in New York, NY.
Winner of the 2001 Margaret Edwards Award